An intimate portrait of the groundbreaking writer that interweaves archival imagery, including home movies and personal photographs, animation and original interviews to tell the inspiring story of Tan’s life and career.
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Support for American Masters is provided by the Corporation for Public Broadcasting, AARP, Rosalind P. Walter Foundation, Judith and Burton Resnick, Blanche and Hayward Cirker Charitable Lead Annuity Trust, Koo and Patricia Yuen, Lillian Goldman Programming Endowment, Seton J. Melvin, Thea Petschek Iervolino Foundation, Anita and Jay Kaufman, The Philip and Janice Levin Foundation, Kate W. Cassidy Foundation, The Blanche and Irving Laurie Foundation, The Ambrose Monell Foundation, Ellen and James S. Marcus, The Charina Endowment Fund, The Marc Haas Foundation and public television viewers.
Amy Tan: Unintended Memoir
(soft music) -
Man
The Joy Luck Club went right to number one on the bestseller list. -
Man
The Joy Luck Club was so massive when it came out. Everybody loved it. It had such a huge impact on paving the way for other writers of color. My childhood with its topsy turvy emotions has in fact been a reason to write. -
Woman
Auntie Daisy and uncle John were two of the founding members of the Joy Luck Club. It was hard to wrap my head around all the different aspects of auntie Daisy's past. What helped is knowing the story of my grandmother being concubine. I didn't understand until I was an adult, what she meant by sacrifices. We had many, many arguments, and I came home one day, and she was raging and she pushed me and her eyes were glazed in a way they were gone. She was not a tiger mom. She was a suicidal mother. I think it was just an urge. She would never be able to get rid of. -
Man
There you were puffing away. -
Woman
It was part of my decision to not be like her at all. -
Man
Amy really started writing as a mental health break from all of the business work that she was doing. -
Woman
Started to ask her about her life. I would listen to everything. She loved the idea she was helping me to write Curry chicken from takeout. Who are the characters in Amy's work? Her family and people who really have gone through hell and somehow have come out of it. I am not the subject matter of mothers and daughters or Chinese culture. I am a writer compelled by a subconscious neediness to know which is a perpetual state of uncertainty and a tether to the past.
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