Sheryl Crow in Concert

ANNOUNCER: This program is available with Passport because of your generous donation to your local PBS station.

Thank you.

(audience cheering and applauding) I'm American-made Bud Light, Chevrolet My momma taught me wrong from right I was born in the South Sometimes I have a big mouth When I see something I don't like Oh, I gotta say it We've been driving this road For a very long time Paying no mind to the signs Well, the neighborhood's changed It's all been re-arranged We left that road somewhere behind Slow down, you're gonna crash Baby, you're a-screaming It's a gas, gas, gas Look out, baby, take your blinders off Everybody's looking for a way to get real gone Real gone Real gone There's a new cat in town Got high- paid friends He thinks he's gonna make history You think you know him so well Yeah, you think he's so swell But he's just perpetuating prophecy Come on now Slow down, you're gonna crash Baby, you're a-screaming It's a gas, gas, gas Look out, baby, take your blinders off Everybody's looking for a way to get real gone Real gone Oooh Real gone Oooh Real gone Oooh Real gone Uh You can say what you want But you can't say it 'round here 'Cause they'll catch you and give you a whipping I believe I was right When I said you were wrong You didn't like the sound of that Now, did you Slow down, you're gonna crash Baby, you'll be screaming It's a gas, gas, gas Look out, baby, take your blinders off Everybody's looking for a way to get real gone Well, here I come, and I'm so not scared Got my pedal to the metal Got my hands in the air Look out, baby, take your blinders off Everybody's looking for a way to get real gone Real gone Real gone Ooh Real gone Hey, hey, hey, hey, ho Hey, hey, yeah (audience cheering and applauding) One, two, one, two, ready go Oww Ten years livin' in a paper bag Feedback, baby, he's a flipped out cat Platinum canary, drinkin' Falstaff beer Mercedes Ruehl and a rented Lear Bottom feeder, insincere Lo-fi prophet pioneer Sell the house and go to school Get a young girlfriend, daddy's jewel A change A change would do you good Would do you good A change would do you good Oh a change A change would do you good Would do you good A change would do you good God's little gift is on the rag Poster girl posin' in a fashion mag Canine, feline, Jekyll and Hyde You wear your fake fur on the inside Queen of South Beach, aging blues Dinner's at six, wear your cement shoes I thought you were singin' Your heart out to me Your lips were syncing, but now I see A change A change would do you good Would do you good A change would do you good Oh a change A change would do you good Would do you good A change would do you good Yeah A change A change would do you good Would do you good A change would do you good I think a change A change would do you good Would do you good A change would do you good SHERYL: How you doing tonight, everybody?

(audience cheering and applauding) (Sheryl laughing) We're so glad you're here.

Chasin' dragons with plastic swords #*#*#*#* #*#*#* Jimmy, everybody wants more Scullion angel on the kitchen floor And I'm callin' Buddy on the Ouija board I've been thinkin' 'bout takin' a train Leave my phone machine by the radar range Hello it's me, I'm not at home If you'd like to reach me, leave me alone A change A change would do you good Would do you good A change would do you good Hello, it's me, I'm not at home If you'd like to reach me, leave me alone A change A change would do you good Would do you good A change would do you good I think a change A change would do you good Would do you good A change would do you good Oh, I think a change A change would do you good Would do you good A change would do you good Oh, a change A change would do you good Would do you good A change would do you good Hey (audience cheering and applauding) Thank you so much.

So we're gonna play you our very first big hit.

This came out 30 years ago.

(audience cheering) And it basically got played in Colorado and France for the first year.

Here we go.

One, two, one, two Hit it This ain't no disco And it ain't no country club either This is Nashville, Tennessee All I wanna do is have a little fun before I die Says the man next to me, out of nowhere It's apropos of nothing He said the name was William But I'm sure he's Bill or Billy or Mac or Buddy And he's plain ugly to me And I wonder if he's ever had a day of fun In his whole life We are drinking beer at noon on Tuesday In a bar that faces a giant car wash The good people of the world Are washing their cars on their lunch break Hosin' and scrubbin' As best they can in skirts and suits They drive up in the shiny Datsuns and Buicks Back to the phone company Where the stores too But then none are like Billy and me 'Cause all I wanna do is have some fun I got a feelin' I'm not the only one All I wanna do is have some fun I got a feelin' I'm not the only one All I wanna do is have some fun 'Til the Sun comes up over Santa Monica Boulevard I like a good beer buzz early in the mornin' And Billy likes to peel the labels Off his bottles of Bud He lays each one up on the bar And lights every match in an oversized pack Lettin' each one burn, down to his thick fingers Before blowin' and cursin' them out He watches the bottles of Bud As they spin on the floor And a happy couple enters the bar Dangerously close to one another The bartender looks up from his want ads, goes All I wanna do is have some fun I got a feelin' I'm not the only one All I wanna do is have some fun I got a feelin' I'm not the only one All I wanna do is have some fun 'Til the Sun comes up over Santa Monica Boulevard And otherwise the bar is ours The day and the night and the car wash too The Buds and the matches And the clean and dirty cars The Sun and the Moon, sing it, y'all All I wanna do is have some fun I got a feelin' I'm not the only one All I wanna do is have some fun You're gonna be on PBS.

I got a feelin' I'm not the only one Let's do it twice.

All I wanna do is have some What?

Fun I got a feelin' I'm not the only one All I wanna do is have some fun I got a feelin' there's a party goin' on Is there a party goin' on tonight?

In Franklin?

Is there a party goin' on Is there a party goin' on on Main Street?

Woo 'Cause all I wanna do is have some fun 'Til the Sun comes up over Santa Monica Boulevard 'Til the Sun comes up over Santa Monica Boulevard I think you're gonna be on TV.

(laughs) (audience cheering and applauding) (audience cheering and applauding) We appreciate your being here.

We were just talking backstage.

This guy- these guys have been with me for 12 years, and I can't tell you how blessed I feel.

(audience cheering and applauding) Greatest band on planet Earth.

And it's fun for us to get to play for you guys here in this beautiful small historic theater.

We've raised a lot of money in this theater for great causes.

We've seen people we love and that we know playing in here also raising money for great causes and also just having a great time.

So we hope you're gonna enjoy tonight.

We're gonna play a bunch of stuff, y'all know.

And then, obviously, we might throw in a couple, two, three songs that you might not know.

So, this is an old song called "My Favorite Mistake."

Ooh Ooh Ooh Ooh I woke up and called this morning The tone of your voice was a warning You don't care for me anymore I made up the bed we sleep in I looked at the clock when you creep in It's 6 A.M. and I'm alone Did you know when you go, it's the perfect ending To the bad day I was just beginning When you go all I know is You're my favorite mistake Your friends are sorry for me They watch you pretend to adore me Oh, but I'm no fool to this game And here comes your secret lover She'll be unlike any other Until your guilt goes up in flames, yeah Did you know when you go, it's the perfect ending To the bad day I've gotten used to spending When you go all I know is You're my favorite mistake You're my favorite mistake Maybe nothing lasts forever Even when you stay together I don't need forever after But it's your laughter, won't let me go So I'm holding on this way Did you know, could you tell You were the only one that I ever loved Everything's so wrong Did you see me walking by Did it ever make you cry You're my favorite mistake You're my favorite mistake You're my favorite mistake Oh, oh, yeah you are (audience cheering and applauding) Let me just introduce you to my band.

These guys are mostly, well they're all in Nashville except for Peter Stroud over here to my right.

(audience cheering and applauding) Right behind Peter is Robert Kearns on bass, and just formerly on keyboards.

(audience cheering and applauding) ROBERT: I would like a do over on that last song.

SHERYL: Say it again.

ROBERT: I would like a do over on the last song.

SHERYL: You'd like a do over on the last song.

I thought he was great, but then again I didn't really hear him.

(audience laughing) (Sheryl laughing) ROBERT: That's good.

That's good.

SHERYL: We'll steal it from somewhere else.

I do like his hat though, don't you?

(audience cheering and applauding) Yeah, I do too.

That's a very wonderful chapeau.

That's a new word.

Chapeau.

Do you know that word?

Yeah.

He got it at the haberdashery.

(audience laughing) Audley Freed over here to my left, who is also wearing quite a wonderful chapeau.

(audience cheering and applauding) AUDLEY: Stetson.

SHERYL: Oh, it's a Stetson, yeah.

(audience cheering and applauding) Our show is brought to you by Stetson.

(audience cheering, applauding, and laughing) Jennifer Gunderman on keyboards right back here.

(audience cheering and applauding) And on drums, Fred Eltringham.

(audience cheering and applauding) I've said this many times.

I've been engaged three times, I've never gotten married, and so therefore I still have all of my money.

(audience laughing) (audience cheering and applauding) I also do like to say that I have loved a lot of amazing people, and I've loved some other ones too.

(audience laughing) (audience cheering and applauding) God, I feel like hell tonight And tears of rage I cannot fight I'd be the last to help you understand Are you strong enough to be my man My man Nothing's true and nothing's right So let me be alone tonight 'Cause you can't change the way I am Are you strong enough to be my man Lie to me I promise, I'll believe Lie to me But please, don't leave I have a face I cannot show I make the rules up as I go Just try and love me if you can Are you strong enough to be my man My man Are you strong enough To be my man Are you strong enough To be my man Are you strong enough To be my man Are you strong enough My man When I've shown you that I just don't care When I'm throwing punches in the air When I'm broken down and I can't stand Would you be man enough to be my man Lie to me I promise, I'll believe Lie to me But please, don't leave (audience cheering and applauding) (audience cheering and applauding) Thank you, I think I'm related to most of y'all.

So, you know, thanks for coming to my little living room show.

We have a new record that's coming out very soon and... (audience cheering and applauding) I said I would never make another record, and I'm just gonna tell you I lied through my teeth.

(audience cheering and applauding) I figured that the way I grew up listening to records was, you know, front to the middle, and then you turned it over, and then you listened to the second side of it.

And then it went to like 8-tracks, and then it went to cassettes.

And you just, you listen to all the songs.

And now, so I might put something out, and it'll be on a new- new music playlist with like Ice Spice and Zach Bryan.

So I'm just like, wha...

I don't know what that means.

So I thought- I thought, you know, my last record was very collaborative.

It felt like a great bookend.

But then lo and behold, when the whole conversation started with AI about how that was going to start impersonating us, and it was also gonna start feeding us truth based on our own algorithms, and what we believe, I started thinking, "Man, I- I can't be quiet."

And the only way I knew was to sit down after my kids went to school with a notepad, and start writing, and singing, and playing, and just getting it out.

And the next thing I knew I had a bunch of songs.

So I called my great friend Mike Elizondo, who's just an incredible badass producer.

And I said, "I got these little screenplays.

Would you just Martin Scorsese them?"

And he did.

I mean he just made these crazy cinematic experiences out of all my songs.

And so, then the next thing I know, I had a- a whole body of work.

So I'm calling it a playlist that's all coming out on the same day.

(audience cheering and applauding) It's a playlist of new Sheryl Crow songs coming out on the same day.

If y'all wanna call it an album, I'm cool.

(audience laughing) But- but we're gonna play you some of the songs from that.

This was the first song that came out, and it's just really about how much I hate my alarm clock.

I will tell you I get up at 6: 10 to get my kids ready for school and- I- I don't know how many of y'all remember this, but I'm- I used to be a rock star.

(audience laughing) And so 6:10 was kind of like when I came rolling in, you know what I'm saying?

You know, I was like so cool.

I come in at 6: 10.

Now, I'm like slamming the alarm clock, and I'm getting up making eggs and packing lunches.

But I love it.

(audience cheering and applauding) So this is called "Alarm Clock."

One, two, three, four Penthouse, Saturday, guy looks like Chalamet Handing me his skinny margarita with a salt rim Top down, bring it 'round Mirror shades, look at me now Sunset in the rearview on the PCH, I'm all in It's a beautiful life, blow your mind And make you say ah When I open my eyes Baby, that's when the dreams stop That's why I hate my, that's why I hate my That's why I hate my alarm clock That's why I hate my, that's why I hate my That's why I hate my alarm clock Rolling 'round a bed of cash Office calls, don't call me back No, I ain't got time for that Loading up the G4 Catch me down in St. Tropez Just another average day Paparazzi caught me Making out on a surfboard It's a beautiful life, blow your mind And make you say ah When I open my eyes Baby, that's when the dream stops That's why I hate my, that's why I hate my That's why I hate my alarm clock That's why I hate my, that's why I hate my That's why I hate my alarm clock Lost my job and lost my keys Got me beggin' please Put this day out of its misery 'Cause when I finally fall asleep It's a beautiful life, blow your mind And make you say ah When I open my eyes Baby, that's when the dream stops That's why I hate my, that's why I hate my That's why I hate my alarm clock That's why I hate my, that's why I hate my That's why I hate my alarm clock That's why I hate my alarm clock That's why I hate my alarm clock (audience cheering and applauding) It's always hard to play new songs.

Feels good though.

(audience cheering and applauding) I'll tell you a funny story really quick.

I'm probably killing PBS.

Sorry y'all.

I had a gig years, no, just this past year with Lionel Richie.

(audience cheering and applauding) Yeah, he's pretty good.

And Billy Joel.

Yeah, he's pretty good.

And Lionel came into my dressing room and said, "We need to take this on the road, the three of us.

"We have hits.

"We have hits all night long.

We need to go on a world tour."

And I was like, "Yes sir, I'm in."

And Billy Joel said, "Yeah, no, I just do two gigs a year.

"I do like a corporate gig.

And then Madison Square Garden."

He do- does that every month.

And Lionel's like, "No man, we gotta go on the road.

We gotta take all these hits out."

And then he turned to me and he says, "Sheryl, you know when you play new songs?"

And I said "No, when?"

He goes "Never."

(audience laughing) He's like, "They don't wanna hear new songs.

That's when they go to the bathroom."

(audience laughing) Anyway, so with that in mind, we're gonna play another new song and this is called "Do It Again."

One, two, three, four I read some Eckhart Tolle And Deepak Chopra, too They say when you go pointing fingers You get three pointing back at you Well, I took a walk with Jesus I brought along Buddha, too You know, everyone is welcome here On this bus to Timbuktu All I know Is wherever I go, there I am All I know Is I'm doing the best that I can There's so much I don't know So, I learn to let go Let go and let love in Every day, I get up and I do it again Every day, I get up and I do it again Well, everyone is searching For a little piece of mind So, I brought along some mushrooms And I sat with the divine And we crossed the bridge to nowhere And we saw the other side Well, there is no us, there is no them Baby, that's all in your mind All I know Is wherever I go, there I am All I know Is I'm doing the best that I can There's so much I don't know So, I learn to let go Let go and let love in Every day, I get up and I do it again Every day, I get up and I do it again Well, I've been down to the river I washed away my sins Every day's a nice, clean slate For me to #*#*#*#* it up again Yeah, I'll probably #*#*#*#* it up again All I know Is wherever I go, there I am All I know Is I'm doing the best that I can There's so much I don't know So, I learn to let go Let go and let love in Every day, I get up and I do it again Every day, I let go and I let love in Every day, I get up and I let love in (audience cheering and applauding) This is the song that started the whole record, and it's the title track of the record.

It's called "Evolution."

I had a really strange experience with a wonderful young songwriter who played me a demo that she had done, and she had inserted a very famous artist's vocal in to sing her demo.

And I couldn't tell the difference, and it terrified me.

And then right around that time there was so much talk about George Carlin, and how somebody had inserted their jokes and he had like a- I mean the guy's been dead since 2006.

And it really started to terrify me.

And so I wrote a song about it because I feel like the thing that will separate us from the ever-looming presence of AI is the fact that we have souls, we have empathy, we have compassion.

And a computer can never have that.

(audience cheering and applauding) So that's what this song is about.

It's called "Evolution."

One, two, three, four Turned on the radio and there it was A song that sounded like something I wrote The voice and melody was hauntingly So familiar that I thought it was a joke Is it beyond intelligence As if the soul need not exist Evolution ever-changing Lost in space and time Maybe there's a grand solution Somewhere we will find Deep in the heart of human kind I held my baby as the Sun came up And I watched him as he opened up his eyes What will I tell him when he's old enough To want the answers to all the questions why Yes, we are brilliant, we are kind But sometimes we miss the glaring signs Evolution ever-changing Lost in space and time Maybe there's a grand solution Somewhere we will find Deep in the heart of human kind We can create, we can destroy We can feel pain, we can feel joy We can plant seeds and watch love grow We can feel love 'Cause it's written in the human kind Where are we headed in this paradise We are passengers And there's no one at the wheel No matter how well you can outdo me There is one thing you Will never do and it's feel Evolution ever-changing Lost in space and time Maybe there's a grand solution Somewhere we will find Evolution ever-changing Lost in space and time Maybe there's a grand solution Somewhere we will find (audience cheering and applauding) (audience cheering and applauding) Thank you so much.

I'm glad you like it.

(audience cheering and applauding) I'll tell you a quick story.

This record... Talk amongst yourselves.

This record started off with me doing a bunch of work on myself, as we all do, when we get in our forties.

(audience laughing) And I was out jogging one day, and I- I kept thinking about this- this last couple of years of really digging deep and how much this song kept coming back to me.

It was called "Digging in the Dirt."

It's a Peter Gabriel song.

It's so good, I wish I would've written it.

Anyway, and I kept thinking about this guy, Mike Elizondo, who I've known for 20 years, 25 years maybe.

He was a young guy.

Met him in LA.

He was the programmer for Dr. Dre and Eminem.

I mean, we could not have been on different trajectories, except for I just loved him.

And I've always, I mean really, for the most part of my career, I've produced myself because I know what I want to hear in my head.

Well, I had these songs and I was like, "I don't wanna hear what I do and- "but I want to do 'Digging in the Dirt' "'cause I feel like it is such an illustration of what I was going through and what I'd been through."

And I kept thinking about Mike.

And so I'm out jogging, and one day I just was like, "Oh, forget it.

I'm gonna call him."

So I called him.

I was like, "We have to do 'Digging in the Dirt.'

We just have to do it."

And he's like, "Okay, let's do it."

So we did eventually do the song after we completed the entire record.

Anyway, all that to say, we sent it to Peter Gabriel, and he sent it back to us with his voice on it, which for me was full circle because it was just affirmation that the reality is we- we all do work on ourselves.

And the one great thing is that we find ourselves in nature.

And that's what the song means for me, is digging in the dirt.

It's like you dig through all the roots, and all the muck, and you always come up, you know, blooming or blossoming- blossoming into something awesome.

So this is called "Digging in the Dirt."

And I'd like to bring Peter Gabriel up, but he's not here, so... (audience laughing) (Sheryl laughing) Something in me, dark and sticky All the time it's getting strong No way of dealing with this feeling Can't go on like this too long This time you've gone too far This time you've gone too far This time you've gone too far I told you, I told you, I told you, I told you This time you've gone too far This time you've gone too far This time you've gone too far I told you, I told you, I told you Don't talk back Just drive the car Shut your mouth I know what you are Don't say nothing Keep your hands on the wheel Don't turn around This is for real I'm digging in the dirt Stay with me, I need support I'm digging in the dirt To find the places I got hurt Open up the places I got hurt The more I look, the more I find As I close on in, I get so blind I feel it in my head, I feel it in my toes I feel it in my sex, that's the place it goes This time you've gone too far This time you've gone too far This time you've gone too far I told you, I told you, I told you, I told you This time you've gone too far This time you've gone too far This time you've gone too far I told you, I told you, I told you Don't talk back Just drive the car Shut your mouth I know what you are Don't say nothing Keep your hands on the wheel Don't turn around This is for real I'm digging in the dirt Stay with me, I need support I'm digging in the dirt To find the places I got hurt Open up the places I got hurt I'm digging in the dirt Stay with me, I need support I'm digging in the dirt To find the places I got hurt Open up the places I got hurt I got hurt I got hurt, yeah Find the places I got hurt Digging in the dirt To find the places we got hurt I got hurt, yeah Find the places we got hurt Digging in the dirt Find the places we got hurt I got hurt, yeah, in the dirt Find the places we got hurt Digging in the dirt Find the places we got hurt (audience cheering and applauding) Thank you.

(audience cheering and applauding) We're gonna do another cover for you we did in 2002.

This is called "The First Cut."

I would've given you all of my heart But there's someone who's torn it apart And he's taken just all that I have But if you want, I'll try to love again Baby, I'll try to love again, but I know The first cut is the deepest Baby, I know The first cut is the deepest When it comes to being lucky, he's cursed When it comes to lovin' me, he's worst I still want you by my side Just to help me dry the tears that I've cried Well, I'm sure gonna give you a try 'Cause If you want, I'll try to love again, try Baby, I'll try to love again, but I know The first cut is the deepest Baby, I know The first cut is the deepest When it comes to being lucky, he's cursed When it comes to lovin' me, he's worst I want you by my side Just to help me dry the tears that I've cried And I'm sure gonna give you a try 'Cause if you want, I'll try to love again Baby, I'll try to love again, but I know Oh, I know Do you feel like singing?

Here we go.

The first cut is the deepest Baby, I know The first cut is the deepest When it comes to being lucky, he's cursed When it comes to lovin' me, he's worst The first cut is the deepest Baby, I know The first cut is the deepest And I'll try to love again (audience cheering and applauding) Thank you.

You sounded very good.

We- we made a documentary during COVID, which was not the funnest thing I've ever done, but- but I will say it gave Tom Cruise and Top Gun a run for its money.

(audience cheering and applauding) But we wrote a- I wrote a song for the end of it, and it was really a letter to my kids about just making every moment count.

This is called "Forever."

One, two, three, four Lay down your head, don't you worry tonight Can't fix the world no matter how you try Give it some time, you will find Everything is all right There's no such thing as forever But you and me, we've got today And every moment we're together I know there is a heaven 'Cause you make me feel that way When I get down, you're the one that I call You pick me up every time that I fall And when you laugh Nothing else matters to me at all There's no such thing as forever But you and me, we've got today Every moment we're together I know there is a heaven 'Cause you make me feel that way Ah, ah Ah, ah Garbage out in space, garbage in LA Baby, what a waste Everybody's mad, everybody's sad See it in their face I gotta have the latest Gotta have the best, the most If you wanna be happy Light a match and watch it all go up in smoke There's no such thing as forever If we get stuck in yesterday Every moment we're together I know there is a heaven 'Cause you make me feel that way No such thing as forever, no such thing If we get stuck in yesterday Every moment we're together I know there is a heaven 'Cause you make me feel that way (audience cheering and applauding) SHERYL: Let's do it Two, three, four I've been a long, long way from here Put on a poncho, played for mosquitoes Drank 'til I was thirsty again I went searchin' through thrift store jungles I found Geronimo's rifle, Marilyn's shampoo Benny Goodman's corset and pen Well, okay, I made this up I promised you I'd never give up If it makes you happy It can't be that bad If it makes you happy Then why the hell are you so sad You get down, real low down You listen to Coltrane, derail your own train Who hasn't been there before I come 'round, around the hard way I bring you comics in bed Scrape the mold off the bread Serve you French toast again Well, okay, I still get stoned I'm not the kind of girl you'd take home If it makes you happy It can't be that bad If it makes you happy Why the hell are you so sad If it makes you happy It can't be that bad If it makes you happy Why the hell are you so sad We've been far, far away from here Put on a poncho, played for mosquitoes Drank 'til we were thirsty again Well, okay, we get along We get along right?

So what if right now everything's wrong If it makes you happy It can't be that bad If it makes you happy Why the hell are you so sad If it makes you happy It can't be that bad If it makes you happy Why the hell are you so sad Woo Oh-oh, oh (audience cheering and applauding) (audience cheering and applauding) All right, Nashville.

My friend the communist Holds meetings in his RV I can't afford his gas So I'm stuck here watching TV I don't have digital I don't have diddly squat It's not having what you want It's wanting what you've got I'm gonna soak up the Sun I'm gonna tell everyone to lighten up I'm gonna tell 'em that I've got no one to blame Every time I feel lame, I'm lookin' up I'm gonna soak up the Sun Gonna soak up the Sun I've got a crummy job It don't pay near enough To buy the things it'd take To win me some of your love Every time I turn around I'm lookin' up, you're lookin' down Maybe something's wrong with you That makes you act the way you do I'm gonna soak up the Sun I'm gonna tell everyone to lighten up I'm gonna tell 'em that I've got no one to blame Every time I feel lame, I'm lookin' up I'm gonna soak up the Sun While it's still free I'm gonna soak up the Sun Before it goes out on me Don't have no master suite I'm still the king of me You have a fancy ride, but baby I'm the one that has the key Every time I turn around I'm lookin' up, you're lookin' down Maybe something's wrong with you That makes you act the way you do Maybe I am crazy too I'm gonna soak up the Sun I'm gonna tell everyone to lighten up I'm gonna tell 'em that I've got no one to blame Every time I feel lame, I'm lookin' up I'm gonna soak up the Sun I'm gonna tell everyone to lighten up To lighten up I'm gonna tell 'em that I've got no one to blame Every time I feel lame I'm lookin' up I'm lookin' up Here we go.

I'm gonna soak up the Sun I got my 45 on So I can rock on (audience cheering and applauding) Thank you so much.

I hitched a ride With a vending machine repair man He said he's been down this road more than twice He was high on intellectualism I've never been there But the brochure looks nice Jump in, let's go Lay back, enjoy the show Everybody gets high, everybody gets low These are the days when anything goes Every day is a winding road I get a little bit closer Every day is a faded sign I get a little bit closer to feeling fine He's got a daughter he calls Easter She was born on a Tuesday night I'm just wondering why I feel so all alone Why I'm a stranger in my own life Jump in, let's go Lay back, enjoy the show Everybody gets high, everybody gets low These are the days when anything goes Every day is a winding road I get a little bit closer Every day is a faded sign I get a little bit closer Every day is a winding road I get a little bit closer Every day is a faded sign I get a little bit closer to feeling fine One, two, three I've been living on a sea of anarchy I've been living on coffee and nicotine I've been wondering if all the things I've seen Were ever real Ever really happening Were ever really happening Every day is a winding road I get a little bit closer Every day is a faded sign I get a little bit closer Every day is a winding road I get a little bit closer Every day is a faded sign I get a little bit closer to feeling fine Every day is a winding road Every day is a winding road Feeling fine Every day is a winding road Every day is a winding road All right Yeah How you feeling?

(audience cheering and applauding) Woo We thank you so much everybody.

Thank you, PBS.

Thank you, Franklin, Tennessee.

Yeah (audience cheering and applauding) (audience cheering and applauding) (audience cheering and applauding) (audience cheering and applauding) (audience cheering and applauding) AUDIENCE MEMBER: Yeah, baby.

(audience cheering and applauding) Thank y'all so much.

Oh my goodness.

Thank y'all so much.

We wanna thank all of our family and friends that are here tonight.

It's nice to be able to just drive down the road and go to bed.

Right?

(audience cheering and applauding) Alright, we're gonna do a song for you.

This is the very first- first big moment.

I was in Paris, and it was two o'clock in the morning, and my phone rings and this guy goes, "Hello, Sheryl.

It's Mick Jagger."

And I was like, "Not funny," thinking it was my band.

And then it turns out it was.

And so he invited me to come sing with the Rolling Stones.

And this is the song we did.

So we're gonna do it for you.

This is called "Live With Me."

(audience cheering and applauding) I got nasty habits I take tea at three Yes, and the meat I eat for dinner Must be hung out for a week My best friend, he shoots water rats And feeds them to his geese Don't you think there's a place for you In between the sheets Come on now, honey We can build a home for three, yeah Come on now, honey Don't you wanna live with me There's a score of harebrained children They're all locked in the nursery They got earphone heads, they got dirty necks They're so 20th century Well, they queue up for the bathroom 'Round about 7:35 Don't you think there's a place for you To make it come alive Uh You'd look good pram-pushing Down the high street, yeah Come on now, honey Don't you wanna live with me Whoa, the servants they're so helpful, dear The cook she is a whore Yeah, the butler, there's a place for her Behind the pantry door The maid, she's French, she got no sense She's wild for Crazy Horse And when she strips, the chauffeur flips The footman's eyes get crossed Don't you think there's a place for us Right across the street Don't you think there's a place for you In between the sheets, yeah (audience cheering and applauding) (audience cheering and applauding) (audience cheering and applauding) (audience cheering and applauding) AUDIENCE MEMBER: Come on back.

Come on Sheryl.