Live From Lincoln Center

>>TONIGHT "LIVE FROM LINCOLN >>TONIGHT "LIVE FROM LINCOLN CENTER RAISES A TOAST"TO >>TONIGHT "LIVE FROM LINCOLN CENTER RAISES A TOAST"TO COMPOSER JOHN KANDER AND CENTER RAISES A TOAST"TO COMPOSER JOHN KANDER AND LYRICIST FRED EBB. IN MUSICALS COMPOSER JOHN KANDER AND LYRICIST FRED EBB. IN MUSICALS LIKE "CHICAGO,""KISS OF THE LYRICIST FRED EBB. IN MUSICALS LIKE "CHICAGO,""KISS OF THE SPIDER WOMAN,"AND "CABARET," LIKE "CHICAGO,""KISS OF THE SPIDER WOMAN,"AND "CABARET," KANDER AND EBB MINED THE DEPTHS SPIDER WOMAN,"AND "CABARET," KANDER AND EBB MINED THE DEPTHS OF THE HUMAN HEART WITH KANDER AND EBB MINED THE DEPTHS OF THE HUMAN HEART WITH FEARLESSNESS AND FLAIR. OF THE HUMAN HEART WITH FEARLESSNESS AND FLAIR. SHAKESPEARE MIGHT HAVE BEEN FEARLESSNESS AND FLAIR. SHAKESPEARE MIGHT HAVE BEEN THE FIRST TO THINK IT, BUT NO SHAKESPEARE MIGHT HAVE BEEN THE FIRST TO THINK IT, BUT NO ONE HAS EXPRESSED THE IDEA THAT THE FIRST TO THINK IT, BUT NO ONE HAS EXPRESSED THE IDEA THAT LIFE IS A CABARET MORE ONE HAS EXPRESSED THE IDEA THAT LIFE IS A CABARET MORE CONVINCINGLY THAN THESE LIFE IS A CABARET MORE CONVINCINGLY THAN THESE MUSICAL MARVELS. I'M AUDRA CONVINCINGLY THAN THESE MUSICAL MARVELS. I'M AUDRA McDONALD. PLEASE JOIN US FOR MUSICAL MARVELS. I'M AUDRA McDONALD. PLEASE JOIN US FOR "RING THEM BELLS! A KANDER & McDONALD. PLEASE JOIN US FOR "RING THEM BELLS! A KANDER & EBB CELEBRATION."

APPLAUSE

CITY LIGHTS CITY LIGHTS >>START SPREADING THE NEWS CITY LIGHTS >>START SPREADING THE NEWS >>THOSE SPARK-A-LING LIGHTS >>START SPREADING THE NEWS >>THOSE SPARK-A-LING LIGHTS >>I'M LEAVING TODAY >>THOSE SPARK-A-LING LIGHTS >>I'M LEAVING TODAY >>I WANT TO WAKE UP >>I'M LEAVING TODAY >>I WANT TO WAKE UP IN THE CITY >>I WANT TO WAKE UP IN THE CITY THAT DOESN'T SLEEP IN THE CITY THAT DOESN'T SLEEP >>LIFE IS WHAT YOU DO THAT DOESN'T SLEEP >>LIFE IS WHAT YOU DO WHILE YOU'RE WAITING TO DIE >>LIFE IS WHAT YOU DO WHILE YOU'RE WAITING TO DIE LIFE IS HOW THE TIME GOES BY WHILE YOU'RE WAITING TO DIE LIFE IS HOW THE TIME GOES BY >>LIFE IS WHERE YOU STAND LIFE IS HOW THE TIME GOES BY >>LIFE IS WHERE YOU STAND JUST BEFORE YOU ARE FLAT >>LIFE IS WHERE YOU STAND JUST BEFORE YOU ARE FLAT LIFE IS ONLY THAT, MISTER JUST BEFORE YOU ARE FLAT LIFE IS ONLY THAT, MISTER >>LIFE IS SIMPLY THAT, MISTER LIFE IS ONLY THAT, MISTER >>LIFE IS SIMPLY THAT, MISTER THAT AND NOTHING MORE >>LIFE IS SIMPLY THAT, MISTER THAT AND NOTHING MORE THAN THAT THAT AND NOTHING MORE THAN THAT >>LIFE IS WHAT YOU FEEL THAN THAT >>LIFE IS WHAT YOU FEEL TILL YOU CAN'T FEEL AT ALL >>LIFE IS WHAT YOU FEEL TILL YOU CAN'T FEEL AT ALL LIFE IS WHERE YOU FLY AND FALL TILL YOU CAN'T FEEL AT ALL LIFE IS WHERE YOU FLY AND FALL >>RUNNING FOR THE SHELTER LIFE IS WHERE YOU FLY AND FALL >>RUNNING FOR THE SHELTER NAKED IN THE SNOW >>RUNNING FOR THE SHELTER NAKED IN THE SNOW >>LEARNING THERE ARE TEARDROPS NAKED IN THE SNOW >>LEARNING THERE ARE TEARDROPS ANYWHERE YOU GO >>LEARNING THERE ARE TEARDROPS ANYWHERE YOU GO >>FINDING IT'S THE MUD ANYWHERE YOU GO >>FINDING IT'S THE MUD THAT MAKES THE ROSES GROW >>FINDING IT'S THE MUD THAT MAKES THE ROSES GROW >>BUT THAT'S THE ONLY CHOICE THAT MAKES THE ROSES GROW >>BUT THAT'S THE ONLY CHOICE YOU KNOW >>LIFE IS WHAT YOU DO >>LIFE IS WHAT YOU DO >>LIFE IS WHAT YOU DO >>LIFE IS WHAT YOU DO >>LIFE IS WHAT YOU DO >>THIS IS HOW THE TIME >>LIFE IS WHAT YOU DO >>THIS IS HOW THE TIME GOES BY >>THIS IS HOW THE TIME GOES BY

CHEERING AND APPLAUSE

GOES BY

CHEERING AND APPLAUSE

>>LADIES AND GENTLEMEN, MARIN

CHEERING AND APPLAUSE

>>LADIES AND GENTLEMEN, MARIN MAZZIE AND JASON DANIELEY. >>GOOD EVENING. I'M ROB >>GOOD EVENING. I'M ROB FISHER. TONIGHT, LINCOLN >>GOOD EVENING. I'M ROB FISHER. TONIGHT, LINCOLN CENTER'S AMERICAN SONGBOOK FISHER. TONIGHT, LINCOLN CENTER'S AMERICAN SONGBOOK SERIES HONORS THE WORK OF JOHN CENTER'S AMERICAN SONGBOOK SERIES HONORS THE WORK OF JOHN KANDER AND FRED EBB, AND WHAT SERIES HONORS THE WORK OF JOHN KANDER AND FRED EBB, AND WHAT BETTER PLACE TO HONOR THEM THAN KANDER AND FRED EBB, AND WHAT BETTER PLACE TO HONOR THEM THAN THIS SPECTACULAR SETTING BETTER PLACE TO HONOR THEM THAN THIS SPECTACULAR SETTING OVERLOOKING THE CITY THEY SO THIS SPECTACULAR SETTING OVERLOOKING THE CITY THEY SO FAMOUSLY CELEBRATED IN SONG? OVERLOOKING THE CITY THEY SO FAMOUSLY CELEBRATED IN SONG? KANDER AND EBB'S PARTNERSHIP FAMOUSLY CELEBRATED IN SONG? KANDER AND EBB'S PARTNERSHIP SPANNED MORE THAN 40 YEARS. KANDER AND EBB'S PARTNERSHIP SPANNED MORE THAN 40 YEARS. THEIR FIRST BROADWAY SPANNED MORE THAN 40 YEARS. THEIR FIRST BROADWAY COLLABORATION "FLORA, THE RED THEIR FIRST BROADWAY COLLABORATION "FLORA, THE RED MENACE"OPENED IN 1965 AND COLLABORATION "FLORA, THE RED MENACE"OPENED IN 1965 AND INTRODUCED BROADWAY AUDIENCES TO MENACE"OPENED IN 1965 AND INTRODUCED BROADWAY AUDIENCES TO A NEWCOMER NAMED LIZA MINNELLI. INTRODUCED BROADWAY AUDIENCES TO A NEWCOMER NAMED LIZA MINNELLI. "FLORA"RAN ONLY A FEW MONTHS, A NEWCOMER NAMED LIZA MINNELLI. "FLORA"RAN ONLY A FEW MONTHS, BUT IN THE FOLLOWING YEAR ON "FLORA"RAN ONLY A FEW MONTHS, BUT IN THE FOLLOWING YEAR ON NOVEMBER 20, 1966, THEIR BUT IN THE FOLLOWING YEAR ON NOVEMBER 20, 1966, THEIR NEXT SHOW OPENED, NOVEMBER 20, 1966, THEIR NEXT SHOW OPENED, AND IT CHANGED MUSICAL THEATER NEXT SHOW OPENED, AND IT CHANGED MUSICAL THEATER FOREVER. AND IT CHANGED MUSICAL THEATER FOREVER.

DRUMROLL

FOREVER.

DRUMROLL

CHEERING AND APPLAUSE

WILLKOMMEN WILLKOMMEN BIENVENUE, WELCOME WILLKOMMEN BIENVENUE, WELCOME FREMDE, ETRANGER, STRANGER BIENVENUE, WELCOME FREMDE, ETRANGER, STRANGER GLUKLICH ZU SEHEN FREMDE, ETRANGER, STRANGER GLUKLICH ZU SEHEN JE SUIS ENCHANTE GLUKLICH ZU SEHEN JE SUIS ENCHANTE HAPPY TO SEE YOU JE SUIS ENCHANTE HAPPY TO SEE YOU BLEIBE, RESTE, STAY HAPPY TO SEE YOU BLEIBE, RESTE, STAY WILLKOMMEN, BIENVENUE, WELCOME BLEIBE, RESTE, STAY WILLKOMMEN, BIENVENUE, WELCOME IM CABARET, AU CABARET WILLKOMMEN, BIENVENUE, WELCOME IM CABARET, AU CABARET TO CABARET IM CABARET, AU CABARET TO CABARET MEINE DAMEN UND HERREN TO CABARET MEINE DAMEN UND HERREN MESDAMES ET MESSIEURS MEINE DAMEN UND HERREN MESDAMES ET MESSIEURS LADIES AND GENTLEMEN MESDAMES ET MESSIEURS LADIES AND GENTLEMEN GUTEN ABEND, BON SOIR LADIES AND GENTLEMEN GUTEN ABEND, BON SOIR GOOD EVENING GUTEN ABEND, BON SOIR GOOD EVENING WIE GEHTS? GOOD EVENING WIE GEHTS? COMMENT CA VA? WIE GEHTS? COMMENT CA VA? DO YOU FEEL GOOD? COMMENT CA VA? DO YOU FEEL GOOD? ICH BIN EUER CONFRECIER DO YOU FEEL GOOD? ICH BIN EUER CONFRECIER JE SUIS VOTRE COMPERE ICH BIN EUER CONFRECIER JE SUIS VOTRE COMPERE I AM YOU HOST JE SUIS VOTRE COMPERE I AM YOU HOST UND SAGEN I AM YOU HOST UND SAGEN WILLKOMMEN, BIENVENUE, WELCOME UND SAGEN WILLKOMMEN, BIENVENUE, WELCOME IM CABARET, AU CABARET WILLKOMMEN, BIENVENUE, WELCOME IM CABARET, AU CABARET TO CABARET IM CABARET, AU CABARET TO CABARET LEAVE YOU TROUBLES OUTSIDE TO CABARET LEAVE YOU TROUBLES OUTSIDE OUTSIDE LEAVE YOU TROUBLES OUTSIDE OUTSIDE SO LIFE IS DISAPPOINTING? OUTSIDE SO LIFE IS DISAPPOINTING? IN HERE LIFE IS BEAUTIFUL SO LIFE IS DISAPPOINTING? IN HERE LIFE IS BEAUTIFUL THE GIRLS ARE BEAUTIFUL IN HERE LIFE IS BEAUTIFUL THE GIRLS ARE BEAUTIFUL THE BOYS ARE BEAUTIFUL THE GIRLS ARE BEAUTIFUL THE BOYS ARE BEAUTIFUL EVEN THE ORCHESTRA IS BEAUTIFUL THE BOYS ARE BEAUTIFUL EVEN THE ORCHESTRA IS BEAUTIFUL WILLKOMMEN, BIENVENUE, WELCOME EVEN THE ORCHESTRA IS BEAUTIFUL WILLKOMMEN, BIENVENUE, WELCOME IM CABARET, AU CABARET WILLKOMMEN, BIENVENUE, WELCOME IM CABARET, AU CABARET TO CABARET IM CABARET, AU CABARET TO CABARET IM CABARET, AU CABARET TO CABARET IM CABARET, AU CABARET TO CABARET IM CABARET, AU CABARET TO CABARET IM CABARET TO CABARET IM CABARET AU CABARET IM CABARET AU CABARET GOOD EVENING. AU CABARET GOOD EVENING.

CHEERING AND APPLAUSE

GOOD EVENING.

CHEERING AND APPLAUSE

>>I DOUBT THIS MAN NEEDS AN

CHEERING AND APPLAUSE

>>I DOUBT THIS MAN NEEDS AN INTRODUCTION--JOEL GREY! SOMETIMES YOU'RE HAPPY SOMETIMES YOU'RE HAPPY AND SOMETIMES YOU'RE SAD SOMETIMES YOU'RE HAPPY AND SOMETIMES YOU'RE SAD BUT THE WORLD GOES 'ROUND AND SOMETIMES YOU'RE SAD BUT THE WORLD GOES 'ROUND SOMETIMES YOU LOSE BUT THE WORLD GOES 'ROUND SOMETIMES YOU LOSE EVERY NICKEL YOU HAD SOMETIMES YOU LOSE EVERY NICKEL YOU HAD BUT THE WORLD GOES 'ROUND EVERY NICKEL YOU HAD BUT THE WORLD GOES 'ROUND AND SOMETIMES YOUR DREAMS BUT THE WORLD GOES 'ROUND AND SOMETIMES YOUR DREAMS GET BROKEN IN PIECES AND SOMETIMES YOUR DREAMS GET BROKEN IN PIECES BUT THAT DOESN'T ALTER A THING GET BROKEN IN PIECES BUT THAT DOESN'T ALTER A THING TAKE IT FROM ME BUT THAT DOESN'T ALTER A THING TAKE IT FROM ME THERE'S STILL GONNA BE TAKE IT FROM ME THERE'S STILL GONNA BE A SUMMER, A WINTER THERE'S STILL GONNA BE A SUMMER, A WINTER A FALL, AND A SPRING A SUMMER, A WINTER A FALL, AND A SPRING AND SOMETIMES A FRIEND A FALL, AND A SPRING AND SOMETIMES A FRIEND STARTS TREATING YOU BAD AND SOMETIMES A FRIEND STARTS TREATING YOU BAD BUT THE WORLD GOES 'ROUND STARTS TREATING YOU BAD BUT THE WORLD GOES 'ROUND AND SOMETIMES YOUR HEART BREAKS BUT THE WORLD GOES 'ROUND AND SOMETIMES YOUR HEART BREAKS WITH A DEAFENING SOUND AND SOMETIMES YOUR HEART BREAKS WITH A DEAFENING SOUND SOMEBODY LOSES WITH A DEAFENING SOUND SOMEBODY LOSES AND SOMEBODY WINS SOMEBODY LOSES AND SOMEBODY WINS THEN ONE DAY IT'S KICKS AND SOMEBODY WINS THEN ONE DAY IT'S KICKS THEN IT'S KICKS IN THE SHINS THEN ONE DAY IT'S KICKS THEN IT'S KICKS IN THE SHINS BUT THE PLANET SPINS THEN IT'S KICKS IN THE SHINS BUT THE PLANET SPINS AND THE WORLD GOES 'ROUND OH, THE WORLD GOES 'ROUND YEAH, THE WORLD GOES 'ROUND YEAH, THE WORLD GOES 'ROUND AND SOMETIMES YOUR DREAMS YEAH, THE WORLD GOES 'ROUND AND SOMETIMES YOUR DREAMS GET BROKEN IN PIECES AND SOMETIMES YOUR DREAMS GET BROKEN IN PIECES BUT THAT DOESN'T MATTER AT ALL GET BROKEN IN PIECES BUT THAT DOESN'T MATTER AT ALL TAKE IT FROM ME BUT THAT DOESN'T MATTER AT ALL TAKE IT FROM ME THERE'S STILL GONNA BE TAKE IT FROM ME THERE'S STILL GONNA BE A SUMMER, A WINTER THERE'S STILL GONNA BE A SUMMER, A WINTER A SPRING, AND A FALL A SUMMER, A WINTER A SPRING, AND A FALL AND SOMETIMES A FRIEND A SPRING, AND A FALL AND SOMETIMES A FRIEND STARTS TREATING YOU BAD AND SOMETIMES A FRIEND STARTS TREATING YOU BAD BUT THE WORLD GOES 'ROUND STARTS TREATING YOU BAD BUT THE WORLD GOES 'ROUND AND SOMETIMES YOUR HEART BREAKS BUT THE WORLD GOES 'ROUND AND SOMETIMES YOUR HEART BREAKS WITH A DEAFENING SOUND AND SOMETIMES YOUR HEART BREAKS WITH A DEAFENING SOUND SOMEBODY LOSES WITH A DEAFENING SOUND SOMEBODY LOSES AND SOMEBODY WINS SOMEBODY LOSES AND SOMEBODY WINS THE ONE DAY IT'S KICKS AND SOMEBODY WINS THE ONE DAY IT'S KICKS HA HA! THE ONE DAY IT'S KICKS HA HA! THEN IT'S KICKS IN THE SHINS HA HA! THEN IT'S KICKS IN THE SHINS BUT THE PLANET SPINS THEN IT'S KICKS IN THE SHINS BUT THE PLANET SPINS AND THE WORLD GOES 'ROUND BUT THE PLANET SPINS AND THE WORLD GOES 'ROUND AND 'ROUND AND 'ROUND AND THE WORLD GOES 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND THE WORLD GOES 'ROUND AND 'ROUND AND 'ROUND THE WORLD GOES 'ROUND AND 'ROUND AND 'ROUND THE WORLD GOES 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND AND 'ROUND

CHEERING AND APPLAUSE

>>KANDER AND EBB'S FIRST SONGS >>KANDER AND EBB'S FIRST SONGS WERE SPECIALTY MATERIAL, LIKE >>KANDER AND EBB'S FIRST SONGS WERE SPECIALTY MATERIAL, LIKE THE SONG "MY COLORING BOOK," WERE SPECIALTY MATERIAL, LIKE THE SONG "MY COLORING BOOK," RECORDED BY BARBRA STREISAND, THE SONG "MY COLORING BOOK," RECORDED BY BARBRA STREISAND, AND THIS NUMBER, WRITTEN FOR RECORDED BY BARBRA STREISAND, AND THIS NUMBER, WRITTEN FOR KAYE BALLARD AS A TRIBUTE TO AND THIS NUMBER, WRITTEN FOR KAYE BALLARD AS A TRIBUTE TO HER FAVORITE INDULGENCE. THERE'S A LADY THERE'S A LADY LIVING SOMEWHERE THERE'S A LADY LIVING SOMEWHERE WHERE IT IS, I DO NOT KNOW LIVING SOMEWHERE WHERE IT IS, I DO NOT KNOW BUT I'D LOVE TO WRITE WHERE IT IS, I DO NOT KNOW BUT I'D LOVE TO WRITE AND TELL HER BUT I'D LOVE TO WRITE AND TELL HER THAT I LOVE HER SO AND TELL HER THAT I LOVE HER SO I BELIEVE I MIGHT DO MAYHEM THAT I LOVE HER SO I BELIEVE I MIGHT DO MAYHEM YES, I MIGHT DESTROY MYSELF I BELIEVE I MIGHT DO MAYHEM YES, I MIGHT DESTROY MYSELF IF I EVER FOUND HER MISSING YES, I MIGHT DESTROY MYSELF IF I EVER FOUND HER MISSING FROM MY GROCER'S SHELF IF I EVER FOUND HER MISSING FROM MY GROCER'S SHELF SARA LEE FROM MY GROCER'S SHELF SARA LEE SARA LEE SARA LEE SARA LEE YOUR BRIOCHE JUST FRACTURES ME SARA LEE YOUR BRIOCHE JUST FRACTURES ME GIVE ME A TASTE YOUR BRIOCHE JUST FRACTURES ME GIVE ME A TASTE OF YOUR CHERRY DANISH GIVE ME A TASTE OF YOUR CHERRY DANISH MY MOTHER BAKES WELL OF YOUR CHERRY DANISH MY MOTHER BAKES WELL BUT YOU CAN'T COMPARA MY MOTHER BAKES WELL BUT YOU CAN'T COMPARA NOT WITH SARA LEE BUT YOU CAN'T COMPARA NOT WITH SARA LEE OH, SARA LEE NOT WITH SARA LEE OH, SARA LEE THERE'S NO "H,"JUST SARA OH, SARA LEE THERE'S NO "H,"JUST SARA LEE THERE'S NO "H,"JUST SARA LEE BUT THAT'S OK BY ME LEE BUT THAT'S OK BY ME 'CAUSE I'M LIVIN' IN PARADISE BUT THAT'S OK BY ME 'CAUSE I'M LIVIN' IN PARADISE WHEN I'M NIBBLIN' APPLE SPICE 'CAUSE I'M LIVIN' IN PARADISE WHEN I'M NIBBLIN' APPLE SPICE FROM THE KITCHENS WHEN I'M NIBBLIN' APPLE SPICE FROM THE KITCHENS OF THE ONE I LOVE FROM THE KITCHENS OF THE ONE I LOVE WONDERFUL SARA LEE OF THE ONE I LOVE WONDERFUL SARA LEE >>SARA LEE WONDERFUL SARA LEE >>SARA LEE >>AND IT THRILLS ME RIGHT >>SARA LEE >>AND IT THRILLS ME RIGHT TO MY SOUL >>AND IT THRILLS ME RIGHT TO MY SOUL >>SARA LEE TO MY SOUL >>SARA LEE WHEN I'M CHEWIN' >>SARA LEE WHEN I'M CHEWIN' HER FINGER ROLL WHEN I'M CHEWIN' HER FINGER ROLL >>HOW I LOVE HER FINGER ROLL >>HOW I LOVE >>HEAR ME CRYIN' >>HOW I LOVE >>HEAR ME CRYIN' FOR GOODNESS SAKE >>HEAR ME CRYIN' FOR GOODNESS SAKE >>THAT SARA LEE FOR GOODNESS SAKE >>THAT SARA LEE >>THERE NEVER BEEN >>THAT SARA LEE >>THERE NEVER BEEN A BETTER BANANA CAKE >>THERE NEVER BEEN A BETTER BANANA CAKE COUSIN MILTON A BETTER BANANA CAKE COUSIN MILTON WORKS AT THE HILTON COUSIN MILTON WORKS AT THE HILTON HE CATERS BANQUETS WORKS AT THE HILTON HE CATERS BANQUETS AND AT EACH AFFAIR HE CATERS BANQUETS AND AT EACH AFFAIR HE SWEARS BY AND AT EACH AFFAIR HE SWEARS BY >>SARA LEE HE SWEARS BY >>SARA LEE >>I REALLY KNOW WHAT YOU MEAN >>SARA LEE >>I REALLY KNOW WHAT YOU MEAN >>SARA LEE >>I REALLY KNOW WHAT YOU MEAN >>SARA LEE >>AREN'T HER BROWNIES >>SARA LEE >>AREN'T HER BROWNIES OBSCENE? >>AREN'T HER BROWNIES OBSCENE? DROP THAT "H" OBSCENE? DROP THAT "H" SAY, "SARA" DROP THAT "H" SAY, "SARA" >>SARA SAY, "SARA" >>SARA >>"LEE" >>SARA >>"LEE" AND THAT'S OK BY ME >>"LEE" AND THAT'S OK BY ME I LOVE HER CHEESECAKE AND THAT'S OK BY ME I LOVE HER CHEESECAKE WHITE AS PEARL I LOVE HER CHEESECAKE WHITE AS PEARL DID I MENTION WHITE AS PEARL DID I MENTION THAT CHOCOLATE SWIRL? DID I MENTION THAT CHOCOLATE SWIRL? FROM THE KITCHENS THAT CHOCOLATE SWIRL? FROM THE KITCHENS OF THE ONE I LOVE FROM THE KITCHENS OF THE ONE I LOVE WONDERFUL SARA OF THE ONE I LOVE WONDERFUL SARA BEAUTIFUL WONDERFUL SARA BEAUTIFUL S-A-R-A L-E-E BEAUTIFUL S-A-R-A L-E-E SARA S-A-R-A L-E-E SARA LEE SARA LEE

CHEERING AND APPLAUSE

THERE'S A DIFFERENCE THERE'S A DIFFERENCE BETWEEN US THERE'S A DIFFERENCE BETWEEN US NO OBSERVER COULD MISS BETWEEN US NO OBSERVER COULD MISS WHAT'S THAT DIFFERENCE NO OBSERVER COULD MISS WHAT'S THAT DIFFERENCE BETWEEN US? WHAT'S THAT DIFFERENCE BETWEEN US? ONLY THIS BETWEEN US? ONLY THIS SEEING THINGS ONLY THIS SEEING THINGS THERE'S A WAY OF SEEING THINGS SEEING THINGS THERE'S A WAY OF SEEING THINGS A CERTAIN WAY OF SEEING THINGS THERE'S A WAY OF SEEING THINGS A CERTAIN WAY OF SEEING THINGS THAT MAKES THE DIFFERENCE A CERTAIN WAY OF SEEING THINGS THAT MAKES THE DIFFERENCE IS THAT SUN UP THERE THAT MAKES THE DIFFERENCE IS THAT SUN UP THERE A CIRCLE SPUN OF LIGHT AND AIR IS THAT SUN UP THERE A CIRCLE SPUN OF LIGHT AND AIR OR JUST A PRACTICAL A CIRCLE SPUN OF LIGHT AND AIR OR JUST A PRACTICAL EVERYDAY SUN? OR JUST A PRACTICAL EVERYDAY SUN? YOU AND I EVERYDAY SUN? YOU AND I HAVE A WAY OF SEEING THINGS YOU AND I HAVE A WAY OF SEEING THINGS A DIFFERENT WAY HAVE A WAY OF SEEING THINGS A DIFFERENT WAY OF SEEING THINGS A DIFFERENT WAY OF SEEING THINGS I'D SAY OF SEEING THINGS I'D SAY PAINT YOUR TRUTH I'D SAY PAINT YOUR TRUTH WITH MY ILLUSION PAINT YOUR TRUTH WITH MY ILLUSION PLEASE CONSIDER SEEING THINGS WITH MY ILLUSION PLEASE CONSIDER SEEING THINGS MY WAY PLEASE CONSIDER SEEING THINGS MY WAY >>ATTRACTIVE AND CHARMING MY WAY >>ATTRACTIVE AND CHARMING FOREVER IT SEEMS >>ATTRACTIVE AND CHARMING FOREVER IT SEEMS DISTURBING, DISARMING FOREVER IT SEEMS DISTURBING, DISARMING MY SPINNER OF DREAMS DISTURBING, DISARMING MY SPINNER OF DREAMS BUT DIFFERENT WE ARE MY SPINNER OF DREAMS BUT DIFFERENT WE ARE AND DIFFERENT WE'LL STAY BUT DIFFERENT WE ARE AND DIFFERENT WE'LL STAY TRY AS WE MIGHT AND DIFFERENT WE'LL STAY TRY AS WE MIGHT WE WON'T FIND A WAY TRY AS WE MIGHT WE WON'T FIND A WAY I'M OF THE EARTH WE WON'T FIND A WAY I'M OF THE EARTH AND YOU'RE OF THE SKY I'M OF THE EARTH AND YOU'RE OF THE SKY I LOVE YOU VERY MUCH AND YOU'RE OF THE SKY I LOVE YOU VERY MUCH I LOVE YOU VERY MUCH I LOVE YOU VERY MUCH I LOVE YOU VERY MUCH GOOD-BYE I LOVE YOU VERY MUCH GOOD-BYE SEEING THINGS GOOD-BYE SEEING THINGS THERE'S A WAY OF SEEING THINGS SEEING THINGS THERE'S A WAY OF SEEING THINGS A CERTAIN WAY OF SEEING THINGS THERE'S A WAY OF SEEING THINGS A CERTAIN WAY OF SEEING THINGS THAT MAKES THE DIFFERENCE A CERTAIN WAY OF SEEING THINGS THAT MAKES THE DIFFERENCE I NEED MORE THAN LOVE THAT MAKES THE DIFFERENCE I NEED MORE THAN LOVE I NEED SOMEONE I'M CERTAIN OF I NEED MORE THAN LOVE I NEED SOMEONE I'M CERTAIN OF AND WHEN I REACH FOR HIM I NEED SOMEONE I'M CERTAIN OF AND WHEN I REACH FOR HIM HE MUST BE THERE AND WHEN I REACH FOR HIM HE MUST BE THERE >>YOU AND I HE MUST BE THERE >>YOU AND I HAVE A WAY OF SEEING THINGS >>YOU AND I HAVE A WAY OF SEEING THINGS A DIFFERENT WAY HAVE A WAY OF SEEING THINGS A DIFFERENT WAY OF SEEING THINGS A DIFFERENT WAY OF SEEING THINGS I'D SAY OF SEEING THINGS I'D SAY ONE IS TRUTH I'D SAY ONE IS TRUTH AND ONE'S ILLUSION ONE IS TRUTH AND ONE'S ILLUSION >>I'M OF EARTH AND ONE'S ILLUSION >>I'M OF EARTH AND YOU'RE OF SKY >>I'M OF EARTH AND YOU'RE OF SKY >>BUT I LOVE YOU VERY MUCH AND YOU'RE OF SKY >>BUT I LOVE YOU VERY MUCH >>AND I LOVE YOU >>BUT I LOVE YOU VERY MUCH >>AND I LOVE YOU VERY MUCH >>AND I LOVE YOU VERY MUCH GOOD-BYE MAYBE THIS TIME MAYBE THIS TIME I'LL BE LUCKY MAYBE THIS TIME I'LL BE LUCKY MAYBE THIS TIME SHE'LL STAY I'LL BE LUCKY MAYBE THIS TIME SHE'LL STAY MAYBE THIS TIME MAYBE THIS TIME SHE'LL STAY MAYBE THIS TIME FOR THE FIRST TIME MAYBE THIS TIME FOR THE FIRST TIME LOVE WON'T HURRY AWAY FOR THE FIRST TIME LOVE WON'T HURRY AWAY SHE WILL HOLD ME FAST LOVE WON'T HURRY AWAY SHE WILL HOLD ME FAST I'LL BE HOME AT LAST SHE WILL HOLD ME FAST I'LL BE HOME AT LAST NOT A LOSER ANYMORE I'LL BE HOME AT LAST NOT A LOSER ANYMORE LIKE THE LAST TIME NOT A LOSER ANYMORE LIKE THE LAST TIME AND THE TIME BEFORE LIKE THE LAST TIME AND THE TIME BEFORE EVERYBODY AND THE TIME BEFORE EVERYBODY LOVES A WINNER EVERYBODY LOVES A WINNER SO NOBODY LOVED ME LOVES A WINNER SO NOBODY LOVED ME MR. PEACEFUL SO NOBODY LOVED ME MR. PEACEFUL MR. HAPPY MR. PEACEFUL MR. HAPPY THAT'S WHAT I LONG TO BE MR. HAPPY THAT'S WHAT I LONG TO BE ALL THE ODDS ARE IN MY FAVOR THAT'S WHAT I LONG TO BE ALL THE ODDS ARE IN MY FAVOR SOMETHING'S BOUND TO BEGIN ALL THE ODDS ARE IN MY FAVOR SOMETHING'S BOUND TO BEGIN IT'S GOT TO HAPPEN SOMETHING'S BOUND TO BEGIN IT'S GOT TO HAPPEN HAPPEN SOMETIME IT'S GOT TO HAPPEN HAPPEN SOMETIME MAYBE THIS TIME I'LL WIN HAPPEN SOMETIME MAYBE THIS TIME I'LL WIN EVERYBODY LOVES A WINNER MAYBE THIS TIME I'LL WIN EVERYBODY LOVES A WINNER SO NOBODY LOVED ME EVERYBODY LOVES A WINNER SO NOBODY LOVED ME MR. PEACEFUL SO NOBODY LOVED ME MR. PEACEFUL MR. HAPPY MR. PEACEFUL MR. HAPPY THAT'S WHAT I LONG TO BE MR. HAPPY THAT'S WHAT I LONG TO BE ALL THE ODDS ARE THAT'S WHAT I LONG TO BE ALL THE ODDS ARE THEY'RE IN MY FAVOR ALL THE ODDS ARE THEY'RE IN MY FAVOR SOMETHING'S BOUND TO BEGIN THEY'RE IN MY FAVOR SOMETHING'S BOUND TO BEGIN IT'S GOT TO HAPPEN SOMETHING'S BOUND TO BEGIN IT'S GOT TO HAPPEN HAPPEN SOMETIME IT'S GOT TO HAPPEN HAPPEN SOMETIME MAYBE THIS TIME HAPPEN SOMETIME MAYBE THIS TIME MAYBE THIS TIME I'LL WIN MAYBE THIS TIME MAYBE THIS TIME I'LL WIN

CHEERING AND APPLAUSE

I DON'T CARE MUCH I DON'T CARE MUCH GO OR STAY I DON'T CARE MUCH GO OR STAY I DON'T CARE VERY MUCH GO OR STAY I DON'T CARE VERY MUCH EITHER WAY I DON'T CARE VERY MUCH EITHER WAY HEARTS GROW HARD EITHER WAY HEARTS GROW HARD ON A WINDY STREET HEARTS GROW HARD ON A WINDY STREET LIPS GROW COLD ON A WINDY STREET LIPS GROW COLD WITH THE RENT TO MEET LIPS GROW COLD WITH THE RENT TO MEET SO IF YOU KISS ME WITH THE RENT TO MEET SO IF YOU KISS ME IF WE TOUCH SO IF YOU KISS ME IF WE TOUCH WARNING'S FAIR IF WE TOUCH WARNING'S FAIR I DON'T CARE VERY MUCH WORDS SOUND FALSE WORDS SOUND FALSE WHEN YOUR COAT'S TOO THIN WORDS SOUND FALSE WHEN YOUR COAT'S TOO THIN FEET DON'T WALTZ WHEN YOUR COAT'S TOO THIN FEET DON'T WALTZ WHEN THE ROOF CAVES IN FEET DON'T WALTZ WHEN THE ROOF CAVES IN SO IF YOU KISS ME WHEN THE ROOF CAVES IN SO IF YOU KISS ME IF WE TOUCH SO IF YOU KISS ME IF WE TOUCH WARNING'S FAIR IF WE TOUCH WARNING'S FAIR I DON'T CARE VERY MUCH WARNING'S FAIR I DON'T CARE VERY MUCH WARNING'S FAIR I DON'T CARE VERY MUCH WARNING'S FAIR I DON'T CARE WARNING'S FAIR I DON'T CARE VERY MUCH I DON'T CARE VERY MUCH

CHEERING AND APPLAUSE

PLAYING "ALL THAT JAZZ"

PLAYING "ALL THAT JAZZ"

CHEERING AND APPLAUSE

COME ON, BABE COME ON, BABE WHY DON'T WE PAINT THE TOWN COME ON, BABE WHY DON'T WE PAINT THE TOWN AND ALL THAT JAZZ? WHY DON'T WE PAINT THE TOWN AND ALL THAT JAZZ? I'M GONNA ROUGE MY KNEES AND ALL THAT JAZZ? I'M GONNA ROUGE MY KNEES AND ROLL MY STOCKINGS DOWN I'M GONNA ROUGE MY KNEES AND ROLL MY STOCKINGS DOWN AND ALL THAT JAZZ AND ROLL MY STOCKINGS DOWN AND ALL THAT JAZZ START THE CAR AND ALL THAT JAZZ START THE CAR I KNOW A WHOOPEE SPOT START THE CAR I KNOW A WHOOPEE SPOT WHERE THE GIN IS COLD I KNOW A WHOOPEE SPOT WHERE THE GIN IS COLD BUT THE PIANO'S HOT WHERE THE GIN IS COLD BUT THE PIANO'S HOT IT'S JUST A NOISY HALL BUT THE PIANO'S HOT IT'S JUST A NOISY HALL WHERE THERE'S A NIGHTLY BRAWL IT'S JUST A NOISY HALL WHERE THERE'S A NIGHTLY BRAWL AND ALL WHERE THERE'S A NIGHTLY BRAWL AND ALL THAT AND ALL THAT JAZZ THAT JAZZ WHOO JAZZ WHOO

CHEERING AND APPLAUSE

WHOO

CHEERING AND APPLAUSE

AW, SLICK YOUR HAIR

CHEERING AND APPLAUSE

AW, SLICK YOUR HAIR AND WHERE YOUR BUCKLE SHOES AW, SLICK YOUR HAIR AND WHERE YOUR BUCKLE SHOES WHOO AND WHERE YOUR BUCKLE SHOES WHOO AND ALL THAT JAZZ WHOO AND ALL THAT JAZZ I HEAR THAT FATHER DIP AND ALL THAT JAZZ I HEAR THAT FATHER DIP IS GONNA BLOW THE BLUES I HEAR THAT FATHER DIP IS GONNA BLOW THE BLUES AND ALL THAT JAZZ IS GONNA BLOW THE BLUES AND ALL THAT JAZZ COME ON, BABE AND ALL THAT JAZZ COME ON, BABE WE'RE GONNA BRUSH THE SKY COME ON, BABE WE'RE GONNA BRUSH THE SKY I BET YOU LUCKY LINDY WE'RE GONNA BRUSH THE SKY I BET YOU LUCKY LINDY NEVER FLEW SO HIGH I BET YOU LUCKY LINDY NEVER FLEW SO HIGH 'CAUSE IN THE STRATOSPHERE NEVER FLEW SO HIGH 'CAUSE IN THE STRATOSPHERE HOW COULD HE LEND AN EAR 'CAUSE IN THE STRATOSPHERE HOW COULD HE LEND AN EAR TO ALL HOW COULD HE LEND AN EAR TO ALL THAT TO ALL THAT JAZZ? THAT JAZZ? WHOO! JAZZ? WHOO! NO, I'M NO ONE'S WIFE WHOO! NO, I'M NO ONE'S WIFE BUT I LOVE MY LIFE NO, I'M NO ONE'S WIFE BUT I LOVE MY LIFE AN ALL BUT I LOVE MY LIFE AN ALL ALL THAT AN ALL ALL THAT ALL THAT ALL THAT ALL THAT JAZZ ALL THAT JAZZ I SAID JAZZ I SAID THAT JAZZ I SAID THAT JAZZ

CHEERING AND APPLAUSE

>>I SUSPECT YOU ALL KNOW CHITA >>I SUSPECT YOU ALL KNOW CHITA RIVERA. >>WHOO. IF SOMEONE STOOD UP IF SOMEONE STOOD UP IN A CROWD IF SOMEONE STOOD UP IN A CROWD AND RAISED HIS VOICE UP IN A CROWD AND RAISED HIS VOICE UP WAY OUT LOUD AND RAISED HIS VOICE UP WAY OUT LOUD AND WAVED HIS ARM WAY OUT LOUD AND WAVED HIS ARM AND SHOOK HIS LEG AND WAVED HIS ARM AND SHOOK HIS LEG YOU'D NOTICE HIM AND SHOOK HIS LEG YOU'D NOTICE HIM IF SOMEONE IN A MOVIE SHOW YOU'D NOTICE HIM IF SOMEONE IN A MOVIE SHOW YELLED, "FIRE IN THE SECOND ROW IF SOMEONE IN A MOVIE SHOW YELLED, "FIRE IN THE SECOND ROW THIS WHOLE PLACE IS YELLED, "FIRE IN THE SECOND ROW THIS WHOLE PLACE IS A POWDER KEG" THIS WHOLE PLACE IS A POWDER KEG" YOU'D NOTICE HIM A POWDER KEG" YOU'D NOTICE HIM AND EVEN WITHOUT CLUCKING YOU'D NOTICE HIM AND EVEN WITHOUT CLUCKING LIKE A HEN AND EVEN WITHOUT CLUCKING LIKE A HEN EVERYONE GETS NOTICED LIKE A HEN EVERYONE GETS NOTICED NOW AND THEN EVERYONE GETS NOTICED NOW AND THEN UNLESS OF COURSE NOW AND THEN UNLESS OF COURSE THAT PERSONAGE SHOULD BE UNLESS OF COURSE THAT PERSONAGE SHOULD BE INVISIBLE THAT PERSONAGE SHOULD BE INVISIBLE INCONSEQUENTIAL

LAUGHTER

LAUGHTER

IT'S BEEN A FEW WEEKS.

LAUGHTER

IT'S BEEN A FEW WEEKS. ME IT'S BEEN A FEW WEEKS. ME

APPLAUSE

ME

APPLAUSE

CELLOPHANE

APPLAUSE

CELLOPHANE MR. CELLOPHANE CELLOPHANE MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE 'CAUSE YOU CAN LOOK MR. CELLOPHANE 'CAUSE YOU CAN LOOK RIGHT THROUGH ME 'CAUSE YOU CAN LOOK RIGHT THROUGH ME WALK RIGHT BY ME RIGHT THROUGH ME WALK RIGHT BY ME AND NEVER KNOW I'M THERE WALK RIGHT BY ME AND NEVER KNOW I'M THERE I TELL YOU AND NEVER KNOW I'M THERE I TELL YOU CELLOPHANE I TELL YOU CELLOPHANE MR. CELLOPHANE CELLOPHANE MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE 'CAUSE YOU CAN LOOK MR. CELLOPHANE 'CAUSE YOU CAN LOOK RIGHT THROUGH ME 'CAUSE YOU CAN LOOK RIGHT THROUGH ME WALK RIGHT BY ME RIGHT THROUGH ME WALK RIGHT BY ME AND NEVER KNOW I'M THERE WALK RIGHT BY ME AND NEVER KNOW I'M THERE SUPPOSE YOU WAS A LITTLE CAT AND NEVER KNOW I'M THERE SUPPOSE YOU WAS A LITTLE CAT RESIDIN' IN A PERSON'S FLAT SUPPOSE YOU WAS A LITTLE CAT RESIDIN' IN A PERSON'S FLAT WHO FED YOU FISH RESIDIN' IN A PERSON'S FLAT WHO FED YOU FISH AND SCRATCHED YOUR EAR WHO FED YOU FISH AND SCRATCHED YOUR EAR YOU'D NOTICE HIM AND SCRATCHED YOUR EAR YOU'D NOTICE HIM SUPPOSE YOU WAS A WOMAN WED YOU'D NOTICE HIM SUPPOSE YOU WAS A WOMAN WED AND SLEEPIN' IN A DOUBLE BED SUPPOSE YOU WAS A WOMAN WED AND SLEEPIN' IN A DOUBLE BED BESIDE ONE MAN FOR 7 YEARS AND SLEEPIN' IN A DOUBLE BED BESIDE ONE MAN FOR 7 YEARS YOU'D NOTICE HIM BESIDE ONE MAN FOR 7 YEARS YOU'D NOTICE HIM A HUMAN BEING'S MADE YOU'D NOTICE HIM A HUMAN BEING'S MADE OF MORE THAN AIR A HUMAN BEING'S MADE OF MORE THAN AIR WITH ALL THAT BULK OF MORE THAN AIR WITH ALL THAT BULK YOU'RE BOUND TO SEE HIM THERE WITH ALL THAT BULK YOU'RE BOUND TO SEE HIM THERE UNLESS THAT HUMAN BEIN' YOU'RE BOUND TO SEE HIM THERE UNLESS THAT HUMAN BEIN' NEXT TO YOU UNLESS THAT HUMAN BEIN' NEXT TO YOU IS UNIMPRESSIVE NEXT TO YOU IS UNIMPRESSIVE UNDISTINGUISHED IS UNIMPRESSIVE UNDISTINGUISHED YOU KNOW WHO SHOULD HAVE BEEN MY NAME SHOULD HAVE BEEN MY NAME MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE 'CAUSE YOU CAN LOOK MR. CELLOPHANE 'CAUSE YOU CAN LOOK RIGHT THROUGH ME 'CAUSE YOU CAN LOOK RIGHT THROUGH ME WALK RIGHT BY ME RIGHT THROUGH ME WALK RIGHT BY ME AND NEVER KNOW I'M THERE WALK RIGHT BY ME AND NEVER KNOW I'M THERE I TELL YOU AND NEVER KNOW I'M THERE I TELL YOU CELLOPHANE I TELL YOU CELLOPHANE MR. CELLOPHANE CELLOPHANE MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE SHOULD HAVE BEEN MY NAME MR. CELLOPHANE 'CAUSE YOU CAN LOOK MR. CELLOPHANE 'CAUSE YOU CAN LOOK RIGHT THROUGH ME 'CAUSE YOU CAN LOOK RIGHT THROUGH ME WALK RIGHT BY ME RIGHT THROUGH ME WALK RIGHT BY ME AND NEVER KNOW I'M THERE WALK RIGHT BY ME AND NEVER KNOW I'M THERE NEVER EVEN KNOW AND NEVER KNOW I'M THERE NEVER EVEN KNOW

LAUGHTER

I'M THERE HOPE I DIDN'T TAKE UP TOO MUCH HOPE I DIDN'T TAKE UP TOO MUCH OF YOUR TIME. HOPE I DIDN'T TAKE UP TOO MUCH OF YOUR TIME.

CHEERING AND APPLAUSE

>>KANDER AND EBB'S >>KANDER AND EBB'S COLLABORATION WAS SOMETIMES >>KANDER AND EBB'S COLLABORATION WAS SOMETIMES MISUNDERSTOOD AS BEING ROMANTIC, COLLABORATION WAS SOMETIMES MISUNDERSTOOD AS BEING ROMANTIC, WHICH IT WAS NOT, BUT BOTH MISUNDERSTOOD AS BEING ROMANTIC, WHICH IT WAS NOT, BUT BOTH OF THEM SAID IF THEY EVER WROTE WHICH IT WAS NOT, BUT BOTH OF THEM SAID IF THEY EVER WROTE WITH SOMEONE ELSE IT WOULD FEEL OF THEM SAID IF THEY EVER WROTE WITH SOMEONE ELSE IT WOULD FEEL LIKE ADULTERY. IT WAS PROBABLY WITH SOMEONE ELSE IT WOULD FEEL LIKE ADULTERY. IT WAS PROBABLY JOHN, AND ONLY JOHN, WHO COULD LIKE ADULTERY. IT WAS PROBABLY JOHN, AND ONLY JOHN, WHO COULD PROMPT FRED TO WRITE JOHN, AND ONLY JOHN, WHO COULD PROMPT FRED TO WRITE EXTRAORDINARY LYRICS ABOUT PROMPT FRED TO WRITE EXTRAORDINARY LYRICS ABOUT MARRIAGE. AS THE SAYING GOES, EXTRAORDINARY LYRICS ABOUT MARRIAGE. AS THE SAYING GOES, SCRATCH A CYNIC, YOU GET A MARRIAGE. AS THE SAYING GOES, SCRATCH A CYNIC, YOU GET A ROMANTIC. SCRATCH A CYNIC, YOU GET A ROMANTIC. 1, 2.

CHIME

CHIME

WHEN YOU'RE YOUNG

CHIME

WHEN YOU'RE YOUNG FEELING, OH, SO STRONG WHEN YOU'RE YOUNG FEELING, OH, SO STRONG WHAT CAN PROVE YOU WRONG? FEELING, OH, SO STRONG WHAT CAN PROVE YOU WRONG? LOVE AND LOVE ALONE WHAT CAN PROVE YOU WRONG? LOVE AND LOVE ALONE WHEN THE SUN LOVE AND LOVE ALONE WHEN THE SUN SEEMS FOREVER BRIGHT WHEN THE SUN SEEMS FOREVER BRIGHT WHAT CAN DIM ITS LIGHT? SEEMS FOREVER BRIGHT WHAT CAN DIM ITS LIGHT? LOVE AND LOVE ALONE WHAT CAN DIM ITS LIGHT? LOVE AND LOVE ALONE SO BEWARE LOVE AND LOVE ALONE SO BEWARE YOUNG LOVE LOST IN A KISS SO BEWARE YOUNG LOVE LOST IN A KISS THERE'S A TRUTH YOUNG LOVE LOST IN A KISS THERE'S A TRUTH YOUNG LOVE THERE'S A TRUTH YOUNG LOVE SIMPLE AS THIS YOUNG LOVE SIMPLE AS THIS EVERY FOND HELLO SIMPLE AS THIS EVERY FOND HELLO ENDS IN GOOD-BYE EVERY FOND HELLO ENDS IN GOOD-BYE WHAT SEEMS CERTAIN TO LIVE ENDS IN GOOD-BYE WHAT SEEMS CERTAIN TO LIVE WILL DIE WHAT SEEMS CERTAIN TO LIVE WILL DIE SO ENJOY WILL DIE SO ENJOY ALL THE TIME THERE IS SO ENJOY ALL THE TIME THERE IS IF YOU'RE HIS ALL THE TIME THERE IS IF YOU'RE HIS BE HIS IF YOU'RE HIS BE HIS MAKE EACH DAY YOUR OWN BE HIS MAKE EACH DAY YOUR OWN WHEN TOMORROWS COME MAKE EACH DAY YOUR OWN WHEN TOMORROWS COME AND YOUR HEART IS STONE WHEN TOMORROWS COME AND YOUR HEART IS STONE WHAT HAS MADE IT NUMB? AND YOUR HEART IS STONE WHAT HAS MADE IT NUMB? LOVE AND LOVE ALONE OH, THE WORLD CAN CHANGE OH, THE WORLD CAN CHANGE IT CAN CHANGE LIKE THAT OH, THE WORLD CAN CHANGE IT CAN CHANGE LIKE THAT DUE TO ONE LITTLE WORD IT CAN CHANGE LIKE THAT DUE TO ONE LITTLE WORD "MARRIED" DUE TO ONE LITTLE WORD "MARRIED" SEE A PALACE RISE "MARRIED" SEE A PALACE RISE FROM A TWO-ROOM FLAT SEE A PALACE RISE FROM A TWO-ROOM FLAT DUE TO ONE LITTLE WORD FROM A TWO-ROOM FLAT DUE TO ONE LITTLE WORD "MARRIED" DUE TO ONE LITTLE WORD "MARRIED" AND THE OLD DESPAIR "MARRIED" AND THE OLD DESPAIR THAT WAS OFTEN THERE AND THE OLD DESPAIR THAT WAS OFTEN THERE SUDDENLY CEASES TO BE THAT WAS OFTEN THERE SUDDENLY CEASES TO BE FOR YOU WAKE ONE DAY SUDDENLY CEASES TO BE FOR YOU WAKE ONE DAY LOOK AROUND AND SAY FOR YOU WAKE ONE DAY LOOK AROUND AND SAY "SOMEBODY WONDERFUL LOOK AROUND AND SAY "SOMEBODY WONDERFUL MARRIED ME" "SOMEBODY WONDERFUL MARRIED ME" MARRY ME MARRIED ME" MARRY ME COME ON AND MARRY ME MARRY ME COME ON AND MARRY ME WHY NOT AGREE TO BE COME ON AND MARRY ME WHY NOT AGREE TO BE MY BLUSHING BRIDE? WHY NOT AGREE TO BE MY BLUSHING BRIDE? I KNOW THE NEIGHBORHOOD MY BLUSHING BRIDE? I KNOW THE NEIGHBORHOOD WOULD GIVE ITS CONSENT I KNOW THE NEIGHBORHOOD WOULD GIVE ITS CONSENT AND THERE'S A CUTAWAY WOULD GIVE ITS CONSENT AND THERE'S A CUTAWAY I'M DYING TO RENT AND THERE'S A CUTAWAY I'M DYING TO RENT THE DAY YOU MARRY ME I'M DYING TO RENT THE DAY YOU MARRY ME GIVE IN AND MARRY ME THE DAY YOU MARRY ME GIVE IN AND MARRY ME I REALLY LOVE YOU GIVE IN AND MARRY ME I REALLY LOVE YOU SEE, WE CAN'T GO WRONG I REALLY LOVE YOU SEE, WE CAN'T GO WRONG THAT DIAMOND IN THE STORE SEE, WE CAN'T GO WRONG THAT DIAMOND IN THE STORE I COULD PAY MONTHLY FOR THAT DIAMOND IN THE STORE I COULD PAY MONTHLY FOR WAKE UP AND MARRY ME I COULD PAY MONTHLY FOR WAKE UP AND MARRY ME MARRY ME WAKE UP AND MARRY ME MARRY ME MARRY ME GATHER AROUND GATHER AROUND I GOT A STORY TO TELL GATHER AROUND I GOT A STORY TO TELL ABOUT A MANHATTAN LADY I GOT A STORY TO TELL ABOUT A MANHATTAN LADY THAT I KNOW VERY WELL ABOUT A MANHATTAN LADY THAT I KNOW VERY WELL SHE LIVES AT 5 RIVERSIDE THAT I KNOW VERY WELL SHE LIVES AT 5 RIVERSIDE HER NAME IS SHIRLEY DEVORE SHE LIVES AT 5 RIVERSIDE HER NAME IS SHIRLEY DEVORE AND SHE TRAVELED ROUND THE WORLD HER NAME IS SHIRLEY DEVORE AND SHE TRAVELED ROUND THE WORLD TO MEET THE GUY NEXT DOOR AND SHE TRAVELED ROUND THE WORLD TO MEET THE GUY NEXT DOOR WELL, THERE WAS TROUBLE TO MEET THE GUY NEXT DOOR WELL, THERE WAS TROUBLE INSIDE APARTMENT 29-E WELL, THERE WAS TROUBLE INSIDE APARTMENT 29-E 'CAUSE SHIRLEY'S MOTHER AND DAD INSIDE APARTMENT 29-E 'CAUSE SHIRLEY'S MOTHER AND DAD WERE AS UPSET AS CAN BE 'CAUSE SHIRLEY'S MOTHER AND DAD WERE AS UPSET AS CAN BE THEY SAID, "WE HATE WERE AS UPSET AS CAN BE THEY SAID, "WE HATE TO COMPLAIN, DEAR THEY SAID, "WE HATE TO COMPLAIN, DEAR AND WE DON'T LIKE TO GROUSE TO COMPLAIN, DEAR AND WE DON'T LIKE TO GROUSE BUT YOU'RE NEARLY 32 AND WE DON'T LIKE TO GROUSE BUT YOU'RE NEARLY 32 YOU SHOULD GET OUT OF THE HOUSE" BUT YOU'RE NEARLY 32 YOU SHOULD GET OUT OF THE HOUSE"

LAUGHTER

YOU SHOULD GET OUT OF THE HOUSE"

LAUGHTER

YOU GOT TO RING THEM BELLS

LAUGHTER

YOU GOT TO RING THEM BELLS YOU GOT TO RING THEM BELLS YOU GOT TO RING THEM BELLS YOU GOT TO RING THEM BELLS YOU GOT TO MAKE THEM SING YOU GOT TO RING THEM BELLS YOU GOT TO MAKE THEM SING AND REALLY RING THEM BELLS YOU GOT TO MAKE THEM SING AND REALLY RING THEM BELLS IT'S SUCH A HAPPY THING AND REALLY RING THEM BELLS IT'S SUCH A HAPPY THING TO HEAR THEM TING-A-LING IT'S SUCH A HAPPY THING TO HEAR THEM TING-A-LING YOU GOT TO RING THEM BELLS TO HEAR THEM TING-A-LING YOU GOT TO RING THEM BELLS WELL, SHIRLEY WAS 31 YOU GOT TO RING THEM BELLS WELL, SHIRLEY WAS 31 WHICH WAS LOATH TO ADMIT WELL, SHIRLEY WAS 31 WHICH WAS LOATH TO ADMIT AND SHE HAD NEVER BEEN LOVED WHICH WAS LOATH TO ADMIT AND SHE HAD NEVER BEEN LOVED WHICH DIDN'T THRILL HER A BIT AND SHE HAD NEVER BEEN LOVED WHICH DIDN'T THRILL HER A BIT AND SO SHE SAT WHICH DIDN'T THRILL HER A BIT AND SO SHE SAT AND SHE THOUGHT AND SO SHE SAT AND SHE THOUGHT SHE THOUGHT FOR HOURS ON END AND SHE THOUGHT SHE THOUGHT FOR HOURS ON END AND SAID SHE THOUGHT FOR HOURS ON END AND SAID "I'LL GO TO CHASE MANHATTAN AND SAID "I'LL GO TO CHASE MANHATTAN WHERE I GOT ME A FRIEND" "I'LL GO TO CHASE MANHATTAN WHERE I GOT ME A FRIEND" AND SO SHE BORROWED A THOU WHERE I GOT ME A FRIEND" AND SO SHE BORROWED A THOU AND CALLED TWA AND SO SHE BORROWED A THOU AND CALLED TWA AND TOLD HER MOTHER AND DAD AND CALLED TWA AND TOLD HER MOTHER AND DAD THAT SHE WAS UP AND AWAY AND TOLD HER MOTHER AND DAD THAT SHE WAS UP AND AWAY "I'M GONNA TRAVEL THAT SHE WAS UP AND AWAY "I'M GONNA TRAVEL THE CONTINENT "I'M GONNA TRAVEL THE CONTINENT A MONTH MAYBE TWO THE CONTINENT A MONTH MAYBE TWO AND HAUL ME HOME A HUS A MONTH MAYBE TWO AND HAUL ME HOME A HUS IF IT'S THE LAST THING I DO" AND HAUL ME HOME A HUS IF IT'S THE LAST THING I DO"

LAUGHTER

IF IT'S THE LAST THING I DO"

LAUGHTER

YOU GOT TO RING THEM BELLS

LAUGHTER

YOU GOT TO RING THEM BELLS YOU GOT TO RING THEM BELLS YOU GOT TO RING THEM BELLS YOU GOT TO RING THEM BELLS YOU GOT TO MAKE THEM SING YOU GOT TO RING THEM BELLS YOU GOT TO MAKE THEM SING AND REALLY RING THEM BELLS YOU GOT TO MAKE THEM SING AND REALLY RING THEM BELLS IT'S SUCH A HAPPY THING AND REALLY RING THEM BELLS IT'S SUCH A HAPPY THING TO HEAR THEM TING-A-LING IT'S SUCH A HAPPY THING TO HEAR THEM TING-A-LING YOU GOT TO RING THEM BELLS TO HEAR THEM TING-A-LING YOU GOT TO RING THEM BELLS SHE MET A LONDONER FIRST YOU GOT TO RING THEM BELLS SHE MET A LONDONER FIRST BUT THEY DID NOT HIT IT OFF SHE MET A LONDONER FIRST BUT THEY DID NOT HIT IT OFF 'CAUSE EVERY TIME SHE APPROACHED BUT THEY DID NOT HIT IT OFF 'CAUSE EVERY TIME SHE APPROACHED HE GOT A BRONCHIAL COUGH 'CAUSE EVERY TIME SHE APPROACHED HE GOT A BRONCHIAL COUGH AND SO SHE WENT TO MADRID HE GOT A BRONCHIAL COUGH AND SO SHE WENT TO MADRID AND MET A HANDSOME SENOR AND SO SHE WENT TO MADRID AND MET A HANDSOME SENOR BUT HE LIKED TO THROW THE BULL AND MET A HANDSOME SENOR BUT HE LIKED TO THROW THE BULL AND HE WAS NO MATADOR BUT HE LIKED TO THROW THE BULL AND HE WAS NO MATADOR SHE ALSO BOMBED OUT AND HE WAS NO MATADOR SHE ALSO BOMBED OUT IN BRUSSELS SHE ALSO BOMBED OUT IN BRUSSELS IN MAJORCA, AND ROME IN BRUSSELS IN MAJORCA, AND ROME THEN SOMEONE SAID IN MAJORCA, AND ROME THEN SOMEONE SAID "TRY DUBROVNIK, DEAR THEN SOMEONE SAID "TRY DUBROVNIK, DEAR BEFORE YOU GO HOME "TRY DUBROVNIK, DEAR BEFORE YOU GO HOME 'CAUSE IT'S THE KIND OF A TOWN BEFORE YOU GO HOME 'CAUSE IT'S THE KIND OF A TOWN WHERE YOU'LL BE LIKELY TO FALL 'CAUSE IT'S THE KIND OF A TOWN WHERE YOU'LL BE LIKELY TO FALL AND ALL THE TONY COGNOSCENTI WHERE YOU'LL BE LIKELY TO FALL AND ALL THE TONY COGNOSCENTI FIND THE BALKANS A BALL" AND ALL THE TONY COGNOSCENTI FIND THE BALKANS A BALL" YOU GOT TO RING THEM BELLS FIND THE BALKANS A BALL" YOU GOT TO RING THEM BELLS YOU GOT TO RING THEM BELLS YOU GOT TO RING THEM BELLS YOU GOT TO RING THEM BELLS YOU GOT TO MAKE THEM SING YOU GOT TO RING THEM BELLS YOU GOT TO MAKE THEM SING AND REALLY RING THEM BELLS YOU GOT TO MAKE THEM SING AND REALLY RING THEM BELLS IT'S SUCH A HAPPY THING AND REALLY RING THEM BELLS IT'S SUCH A HAPPY THING TO HEAR THEM TING-A-LING IT'S SUCH A HAPPY THING TO HEAR THEM TING-A-LING YOU GOT TO RING THEM BELLS TO HEAR THEM TING-A-LING YOU GOT TO RING THEM BELLS AND SO SHE WENT TO DUBROVNIK YOU GOT TO RING THEM BELLS AND SO SHE WENT TO DUBROVNIK AND THE VERY FIRST DAY AND SO SHE WENT TO DUBROVNIK AND THE VERY FIRST DAY SHE MET A GUY ON THE BEACH AND THE VERY FIRST DAY SHE MET A GUY ON THE BEACH WHO TOOK HER REASON AWAY SHE MET A GUY ON THE BEACH WHO TOOK HER REASON AWAY YES, IT WAS LOVE AT FIRST SIGHT WHO TOOK HER REASON AWAY YES, IT WAS LOVE AT FIRST SIGHT AND QUITE A BEAUTIFUL SCENE YES, IT WAS LOVE AT FIRST SIGHT AND QUITE A BEAUTIFUL SCENE SHE SAID, "MY NAME AND QUITE A BEAUTIFUL SCENE SHE SAID, "MY NAME IS SHIRL DEVORE" SHE SAID, "MY NAME IS SHIRL DEVORE" HE SAID, "I'M NORM SAPERSTEIN IS SHIRL DEVORE" HE SAID, "I'M NORM SAPERSTEIN HEH HEH HEH HEH HEH HEH" HE SAID, "I'M NORM SAPERSTEIN HEH HEH HEH HEH HEH HEH" AHEM. HEH HEH HEH HEH HEH HEH" AHEM.

LAUGHTER

AHEM.

LAUGHTER

SHE SAID

LAUGHTER

SHE SAID "ARE YOU FROM NEW YORK?" SHE SAID "ARE YOU FROM NEW YORK?" HE SAID, "THAT CAN'T "ARE YOU FROM NEW YORK?" HE SAID, "THAT CAN'T BE DENIED HE SAID, "THAT CAN'T BE DENIED I GOT A SWELL JUNIOR 3 BE DENIED I GOT A SWELL JUNIOR 3 AT NUMBER 5 RIVERSIDE" I GOT A SWELL JUNIOR 3 AT NUMBER 5 RIVERSIDE" OHHHH AT NUMBER 5 RIVERSIDE" OHHHH "5--5 RIVERSIDE DRIVE OHHHH "5--5 RIVERSIDE DRIVE IN NEW YORK? "5--5 RIVERSIDE DRIVE IN NEW YORK? 5? THAT'S WHERE I LIVE IN NEW YORK? 5? THAT'S WHERE I LIVE CAN YOU BELIEVE THIS? 5? THAT'S WHERE I LIVE CAN YOU BELIEVE THIS? 5? ARE YOU SURE?" CAN YOU BELIEVE THIS? 5? ARE YOU SURE?" AS IF THAT WASN'T ENOUGH 5? ARE YOU SURE?" AS IF THAT WASN'T ENOUGH POOR SHIRLEY THOUGHT AS IF THAT WASN'T ENOUGH POOR SHIRLEY THOUGHT SHE'D GONE DEAF POOR SHIRLEY THOUGHT SHE'D GONE DEAF WHEN HE TOLD HER SHE'D GONE DEAF WHEN HE TOLD HER HIS APARTMENT THERE WAS 29-F WHEN HE TOLD HER HIS APARTMENT THERE WAS 29-F YES, SHE WAS "E,"HE WAS "F" HIS APARTMENT THERE WAS 29-F YES, SHE WAS "E,"HE WAS "F" AND THEY HAD NOT EVEN MET YES, SHE WAS "E,"HE WAS "F" AND THEY HAD NOT EVEN MET UNTIL SHE TRAVELED AND THEY HAD NOT EVEN MET UNTIL SHE TRAVELED THE WORLD TO YUGOSLAVIA YET UNTIL SHE TRAVELED THE WORLD TO YUGOSLAVIA YET HE'D ALWAYS BEEN THE WORLD TO YUGOSLAVIA YET HE'D ALWAYS BEEN RIGHT NEXT DOOR HE'D ALWAYS BEEN RIGHT NEXT DOOR AND SHE WOULD NEVER HAVE KNOWN RIGHT NEXT DOOR AND SHE WOULD NEVER HAVE KNOWN IF SHE HADN'T TRIED DUBROVNIK AND SHE WOULD NEVER HAVE KNOWN IF SHE HADN'T TRIED DUBROVNIK SHE MIGHT STILL BE ALONE IF SHE HADN'T TRIED DUBROVNIK SHE MIGHT STILL BE ALONE WELL, THERE'S MORAL TO LEARN SHE MIGHT STILL BE ALONE WELL, THERE'S MORAL TO LEARN FROM LITTLE SHIRLEY DEVORE WELL, THERE'S MORAL TO LEARN FROM LITTLE SHIRLEY DEVORE WHO HAD TO BORROW A THOU FROM LITTLE SHIRLEY DEVORE WHO HAD TO BORROW A THOU TO FIND A LOVER NEXT DOOR WHO HAD TO BORROW A THOU TO FIND A LOVER NEXT DOOR YOU GIRLS WHO LIVE TO FIND A LOVER NEXT DOOR YOU GIRLS WHO LIVE IN APARTMENTS YOU GIRLS WHO LIVE IN APARTMENTS DON'T STARE AT THE WALL IN APARTMENTS DON'T STARE AT THE WALL OPEN UP THE DOOR DON'T STARE AT THE WALL OPEN UP THE DOOR AND HURRY OUT IN THE HALL OPEN UP THE DOOR AND HURRY OUT IN THE HALL AND AND HURRY OUT IN THE HALL AND RING THEM BELLS AND RING THEM BELLS COME ON RING THEM BELLS COME ON RING THEM BELLS COME ON RING THEM BELLS YOU GOT TO MAKE THEM SING RING THEM BELLS YOU GOT TO MAKE THEM SING AND REALLY RING THEM BELLS YOU GOT TO MAKE THEM SING AND REALLY RING THEM BELLS IT'S SUCH A HAPPY THING AND REALLY RING THEM BELLS IT'S SUCH A HAPPY THING TO HEAR THEM TING-A-LING IT'S SUCH A HAPPY THING TO HEAR THEM TING-A-LING YOU GOT TO SWING THEM TO HEAR THEM TING-A-LING YOU GOT TO SWING THEM RING THEM YOU GOT TO SWING THEM RING THEM SWING THEM RING THEM SWING THEM RING THEM BELLS SWING THEM RING THEM BELLS

CHEERING AND APPLAUSE

WHAT EVER HAPPENED WHAT EVER HAPPENED TO FAIR DEALING WHAT EVER HAPPENED TO FAIR DEALING AND PURE ETHICS TO FAIR DEALING AND PURE ETHICS AND NICE MANNERS? AND PURE ETHICS AND NICE MANNERS? WHY IS IT EVERYONE NOW AND NICE MANNERS? WHY IS IT EVERYONE NOW A PAIN IN THE ASS? WHY IS IT EVERYONE NOW A PAIN IN THE ASS? WHAT EVER HAPPENED TO CLASS? A PAIN IN THE ASS? WHAT EVER HAPPENED TO CLASS? CLASS WHAT EVER HAPPENED TO CLASS? CLASS >>WHAT EVER HAPPENED TO CLASS >>WHAT EVER HAPPENED TO "PLEASE, MAY I" >>WHAT EVER HAPPENED TO "PLEASE, MAY I" AND, "YES, THANK YOU" "PLEASE, MAY I" AND, "YES, THANK YOU" AND, "HOW CHARMING"? AND, "YES, THANK YOU" AND, "HOW CHARMING"? NOW EVERY SON OF A BITCH IS AND, "HOW CHARMING"? NOW EVERY SON OF A BITCH IS A SNAKE IN THE GRASS NOW EVERY SON OF A BITCH IS A SNAKE IN THE GRASS WHAT EVER HAPPENED TO CLASS? A SNAKE IN THE GRASS WHAT EVER HAPPENED TO CLASS? >>CLASS WHAT EVER HAPPENED TO CLASS? >>CLASS AH, THERE AIN'T NO GENTLEMEN >>CLASS AH, THERE AIN'T NO GENTLEMEN TO OPEN UP THE DOORS AH, THERE AIN'T NO GENTLEMEN TO OPEN UP THE DOORS THERE AIN'T NO LADIES NOW TO OPEN UP THE DOORS THERE AIN'T NO LADIES NOW THERE'S ONLY PIGS AND WHORES THERE AIN'T NO LADIES NOW THERE'S ONLY PIGS AND WHORES AND EVEN KIDS'LL KNOCK YOU DOWN THERE'S ONLY PIGS AND WHORES AND EVEN KIDS'LL KNOCK YOU DOWN SO'S THEY CAN PASS AND EVEN KIDS'LL KNOCK YOU DOWN SO'S THEY CAN PASS NOBODY'S GOT NO CLASS SO'S THEY CAN PASS NOBODY'S GOT NO CLASS WHAT EVER HAPPENED NOBODY'S GOT NO CLASS WHAT EVER HAPPENED TO OLD VALUES AND... WHAT EVER HAPPENED TO OLD VALUES AND... >>FINE MORALS... TO OLD VALUES AND... >>FINE MORALS... >>AND GOOD BREEDING? >>FINE MORALS... >>AND GOOD BREEDING? >>NOW NO ONE EVEN SAYS, "OOPS" >>AND GOOD BREEDING? >>NOW NO ONE EVEN SAYS, "OOPS" WHEN THEY'RE >>NOW NO ONE EVEN SAYS, "OOPS" WHEN THEY'RE PASSING THEIR GAS WHEN THEY'RE PASSING THEIR GAS WHAT EVER HAPPENED TO CLASS? PASSING THEIR GAS WHAT EVER HAPPENED TO CLASS? >>CLASS WHAT EVER HAPPENED TO CLASS? >>CLASS AH, THERE AIN'T NO GENTLEMEN >>CLASS AH, THERE AIN'T NO GENTLEMEN WHO'S FIT FOR ANY USE AH, THERE AIN'T NO GENTLEMEN WHO'S FIT FOR ANY USE AND ANY GIRL'D TOUCH WHO'S FIT FOR ANY USE AND ANY GIRL'D TOUCH YOUR PRIVATES FOR A DEUCE AND ANY GIRL'D TOUCH YOUR PRIVATES FOR A DEUCE >>AND EVEN KIDS'LL YOUR PRIVATES FOR A DEUCE >>AND EVEN KIDS'LL KICK YOUR SHINS >>AND EVEN KIDS'LL KICK YOUR SHINS AND GIVE YOU SASS KICK YOUR SHINS AND GIVE YOU SASS >>AND EVEN KIDS'LL AND GIVE YOU SASS >>AND EVEN KIDS'LL KICK YOUR SHINS >>AND EVEN KIDS'LL KICK YOUR SHINS AND GIVE YOU SASS KICK YOUR SHINS AND GIVE YOU SASS >>NOBODY'S GOT NO CLASS AND GIVE YOU SASS >>NOBODY'S GOT NO CLASS >>ALL YOU READ ABOUT TODAY >>NOBODY'S GOT NO CLASS >>ALL YOU READ ABOUT TODAY IS RAPE AND THEFT >>ALL YOU READ ABOUT TODAY IS RAPE AND THEFT >>JESUS CHRIST IS RAPE AND THEFT >>JESUS CHRIST AIN'T THERE NO DECENCY LEFT? >>JESUS CHRIST AIN'T THERE NO DECENCY LEFT? >>NOBODY'S GOT NO CLASS AIN'T THERE NO DECENCY LEFT? >>NOBODY'S GOT NO CLASS >>EVERYBODY YOU WATCH >>NOBODY'S GOT NO CLASS >>EVERYBODY YOU WATCH >>HAS GOT HIS BRAINS >>EVERYBODY YOU WATCH >>HAS GOT HIS BRAINS IN HIS CROTCH >>HAS GOT HIS BRAINS IN HIS CROTCH >>HOLY CRAP IN HIS CROTCH >>HOLY CRAP >>HOLY CRAP >>HOLY CRAP >>HOLY CRAP >>WHAT A SHAME >>HOLY CRAP >>WHAT A SHAME >>WHAT A SHAME >>WHAT A SHAME >>WHAT A SHAME >>WHAT BECAME OF CLASS? >>WHAT A SHAME >>WHAT BECAME OF CLASS?

CHEERING AND APPLAUSE

>>FRED EBB DIED ON SEPTEMBER >>FRED EBB DIED ON SEPTEMBER 11, 2004. AT THAT TIME, JOHN >>FRED EBB DIED ON SEPTEMBER 11, 2004. AT THAT TIME, JOHN AND FRED HAD ALREADY BEGUN WORK 11, 2004. AT THAT TIME, JOHN AND FRED HAD ALREADY BEGUN WORK ON SEVERAL NEW MUSICALS-- AND FRED HAD ALREADY BEGUN WORK ON SEVERAL NEW MUSICALS-- "CURTAINS,""THE SKIN OF OUR ON SEVERAL NEW MUSICALS-- "CURTAINS,""THE SKIN OF OUR TEETH,""THE VISIT," "CURTAINS,""THE SKIN OF OUR TEETH,""THE VISIT," "THE SCOTTSBORO BOYS."JOHN HAS TEETH,""THE VISIT," "THE SCOTTSBORO BOYS."JOHN HAS SEEN TO IT THAT ALL OF THESE "THE SCOTTSBORO BOYS."JOHN HAS SEEN TO IT THAT ALL OF THESE MUSICALS HAVE SEEN PRODUCTION SEEN TO IT THAT ALL OF THESE MUSICALS HAVE SEEN PRODUCTION SINCE. OBVIOUSLY THE WORDS HAD TO BE OBVIOUSLY THE WORDS HAD TO BE COMPLETED WITHOUT FRED. OBVIOUSLY THE WORDS HAD TO BE COMPLETED WITHOUT FRED. HERE'S A SONG JASON COMPLETED WITHOUT FRED. HERE'S A SONG JASON INTRODUCED ON BROADWAY IN HERE'S A SONG JASON INTRODUCED ON BROADWAY IN "CURTAINS."JOHN WROTE BOTH INTRODUCED ON BROADWAY IN "CURTAINS."JOHN WROTE BOTH THE WORDS AND THE MUSIC FOR "CURTAINS."JOHN WROTE BOTH THE WORDS AND THE MUSIC FOR THIS SONG IN WHICH A COMPOSER THE WORDS AND THE MUSIC FOR THIS SONG IN WHICH A COMPOSER EXPLAINS WHAT IT'S LIKE WHEN THIS SONG IN WHICH A COMPOSER EXPLAINS WHAT IT'S LIKE WHEN HE'S MISSING HIS FEMALE EXPLAINS WHAT IT'S LIKE WHEN HE'S MISSING HIS FEMALE SONGWRITING PARTNER. I MISS THE MUSIC I MISS THE MUSIC I MISS THE SONG I MISS THE MUSIC I MISS THE SONG SINCE SHE'S NOT WITH ME I MISS THE SONG SINCE SHE'S NOT WITH ME IT COMES OUT WRONG SINCE SHE'S NOT WITH ME IT COMES OUT WRONG IT DOESN'T MATTER IT COMES OUT WRONG IT DOESN'T MATTER HOW HARD I TRY IT DOESN'T MATTER HOW HARD I TRY I'VE LOST THE MUSIC HOW HARD I TRY I'VE LOST THE MUSIC I DON'T KNOW WHY YOU MAY HAVE KNOWN YOU MAY HAVE KNOWN BEFORE I MET HER YOU MAY HAVE KNOWN BEFORE I MET HER I WROTE ALONE BEFORE I MET HER I WROTE ALONE BUT IF YOU ASKED ME I WROTE ALONE BUT IF YOU ASKED ME WHAT I'D PREFER BUT IF YOU ASKED ME WHAT I'D PREFER I'D SAY THE MUSIC WHAT I'D PREFER I'D SAY THE MUSIC I WROTE WITH HER WHEN YOU'RE WRITING A SONG WHEN YOU'RE WRITING A SONG AND YOU'VE A PARTNER WHEN YOU'RE WRITING A SONG AND YOU'VE A PARTNER THE ROOM IS FILLED AND YOU'VE A PARTNER THE ROOM IS FILLED WITH JOKES AND CHATTER THE ROOM IS FILLED WITH JOKES AND CHATTER SHE SAYS SOMETHING WITH JOKES AND CHATTER SHE SAYS SOMETHING YOU SAY SOMETHING SHE SAYS SOMETHING YOU SAY SOMETHING SHE WRITES A LINE YOU SAY SOMETHING SHE WRITES A LINE YOU PLAY A VAMP SHE WRITES A LINE YOU PLAY A VAMP BUT WHEN YOU'RE WRITING A SONG YOU PLAY A VAMP BUT WHEN YOU'RE WRITING A SONG WITHOUT A PARTNER BUT WHEN YOU'RE WRITING A SONG WITHOUT A PARTNER THAT'S A COMPLETELY WITHOUT A PARTNER THAT'S A COMPLETELY DIFFERENT MATTER THAT'S A COMPLETELY DIFFERENT MATTER NO ONE TELLS YOU DIFFERENT MATTER NO ONE TELLS YOU "THAT'S NOT FUNNY" NO ONE TELLS YOU "THAT'S NOT FUNNY" NO ONE SAYS "THAT'S NOT FUNNY" NO ONE SAYS "LET'S CUT THAT BAR" NO ONE SAYS "LET'S CUT THAT BAR" NO ONE MAKES YOU BETTER "LET'S CUT THAT BAR" NO ONE MAKES YOU BETTER THAN YOU ARE I CAN'T PRETEND I CAN'T PRETEND I MISS THE MUSIC I CAN'T PRETEND I MISS THE MUSIC I MISS MY FRIEND I MISS THE MUSIC I MISS MY FRIEND IF YOU SHOULD ASK ME I MISS MY FRIEND IF YOU SHOULD ASK ME WHAT I'D PREFER IF YOU SHOULD ASK ME WHAT I'D PREFER I'D CHOOSE THE MUSIC WHAT I'D PREFER I'D CHOOSE THE MUSIC I WROTE WITH HER I'D CHOOSE THE MUSIC I WROTE WITH HER I MISS THE MUSIC I WROTE WITH HER I MISS THE MUSIC I MISS MY FRIEND I MISS THE MUSIC I MISS MY FRIEND NO NEED TO ASK ME I MISS MY FRIEND NO NEED TO ASK ME WHAT I'D PREFER NO NEED TO ASK ME WHAT I'D PREFER I CHOOSE THE MUSIC WHAT I'D PREFER I CHOOSE THE MUSIC I WROTE WITH HER I CHOOSE THE MUSIC I WROTE WITH HER I LOVE THE MUSIC I WROTE WITH HER I LOVE THE MUSIC I MADE WITH HER I LOVE THE MUSIC I MADE WITH HER

CHEERING AND APPLAUSE

>>MULTIPLE DRAMA DESK, TONY >>MULTIPLE DRAMA DESK, TONY AWARDS, GRAMMY AWARDS TWO >>MULTIPLE DRAMA DESK, TONY AWARDS, GRAMMY AWARDS TWO OSCAR-WINNING MOVIES, AWARDS, GRAMMY AWARDS TWO OSCAR-WINNING MOVIES, THE LONGEST REVIVAL IN OSCAR-WINNING MOVIES, THE LONGEST REVIVAL IN BROADWAY HISTORY, THE THE LONGEST REVIVAL IN BROADWAY HISTORY, THE BEST-KNOWN SONG ABOUT NEW YORK BROADWAY HISTORY, THE BEST-KNOWN SONG ABOUT NEW YORK EVER WRITTEN, AND TO TOP BEST-KNOWN SONG ABOUT NEW YORK EVER WRITTEN, AND TO TOP IT ALL, IN 1998, KANDER AND EVER WRITTEN, AND TO TOP IT ALL, IN 1998, KANDER AND EBB WON THE KENNEDY CENTER IT ALL, IN 1998, KANDER AND EBB WON THE KENNEDY CENTER HONORS. WHEN IT ALL COMES TRUE WHEN IT ALL COMES TRUE JUST THE WAY YOU PLANNED WHEN IT ALL COMES TRUE JUST THE WAY YOU PLANNED IT'S FUNNY JUST THE WAY YOU PLANNED IT'S FUNNY BUT THE BELLS DON'T RING IT'S FUNNY BUT THE BELLS DON'T RING IT'S A QUIET THING BUT THE BELLS DON'T RING IT'S A QUIET THING WHEN YOU HOLD THE WORLD IT'S A QUIET THING WHEN YOU HOLD THE WORLD IN YOUR TREMBLING HANDS WHEN YOU HOLD THE WORLD IN YOUR TREMBLING HANDS YOU'D THINK YOU'D HEAR IN YOUR TREMBLING HANDS YOU'D THINK YOU'D HEAR A CHOIR SING YOU'D THINK YOU'D HEAR A CHOIR SING IT'S A QUIET THING A CHOIR SING IT'S A QUIET THING THERE ARE NO EXPLODING FIREWORKS IT'S A QUIET THING THERE ARE NO EXPLODING FIREWORKS WHERE'S THE ROARING THERE ARE NO EXPLODING FIREWORKS WHERE'S THE ROARING OF THE CROWDS? WHERE'S THE ROARING OF THE CROWDS? MAYBE IT'S THE STRANGE OF THE CROWDS? MAYBE IT'S THE STRANGE NEW ATMOSPHERE MAYBE IT'S THE STRANGE NEW ATMOSPHERE WAY UP HERE AMONG THE CLOUDS NEW ATMOSPHERE WAY UP HERE AMONG THE CLOUDS BUT I DON'T HEAR THE DRUMS WAY UP HERE AMONG THE CLOUDS BUT I DON'T HEAR THE DRUMS I DON'T HEAR THE BAND BUT I DON'T HEAR THE DRUMS I DON'T HEAR THE BAND THE SOUNDS I'M TOLD I DON'T HEAR THE BAND THE SOUNDS I'M TOLD SUCH MOMENTS BRING THE SOUNDS I'M TOLD SUCH MOMENTS BRING HAPPINESS SUCH MOMENTS BRING HAPPINESS COMES IN ON TIPTOE HAPPINESS COMES IN ON TIPTOE HEH COMES IN ON TIPTOE HEH WHEN, WHAT DO YOU KNOW HEH WHEN, WHAT DO YOU KNOW IT'S A QUIET THING WHEN, WHAT DO YOU KNOW IT'S A QUIET THING A VERY QUIET THING IT'S A QUIET THING A VERY QUIET THING

CHEERING AND APPLAUSE

>>ALL OF US ON THIS STAGE >>ALL OF US ON THIS STAGE PERSONALLY OWE A GREAT DEAL TO >>ALL OF US ON THIS STAGE PERSONALLY OWE A GREAT DEAL TO JOHN KANDER AND FRED EBB FOR PERSONALLY OWE A GREAT DEAL TO JOHN KANDER AND FRED EBB FOR THE GIFT OF THEIR SONGS, AS JOHN KANDER AND FRED EBB FOR THE GIFT OF THEIR SONGS, AS WELL AS THEIR FRIENDSHIP AND THE GIFT OF THEIR SONGS, AS WELL AS THEIR FRIENDSHIP AND POSITIVE EFFECT THEY'VE HAD WELL AS THEIR FRIENDSHIP AND POSITIVE EFFECT THEY'VE HAD ON OUR LIVES AND CAREERS, AND POSITIVE EFFECT THEY'VE HAD ON OUR LIVES AND CAREERS, AND IT'S SIMPLY IMPOSSIBLE TO ON OUR LIVES AND CAREERS, AND IT'S SIMPLY IMPOSSIBLE TO IMAGINE MUSICAL THEATER IN IT'S SIMPLY IMPOSSIBLE TO IMAGINE MUSICAL THEATER IN AMERICA IN THE LAST 50 YEARS IMAGINE MUSICAL THEATER IN AMERICA IN THE LAST 50 YEARS WITHOUT THEIR CONTRIBUTION, AMERICA IN THE LAST 50 YEARS WITHOUT THEIR CONTRIBUTION, ON BOTH SIDES OF THESE WITHOUT THEIR CONTRIBUTION, ON BOTH SIDES OF THESE COLORED LIGHTS, OUR LIVES ON BOTH SIDES OF THESE COLORED LIGHTS, OUR LIVES ARE INFINITELY RICHER COLORED LIGHTS, OUR LIVES ARE INFINITELY RICHER BECAUSE OF THEIR TALENT. THEY ARE INFINITELY RICHER BECAUSE OF THEIR TALENT. THEY HAVE CHALLENGED US ALL TO COME BECAUSE OF THEIR TALENT. THEY HAVE CHALLENGED US ALL TO COME TO THE CABARET AND TO MAKE THE HAVE CHALLENGED US ALL TO COME TO THE CABARET AND TO MAKE THE MOST OF IT, OR TO PUT IT MORE TO THE CABARET AND TO MAKE THE MOST OF IT, OR TO PUT IT MORE SIMPLY, TO SAY, "YES." YES YES SAY, "YES" YES SAY, "YES" LIFE KEEPS HAPPENING EVERY DAY SAY, "YES" LIFE KEEPS HAPPENING EVERY DAY SAY, "YES" LIFE KEEPS HAPPENING EVERY DAY SAY, "YES" >>WHEN OPPORTUNITIES SAY, "YES" >>WHEN OPPORTUNITIES COME YOUR WAY >>WHEN OPPORTUNITIES COME YOUR WAY YOU CAN'T START WONDERING COME YOUR WAY YOU CAN'T START WONDERING WHAT TO SAY YOU CAN'T START WONDERING WHAT TO SAY YOU NEVER WIN IF YOU NEVER PLAY WHAT TO SAY YOU NEVER WIN IF YOU NEVER PLAY SAY, "YES" YOU NEVER WIN IF YOU NEVER PLAY SAY, "YES" >>YOU MIGHT GET MUGGED SAY, "YES" >>YOU MIGHT GET MUGGED AS YOU WALK THE STREET >>YOU MIGHT GET MUGGED AS YOU WALK THE STREET BUT ON THE OTHER HAND AS YOU WALK THE STREET BUT ON THE OTHER HAND YOU MIGHT GREET BUT ON THE OTHER HAND YOU MIGHT GREET THAT HANDSOME STRANGER YOU MIGHT GREET THAT HANDSOME STRANGER YOU'VE LONGED TO MEET THAT HANDSOME STRANGER YOU'VE LONGED TO MEET SAY, "YES" YOU'VE LONGED TO MEET SAY, "YES" >>YES! SAY, "YES" >>YES! >>HA HA HA! >>YES! >>HA HA HA! DON'T SAY, "WHY?" >>HA HA HA! DON'T SAY, "WHY?" SAY DON'T SAY, "WHY?" SAY >>WHY NOT? SAY >>WHY NOT? >>WHAT LIES BEYOND WHAT IS >>WHY NOT? >>WHAT LIES BEYOND WHAT IS >>IS NOT >>WHAT LIES BEYOND WHAT IS >>IS NOT >>SO WHAT? >>IS NOT >>SO WHAT? SAY, "YES, YES" >>SO WHAT? SAY, "YES, YES" >>WHAT GOOD IS SITTING SAY, "YES, YES" >>WHAT GOOD IS SITTING ALONE IN YOUR ROOM? >>WHAT GOOD IS SITTING ALONE IN YOUR ROOM? COME HEAR THE MUSIC PLAY ALONE IN YOUR ROOM? COME HEAR THE MUSIC PLAY >>LIFE IS A CABARET COME HEAR THE MUSIC PLAY >>LIFE IS A CABARET OH, SURE >>LIFE IS A CABARET OH, SURE >>SING IT, SATCHMO OH, SURE >>SING IT, SATCHMO >>ONLY A CABARET >>SING IT, SATCHMO >>ONLY A CABARET >>PUT DOWN THE KNITTING >>ONLY A CABARET >>PUT DOWN THE KNITTING THE BOOK, AND THE BROOM >>PUT DOWN THE KNITTING THE BOOK, AND THE BROOM IT'S TIME FOR A HOLIDAY THE BOOK, AND THE BROOM IT'S TIME FOR A HOLIDAY >>LIFE IS A CABARET, OLD CHUM IT'S TIME FOR A HOLIDAY >>LIFE IS A CABARET, OLD CHUM COME TO THE CABARET >>LIFE IS A CABARET, OLD CHUM COME TO THE CABARET >>COME TASTE THE WINE COME TO THE CABARET >>COME TASTE THE WINE COME HEAR THE BAND >>COME TASTE THE WINE COME HEAR THE BAND COME BLOW YOUR HORN COME HEAR THE BAND COME BLOW YOUR HORN START CELEBRATING COME BLOW YOUR HORN START CELEBRATING RIGHT THIS WAY START CELEBRATING RIGHT THIS WAY YOUR TABLE'S WAITING RIGHT THIS WAY YOUR TABLE'S WAITING SO I'M ADMITTING YOUR TABLE'S WAITING SO I'M ADMITTING FROM CRADLE TO TOMB SO I'M ADMITTING FROM CRADLE TO TOMB ISN'T THAT LONG A STAY FROM CRADLE TO TOMB ISN'T THAT LONG A STAY LIFE IS A CABARET, OLD CHUM ISN'T THAT LONG A STAY LIFE IS A CABARET, OLD CHUM ONLY A CABARET, OLD CHUM LIFE IS A CABARET, OLD CHUM ONLY A CABARET, OLD CHUM AND I LOVE A CABARET ONLY A CABARET, OLD CHUM AND I LOVE A CABARET

PLAYING "NEW YORK, NEW YORK"

CHEERING AND APPLAUSE

>>WE HOPE YOU ENJOYED TONIGHT'S >>WE HOPE YOU ENJOYED TONIGHT'S KANDER AND EBB CELEBRATION. JOIN >>WE HOPE YOU ENJOYED TONIGHT'S KANDER AND EBB CELEBRATION. JOIN US AGAIN IN MARCH FOR "KRISTIN KANDER AND EBB CELEBRATION. JOIN US AGAIN IN MARCH FOR "KRISTIN

CHENOWETH

THE DAMES OF US AGAIN IN MARCH FOR "KRISTIN THE DAMES OF BROADWAY, ALL OF THEM."TILL THE DAMES OF BROADWAY, ALL OF THEM."TILL THEN, ON BEHALF OF "LIVE FROM BROADWAY, ALL OF THEM."TILL THEN, ON BEHALF OF "LIVE FROM LINCOLN CENTER,"GOOD NIGHT.