Antiques Road Trip

Voiceover (VO): It's the nation's favorite antiques experts.

That's cracking.

VO: With �200 each.

Wonderful.

VO: A classic car and a goal - to scour Britain for antiques.

That's exactly what I'm talking about.

I'm all over a shiver.

VO: The aim, to make the biggest profit at auction.

But it's no mean feat.

No brainer.

Going, going, gone.

VO: There'll be worthy winners and valiant losers.

So, will it be the high road to glory... Push!

VO: ..or the slow road to disaster?

How awfully, awfully nice.

VO: This is Antiques Road Trip.

VO: Yeah.

Welcome to the second leg of the trip!

VO: The sun is shining and experts Catherine Southon and Philip Serrell are in a 1970 Citro n DS 20.

Fantastique, eh?

CATHERINE (CS): This is glorious.

Isn't it?

In Hertford, Hereford and Hampshire.

Hampshire.

Are we in Hampshire?

Yeah, yeah, yeah, yeah.

Do we talk posh down here?

PHIL (PS): Oh I say, say how awfully, awfully nice.

VO: Rather!

Last time Catherine bought lots of small pretty things and Philip bought big lumps.

And so far it's 1-0 to the lumps.

Get in!

Dip your bread.

VO: I wonder if Catherine will change tack.

I'm gonna start buying your things.

What?

I'm gonna come out with wood.

Outdoorsy things, like a bench or something.

So, are you gonna buy a wooden bench or a metal bench?

You going for woodworm or rust?

VO: Catherine started the trip with �200 but she made a small loss last time, leaving her with �172.30 to spend today.

Philip also started the trip with �200, but he's made a handsome profit leaving him in the lead �259.94 to spend on this leg.

I want 100 lines, Ms Southon.

I must do better at auction.

I must buy rust and woodworm.

You are nasty.

VO: Once a teacher... VO: This pair's road trip kicks off in Coleshill in Warwickshire, meanders around the Midlands before heading due south towards the coast, then turning west down to the tip of Cornwall, before nipping briefly into South Wales and finishing up at auction in Wells, Somerset.

Crikey!

This leg sees our experts start in Winchester and end up for auction in the Dorset town of Christchurch.

VO: The city of Winchester was England's capital during the middle ages.

It's famous for its medieval cathedral, with the longest nave in Europe.

Our experts are kicking off the day with a joint visit to Molly's Den Antiques Centre.

Sounds fun.

Come on.

Right, what are you buying?

I'll get it first.

VO: Give the poor man a chance, Catherine.

BOTH: Hello.

Are you Molly?

Welcome to the Den.

I am Molly.

Lovely to see you, Molly.

What's your real name?

Matt.

Good to see you, Matt.

VO: Matt or Molly are either top dog or top bitch around here, depending on how you look at it.

Right, I think I'm gonna get lost.

I'm gonna try.

PS: I hope so.

CS: See you later.

While she's gone, what I really want to find is just a profit.

Are you the man to show me?

MATT: We can find profit.

PS: Come on then.

We're good at that.

Come on then.

VO: You naughty boy, Philip.

That's nice.

I like that.

This is a good stool.

Rather like these as well.

Are those separate then, or are they all together?

No, it's for the set.

18 of them.

Look at that, Matt.

85 quid.

I thought that was �8.50.

Instant discount with that.

They look like 40 quid to me, Matt.

What d'you reckon?

Yeah.

I do know him quite well.

So, I'm sure we'll have room for... Let me see if you've got anything else here.

VO: What's this Phil's spied?

This is a Royal Navy officers of the watch telescope by Cookie of London.

I would think this is 1940s or 50s.

There's no ships.

VO: The telescope is also priced at �85.

I'm thinking 40-45 quid for the flags, and 40 quid for that.

I think you're a bit far away there, Phil.

Oh, hark at this, hark at this.

�70 would be the best on that.

And 60 for the flags.

Bargain!

VO: That's a no then Philip.

50 quid and I'll have the flags.

I'll have to phone him up.

Go and phone him up.

Shall I go and phone him up?

VO: Go phone him up, Matt!

Now, for the mathematically inclined amongst you, there's 18 flags at �50.

That's roughly... VO: I'm waiting.

(CLEARS THROAT) Pounds each isn't it?

VO: It happens as you get older.

Phil, the former teacher, is brushing up on his maths.

Let's see what Catherine's up to.

I do like this.

So, we've got a crane, without obviously its original string.

We've got the name Triang on the top, which is great.

Cos that's a good English manufacturer.

Tin plate and metal toys.

The problem is there's something missing here.

I'm not quite sure what.

But it just doesn't feel complete.

It looks like there's a few bits missing.

But I just like it.

It looks good, looks the part.

How much is that?

�22.

If I could get that for about ten, there is something there.

VO: Ah, Matt's back.

The bad news is he's not answering the phone but I've left a message.

Who's that bad news for, you or me?

Both of us.

Make a decision on those.

50 quid.

55.

PS: Oh, Matt.

MATT: It's gotta be 55.

And I thought we were at 50 quid.

I thought we were getting on so well.

Go on then, 50 quid.

You're a gentleman.

Thank you very much.

VO: That's first blood to Philip.

What's Catherine found?

Now, this is the business.

That is just what I am looking for.

We are talking mid 20th century French, vintage croquet set.

These are just lovely.

The start and finish posts.

I think there might be a ball missing, cos there's six mallets... ..and I think there should be six balls.

Shouldn't there?

I don't play croquet.

There's only two hooks.

It doesn't matter.

It looks amazing.

�55 is on that.

If I can get that for 30 I will be home and dry.

And Philip is going to be so jealous.

VO: You've yet to buy it Catherine.

Meanwhile Phil's found another corner of the shop.

This might be interesting.

That was made about 200 yards from my office in Worcester.

This was made about 1775.

And if you turn it over there'll be like a half crescent mark on the bottom.

There it is.

That tells you that was Worcester.

Now, this is 60 quid.

In auction, sadly, probably gonna be around �50 to �80 worth, no more.

And if you think that is the thick end of 250 years old, it's ridiculous.

But it might just be worth my while asking Matt what they can do on that, because if I get that for �40 or �45 there's a bit of a chance there.

And it's a proper antique.

Matt?

Yes?

PS: Can I have a quick word?

MATT: Yep.

Do come and sit down in my office.

Oh, thank you.

I quite like this.

It's just a little bit of Worcester.

What I do know is that that's worth 40 quid.

The lowest I possibly could go is 50.

I'll give you 45 quid for it, but that's me finished.

No, can't do it.

OK, Phil.

OK, fine.

It is 50.

Just too much money, really.

OK, thank you very much indeed.

No problem.

I'd better pay you for what I have bought.

Indeed.

The flags.

The flags.

I'm very pleased with those.

There's 20, 40.

There you are, that's lovely.

Thank you, young man.

Thank you very much indeed.

VO: Philip's happy and headed off with his flags... ..leaving Catherine to collar Molly.

I mean, Matt.

This is what I like.

The croquet set.

OK.

The thing is, it's got a few things wrong with it.

I'm gonna be mean, because I'm in a bit of a position.

Right.

I'm gonna offer you �20.

Because it has its faults.

Yeah, I don't think he's gonna accept that.

But I can phone him up.

Right.

Give me five minutes and I shall pop out.

Can you work some magic?

I shall do my male charm.

CS: Oh, good.

MATT: Alright?

I shall wait here.

OK. Alright.

Thank you, Matt.

No problem.

That sounded positive-ish.

He wasn't horrified when I said �20.

It was a cheeky offer, wasn't it?

VO: She's back.

That was quick.

OK. My male charm didn't work off this time.

�40.

What do you mean this time?

�40.

Normally does.

�40 is too much.

Can it be 35?

I'll tell you what, we'll do 38.

How about 38?

38.

OK.

Right, the other thing that I saw was, em, back this way there was a red crane, a Triang crane.

Yep?

You've probably seen it, because it's quite prominent.

Yep.

And I think that's got about 20 something on it.

And what would you bid on that?

Eight.

VO: Cor, you're a hard women Catherine Southon.

Eight's probably too cheeky.

Is it?

Yep.

What if you said sort of 12 and I'd give her a call?

You are wishing you'd never met me.

No!

Right, let's go and make some phonecalls, yeah?

Phonecalls, right, shall I come with you?

VO: Time for some refreshments then.

I thought you might need something a bit stiffer than that.

Matt and Molly are back though, with news on the Triang crane.

OK, we've got the croquet set in the bag.

Happy with that, 38, that's done.

So, the Triang?

Yep?

CS: The crane?

MATT: 15.

CS: 15 is your best?

MATT: Yep.

You want me to have that, don't you?

I do.

I'm gonna just go for it.

Well done.

What have I done?

What have I done?

VO: So Catherine's bought the croquet set and Triang crane for �53.

CS: Come on, then.

MATT: Right, let's go.

Let's go and pick up my goodies.

VO: Philip is taking a break from shopping.

He's on his way to Southampton.

A city famous for its port, and the cruise liners that use it.

But this year marks the anniversary of another grand form of transport that's synonymous with the city.

It's 80 years since the first flying boat took off from the city's water front.

Philip is meeting Alan Jones, a trustee of the Solent Sky Museum to find out about the city's close links to flying boats.

Hi, Phil, lovely to see you.

Hiya mate, lovely to see you.

How are you, you alright?

Fine, thank you very much.

Now, they said to me we're gonna take you to Southampton and we're going to see some boats.

Now, I thought they meant boats that float, not boats that fly.

What's all this about?

1914 an eccentric millionaire came to Southampton and said he wanted to build boats that fly.

VO: That man was Noel Pemberton Billing, and the company he founded started building flying boats for the military.

At the end of the First World War, when the contracts for that all dried up, then they saw the potential to put passengers in these things.

And in 1919 they put the first two passengers in, started Southampton airport, and the very first scheduled flying boat services to France, to Cherbourg.

That piece of water was declared in 1919 as the world's first airport, and that's where the word comes from.

Air port.

So airport is nothing to do at all with strips of tarmac on the land.

No, it's a port for landing airplanes.

That's pretty cool, isn't it?

VO: The lack of runways during the early 20th century meant flying boats continued to be developed.

And the Solent became the major air hub for flights servicing the British Empire.

The idea was that if you could build an airplane that could take off on water and land on water, you could operate it anywhere, and that was the driving force.

VO: The time it took to travel to the furthest flung corners of the empire was drastically reduced.

Six weeks to get a letter down through the empire.

By the time it got to 1938 we were doing it in six days.

With flying boats.

VO: But it wasn't just the mail that was speeding along in flying boats.

Very wealthy passengers could also drastically reduce their travel time.

Phil, this is the Sandringham.

As you can see, it's a big flying boat.

Four engines.

That is a monster of a thing.

This started life as a Sunderland, as a fighting aircraft.

After the war it was converted to a passenger aircraft, as we did with many of our military aircraft.

And this one went out to Australia.

How many passengers did this take?

This particular configuration was 40.

But it wouldn't normally have been as much as that, probably nearer the 20-25.

And how many crew did it have?

Minimum of five.

Because you had your radio operator, your engineer, your copilot, the pilot, stewardess, perhaps two stewards.

You'd have to be very well off to fly in this, I can tell you.

When you appreciate they did a lot of the cooking on board.

They had three course meals.

They had a bar on board, with some of the best wines you could think of.

It was quite an adventure, because when you stopped and you got out of this thing with your DJ on and your bowtie, to go to the local hotel, you'd have to get out and get into a boat.

VO: Time for a peek inside the magnificent flying machine.

Just watch your shoulders as you go up, OK?

I'll tell you what...

Here we go.

That is going to be a quart into a pint pot, that is.

VO: Yes, it is a bit of a squeeze.

This is so cool, isn't it?

Where's the start button?

You've got your mag switches up here, which turn your engines on.

Imagine flying to Singapore in this.

The physical stress, I should think of just sort of flying the thing.

Chocks away!

Is that what they say?

Not with this.

No, probably not with this.

You wouldn't have chocks with this, would you?

PS: It's an absolute beast of a thing, isn't it?

If you had to sum up, which era was the golden age of the flying boat?

The late 30s, when we were getting into this business of flying across the empire.

That was the golden age of the flying boat.

VO: In the 1950s the advent of runways, and jet engines quickly hastened the demise of the flying boat, and it wasn't long before the sun was setting on Southampton's halcyon days of aviation.

Leaving the ocean liners as the only grand ladies still setting sail from Southampton.

VO: Meanwhile Catherine's next stop is the pretty market town of Alton, which is home to the aptly named Tiny shop.

CS: Hi there.

ROBERT: Oh, hello.

Great shop.

You are?

Robert.

Robert, hi Robert.

I'm Catherine.

Wow.

It won't take me long probably to get around here.

VO: That's right Catherine, the clue's in the name, love.

Robert has been selling antiques here since 2008.

That's cute.

Biscuits.

Biscuits?

ROBERT: MacPherson Lang, yeah, from Scotland.

In the form of a suitcase, with all the little... Yeah.

..travel stickers on from White Star line, P&O... Mm-hm.

That is dinkydoo.

And another one.

Ah, see this one's got the name more, hasn't it, Huntley and Palmers.

VO: In the 19th century biscuit makers started packaging their goods in elaborately designed tins, making them very collectable today.

Ooh, that is worse for wear, isn't it?

Can you imagine what that would have been like with the original coloring?

The base has got more of the coloring there.

So it's kind of like a wicker, it's supposed to be like a wickerwork... Yeah.

It is a wicker basket.

Clever.

I actually like that one best.

But you wouldn't get many biscuits in there though would you?

No.

VO: So long as there's enough for me, eh?

There's quite a lot of the original color there.

What's on that?

I think the ticket's got 35 on that.

Ouch.

Right.

What's your best price on that?

I think probably 20.

That's a...

It's a possibility.

It's still a little bit punchy for me.

Right.

Just want to see if there was anything in the window.

The only thing I really like was that little biscuit suitcase.

I thought that was fantastic.

And it has got quite a nice bit of its original color there.

�20 isn't a lot.

Normally I would snap that up.

I'm just hesitating a bit because I think I slightly overspent in the last shop.

Right.

I love your suitcase.

Can I offer you �18 for it?

Ah, yeah, I think so.

CS: Is that alright?

ROBER: Yeah.

I'm gonna shake your hand at �18.

OK. Because I think it's very dinky.

I suppose I've got to pay you for it now, haven't I?

I can't believe I'm walking out of the Tiny shop with a tiny suitcase.

VO: And a whopping �17 discount.

Thank you.

Bye bye.

Bye bye.

VO: Catherine's had a busy day, and her third item brings proceedings to a close.

So nighty night.

VO: Morning chaps.

Today Catherine's in the driving seat, and the weather gods are not smiling.

How can the weather be so glorious yesterday and so dreadful today?

I mean, this is seriously bad.

It is grey, isn't it?

CS: Look, these are on full!

VO: Never mind, let's have a refresher on their shopping trip thus far.

Catherine has three lots, the biscuit tin, the toy crane and a croquet set.

These are just lovely.

VO: This gives Catherine �101.30 for the day ahead.

Philip's been a bit of a slow coach, he only has one lot, the vintage naval flags.

They'd make a great quilt, wouldn't they?

VO: He has a rather lovely �209.94 left to spend.

And he's not going to let a bit of rain dampen his spirit.

Oh no.

Do you know, I love shopping.

I really, really, really... You're not a normal man.

I don't like paying for it, but I like shopping.

Yeah, I bet you don't.

I bet that really hurts, doesn't it, when you have to get your cash out.

It's a pain.

I've got a combination lock on my wallet.

VO: Today Philip and Catherine are starting off in the Dorset market town of Blandford Forum, don't you know.

VO: Famous for its Georgian architecture, which was constructed after a fire destroyed the town center in the 1700s.

Catherine's kindly dropping Philip at his first stop, the Corner Shop.

Come back penniless.

VO: Now now, Catherine play nicely!

Come back potless.

Bye.

Bye.

PS: Hi.

TONY: Good morning.

How are you?

You are?

Nice to see you.

Tony.

Tony.

Lovely to see you.

Nice to see you.

Wow, good... How long have you been here?

18 years.

18 years.

Getting the hang of it, then?

You've got lots of things in here, haven't you?

Bits and pieces.

VO: Tony has got a lot of stock and I can see he likes his pictures.

I love things like this.

You see these everywhere.

Yeah.

And I think I'm probably old enough to remember my grandmother using one of these.

It's for crimping pies, isn't it?

Yeah, that's right.

No, I'm not that old.

I'm really, really not that old.

VO: Of course not, Philip, you keep telling yourself that, old boy.

These are interesting things, Tony.

Were these bought right?

Yeah.

Yeah.

I bought them at a car boot sale.

PS: Really?

TONY: Mm-hm.

For pence?

Um, well, a few quid each.

Can I give you a few more quid each for them?

Yeah, I'm sure you could.

These are basically school photographs.

That's right.

This one is the Eton rowing eight from 1905.

And you look at these and, you know, there's a lot of these young men who eight years later were fighting in the First World War.

Yeah, that's right.

Oh, now we're in to my sport, look, cricket.

This is the Harrow 11 and the Eton 11 from 1900.

But I just think they're interesting.

Let's get down to the money side of it.

Yeah?

What could you do those for?

If I bought all of them.

Eight of them.

How about if we said something like 70 quid for the eight?

No, that wouldn't sound at all good.

VO: Would that not sound good, Philip?

No, that wouldn't sound very good at all.

You and I both know... Yep?

That the money in these is the framing of them.

Yeah, that's right.

And in an ideal world I'd like to give you three quid each for them.

That's what I'd like to do.

How about if we said say 40 quid for the lot, then?

Can I meet you half way and give you 30 quid for them?

How about 35, if you're happy with that?

Go on, I'll shake your hand, because I like them.

Tony, I think that's me probably done.

OK.

So, I'll pay you for these.

There we are.

You're a gentleman, sir.

Lovely job.

Thank you very very much indeed.

Thank you.

Take care now.

And you.

VO: Well, Philip seems happy with his collection of pictures.

VO: Meanwhile Catherine is on her way to the nearby Army garrison, home to the Royal Signals museum.

Her mission is to find out about a group of exceptional women from World War II's Special Operations Executive.

Adam Forty is the collections manager.

He doesn't look it, though.

So, Adam, who were the SOE?

They were formed in the 1940s by Churchill, and they were really agents who were sent to liaise with resistance in different countries and create any kind of subversive, sabotage and information gathering that they possibly could, and report that back to London.

The SOE itself was really begun with the realization that people would be working in foreign countries.

So, they would seek out from all sorts of different military units, including the WAAF and others, people who were fluent in Norwegian, Spanish, French, any foreign language.

The female side generally were recruited from all sorts of different organizations and were given training in espionage skills, parachuting, explosives.

In all there was something like 3,200 female operators.

Not all of those were agents who got sent abroad, but they might be doing activities here.

These women must have been pretty tough characters.

I mean, to do this sort of thing... Not just tough, but astonishingly brave.

There was just a characteristic, perhaps of all people, but particularly the female agents who went to France, who were just determined to go and fulfil their task, and if they were caught, not to give any information away.

VO: Communications were vital for SOE field operatives, passing information back and forth between resistance groups and London.

A standard piece of kit was the suitcase radio.

The first one you can see here, which is the Type 3, Mark 1.

CS: This would have been carried... By female operators going to France.

Really?

Have a go, and see how heavy this actually is.

No!

That's impossible!

Oh, my goodness me.

32 pounds in weight.

So, you can imagine trying to get off, incognito, keeping it quiet, looking just like a normal sort of... Blending in.

Blending in, and all this, with a 32 pound case walking out.

Clearly a terrifying prospect carrying that around France.

VO: Yes.

Back in London radio operators like Jean Argyle carried out a vital role supporting agents in the field.

She was just 18 when she was recruited into the SOE.

My main responsibility was to decipher messages received during the night, and also to encipher those which we were sending out.

I found the most exciting thing was when you were given one of these messages which hadn't worked out and nobody could work it out, and you were untangling it, like a lot of wool.

Almost like a game.

But you knew that it was more than a game.

Lives depended on getting it right.

If there was a crisis going on, people were perhaps in danger of being caught by the Gestapo, and having to move and let us know where they were going.

VO: The threat from the Germans was ever present to SOE operatives in France.

They reckoned that if you were transmitting any more than about 6-9 minutes, the opportunity would give the Germans enough chance to actually direction find you and potentially be knocking on your door shortly afterwards.

VO: To drastically cut down transmitting time the SOE invented the squirt bar.

So, how do I do this, then?

If we do something very simple, like SOS.

Do you remember your morse code at all?

Dot, dot, dot, dash, dash, dash, dot, dot, dot.

So, if we get three dots out.

You wouldn't want to do this in a rush, would you?

I'm not even sure we've done that.

No, that's right.

Three dots.

And then a space.

So, this is a space because it's between two letters.

Two letters.

And now you start your dash, dash, dash.

The Type A, Mark 3 has got a little probe, and the idea is that you very quickly start transmitting.

You would put your probe down that device and that would send your transmission in a very quick time.

VO: Even with this quick transmitting radio, operatives were still at risk of capture.

JEAN: The Germans, of course, were quite aware of this system going on, that there were agents all over the occupied countries.

A lot of people were captured as a result of this and they would sometimes make them go on sending messages and they would try to put some message in it, inside it, to convey that all was not well and that they had been captured.

And this was always rather frightening.

VO: Several SOE women never made it back from Europe.

Including George Cross winner Violet Szabo.

ADAM: Violet Szabo was a radio operator.

She went in slightly after D-Day.

They got stopped at a road block.

They ran off.

She jumped over a fence, damaged her ankle, and had a Sten gun and eight clips of ammunition, so told her colleague that she was with to scarper and she then ended up with a gunfight with the Gestapo.

Until all her bullets ran out and she was captured and sadly tortured and murdered.

VO: The women of the Special Operations Executive played a major role during World War II both behind enemy lines and behind the scenes back in London.

They had all these very heroic people who were risking their lives, and it did depend, amongst others, on me, to make sure that they came back.

VO: It's still raining in Blandford, and Philip who's got just over a �174 left to spend has arrived at Milton Antiques.

PS: Hello?

WOMAN: Hi.

Hi.

Voice from upstairs.

Shall I come on up?

Yep, please do.

Goodness me.

Yeah, they're quite steep, aren't they?

For a man of these advanced years they are.

VO: It's OK, Philip, you've got plenty of time.

How are you?

Is it OK if I have a look?

Can I hang my brolly?

Yep.

Please do.

Is it alright to have a look round?

Have a look around.

Fill your boots.

Thank you.

This has got some really good, proper antiques in it.

This is a great place.

People today, they like decorative items.

And these ottomans with this upholstered rising lid, concave sides, that's 19th century, and this is, this might be familiar actually, because look at this.

This has got a lift up lid that you put your linen in.

But what's most attractive for me is the potential price, because this has got �95 crossed out.

�60 crossed out.

Now �40.

Hoping it might be a little bit less in about ten minutes time.

VO: Only time will tell, Philip.

What have you got your eye on now?

This is quite a nice little bijouterie table.

This is a table that you put your little silver collectables in and other items that people used to search eagerly for about 20 years ago.

This is satinwood crossbanding.

Ebonized inlay.

It's got a plant shelf underneath.

And what's interesting about this, this is the way the antiques business flatters the eye, because on top, look, you've got this piece of beveled plate here, and beveled glass is expensive, but look.

On the sides they cheated a bit.

That's just plain plain glass.

It's �135.

That's sweet, isn't it?

VO: Philip is obviously taken by the bijouterie table and the ottoman.

Will he find any more treasure downstairs?

This is such a cool little thing.

This looks like a primitive object of torture.

I'll tell you quickly what this is.

What you do is you take that out, you put your baby in there.

You put your food or his whatever in there, and there you are, look, you've got a baby walker.

And what I love about this is if you turn it upside down, it's gonna have, look, wooden castors on it.

How cool are they?

I think that is absolutely lovely.

But is the rest of the world as mad as I am?

VO: Probably not.

But what about the other two things you liked?

Jules?

Yeah?

Your ottoman stool and the bijouterie table.

Right?

What's the best you could do on each of those, please?

On the bijouterie... You've got 135 on it.

..Five on the ticket.

Yeah.

We could go to 110 on that one.

OK, and on the ottoman?

It's already been reduced.

I think it's a fair price.

So, that's �150 the two?

Yep.

Would �140 the two buy them?

148?

Oh, hark at this.

Go on, �140 the two.

Would that be a deal?

45.

145.

You're a star.

Thank you my love.

Thank you very much indeed.

I'd better pay you now, hadn't I?

Please.

Just think how much easier it would have been if it had been 140.

You need to go and find some change now.

You could always pay me 150.

Shh.

Don't say things like that.

I'll get you some change.

I'm very very pleased with those two items, because they I think are Southon beaters.

VO: Very confident, Philip.

VO: Meanwhile, Catherine has headed to Shaftesbury, a pretty town on the Dorset and Wiltshire border.

Roundheads and Cavaliers fought over the place during the English civil war.

Dairy House Antiques is Catherine's next stop.

She's got just over �100 to spend at the center which is home to several antique dealers.

And dealer Debbie is on hand to help.

Oh, I love the rocker.

That's cute, isn't it?

The swan rocker.

I've bought a toy already, actually.

I've bought a tin plate crane, that's what I bought earlier.

Oh, that'll be good.

So, it would be quite nice to buy another toy.

A bit of a theme.

What's on the rocker?

48.

I suppose something like that now, I mean you wouldn't put your child in it, you'd just buy it for a piece to decorate the nursery, wouldn't you?

You would, really.

Maybe painted or something.

I don't know though.

Would a child be scared of that swan?

VO: It scares me.

Anyway what else is there there?

Debbie, this is quite nice.

Bone letter opener.

The thing is, it's nibbled.

Yes.

It's a little bit nibbled.

It's not perfect.

But I tell you what I like, I love the...

I like the enameled...

The enameled Union Jack there.

The problem is it has lost a bit of enamel and I'm guessing hence the price.

It is.

18.

And that's going to be the price as well.

I can't do anything on that.

Nothing at all?

I don't discount under �20.

Just when I thought I'd found something.

Honestly, Debbie, though, to be in with a chance I, I really need to get some sort of reduction.

I'll see what I can do.

I would be very very grateful.

See what I can do.

Thank you, Debbie.

I do appreciate that.

OK.

I'll go and give them a ring.

This is a lovely thing.

And letter openers we do see quite often.

It's lovely and tactile.

It feels good.

And the enamel is lovely.

Can you imagine what this was like when it was absolutely perfect, because the colors are so bright.

They're so good.

But, having a little chip there to the enamel is bad news, cos you can't repair that.

I can't get her on the phone, I'm afraid.

Oh.

So, I will take a risk and say 15.

Oh, OK.

But that's as good as I'm going to be able to do, I'm afraid.

OK. That's fine.

I'll take that at 15.

OK.

Brilliant.

Thank you very much.

I'll put it at the desk for you.

VO: Well who'd have thought it?

Now, Catherine is still taken with that swan, and Debbie is speaking to its owner.

Hello, Simon, it's Debbie.

We want your best price on the swan rocking chair.

It's got �48 on it at the moment.

30?

Can he do a little bit more?

Won't do any more?

That's... Is that your limit, Simon, 30?

SIMON: 'Who is it?'

VO: Ha!

This could be interesting!

Who is it?!

What d'you mean who is it?

It's Catherine.

For you, 25.

Aw!

Can I say thank you?

Yeah, course you can.

Oh, Simon, that's really kind of you.

Fantastic.

That's brilliant.

Thank you so much.

VO: So Catherine has bagged the letter opener for �15 and the swan rocker for 25.

And I owe you... DEBBIE: �40 please.

CS: �40.

VO: While Catherine is swanning off with her latest buys... Philip has come to the pretty village of Lytchett Minster which is nestled on the Dorset coastline.

VO: He's come to the Old Button Shop to try and bag one last bargain, but he's running low on funds.

Thelma, it's you.

Hello.

I've been here before, haven't I?

Yes, you have, yes.

It was about two years ago, wasn't it, on a road trip.

A few years ago.

Now, the thing is I've bought four items.

I've got a set amount of money to spend and I can't go over it and I won't tell you what that is just yet awhile.

And you're going to knock me down and jump on me.

VO: Eh, don't worry Thelma, he's much better behaved these days.

Shall we have a look?

VO: Thelma's got plenty of stock in here.

I quite like these glasses.

Let me put them on the table by you.

They're really nice, those are.

They're 19th century, I think, aren't they?

So, you've got those at �18 a pair and �17 a pair.

That's �35 for the four, isn't it?

So what could you do those for?

20 quid.

So those are a possibility, aren't they?

Are they a possibility?

They're a possibility, but I haven't finished yet.

VO: Got your eye on another glass then, Phil?

Now those, Thelma, are they �4 each?

Yeah.

And what can you do those four for for?

Those four.

�10.

Ten?

You can do better than that.

You're not trying, Thelma.

Eight.

You're still not trying.

Ph!

Hold on a minute, hold on a minute, I haven't finished yet.

VO: More glasses?

Little custard glass.

I reckon I could do that for a fiver.

Let me tell you something.

We know these are green glass.

Yes.

Probably little cordial glasses, or whatever.

1900.

Yes.

1890-1910, something like that.

Now, these, you've called them sherry glasses but I don't think they are.

These are illusion glasses.

Yes.

And they're called illusion glasses because the bottom is so much thicker.

That's right.

That's right.

So, basically these don't hold as much, so whoever you were drinking with, you could drink half as much as them and they all thought you were drinking the same amount as them.

So, I think these are really lovely.

Right, Thelma.

VO: One for the road.

You can have that for a fiver as well.

VO: The combined ticket price on the glassware is �81.

20, 30... No, no... all of this is irrelevant, Thelma.

Why?

Because however much you want, I'm gonna tell you how much I've got.

Right.

It's a good job you're sitting down.

I've got �29.94.

All of it, please.

PS: For these?

THELMA: Yes.

I'll have those.

Thelma, what a lovely lady you are.

Thank you very much.

VO: That last buy means Philip has spent every last penny.

He adds his 19th century glassware to some vintage naval signal flags, an Edwardian bijouterie table a Victorian ottoman, and a set of historic sporting prints.

Catherine has spent �111.

Her haul includes a tin plate crane, a 1930s biscuit tin, a croquet set, a bone letter opener, and a child's swan rocker.

So what do our experts make of each other's buys?

Well, Mr Serrell has done it again.

He has bought those fantastic signals for �50.

How did he do that?

I do not know.

So, you bought a plywood child's rocking swan?

But what I do like, that bone letter opener or page turner.

I think that's a lovely, lovely thing.

But the best thing of all, by far is that bijouterie table, and I am jealous with a capital J.

That was super.

VO: After setting off from Salisbury or experts are now heading for auction in the town of Christchurch.

PS: You had me spending every last bean.

You bought five lots and spent 85 quid or something.

I didn't!

How much did you spend then?

One of my items was �50.

Really?

Or did I make that up?

If I'd have gambled all my money would you have given me some?

No.

Certainly not.

You know where charity begins, don't you?

At home.

VO: Today's auction takes place at family-run Bulstrodes Saleroom.

What does auctioneer Kate Howe think of our experts' lots?

The vintage signaling flags is a lot I particularly love.

You've got a good number.

They're very very strong in the decorators market at the moment and I think they're going to do very well.

We've got a lot of interest in those already.

The vintage croquet set with the hand painting looks the part.

Lovely age to it.

We've got the summer months coming up, so I'm sure that will do very well.

The ottoman box, we've got gloss paint, we've got tired upholstery and we've got damage.

All three key characteristics for a star lot.

I think we're going to struggle with that one if I'm honest.

VO: Oh dear, Philip!

Anyway experts take your seats.

It's busy in here today, and the auction house also accept internet bids.

First up though, Philip's 19th century glassware.

All of it.

�20 for them?

Start me at 20, surely.

�10 then.

They've got to go.

Thank you.

Ten, �10.

Might have helped if she'd have mentioned the word illusion.

Yes.

12 on the internet.

14 in the room.

Any more from the internet?

16.

Put the hammer down.

Smash the lot.

18 in the room.

20?

Thank you.

�20.

22.

Internet against.

Yes, 24.

Oh.

26.

In the room.

28.

30.

Now we go five.

35?

Shakes her head.

Internet buyer will hold it.

The room is out then, at �35.

See.

I don't know how that happened.

Well done.

Thanks, hon.

VO: Don't break the champagne out just yet, Philip.

Next up is Catherine's bone letter opener.

�20?

Little bit of enamel there, decoration, 20.

Two.

24.

You're alright, you're off to the races.

Come on.

Bit more.

26 on the internet.

Any more then?

We'll sell to the internet at �26.

CS: Little, little.

PS: It's a profit.

Little bit.

A little profit's better than a big loss.

VO: Small acorns and all that.

Now can Catherine keep her winning streak going with her next lot, the vintage tin plate crane?

�10 start me then.

Come on, �10 for the little crane.

CS: Oh, come on.

KATE: Ten is bid.

Thank you.

12.

14 is bid.

14.

Right at the back at 14.

Just sit still, woman!

16?

All's fair in love and war.

�16.

Oh yes!

Keep going.

At 16.

Anyone else?

At 16 then, we'll sell to the room.

Oh dear.

VO: Oh, never mind, Catherine, there's still time to make a profit, girl.

It wasn't my type of thing really.

You'd never catch me buying rusty stuff really.

I'm not into that type of thing.

VO: Really, Philip?

Next up is your Eton and Harrow sporting prints.

�20?

Let's start them.

20.

Two.

Yes.

24.

26.

He's bidding over there.

28.

30.

Five.

40.

Five at the back.

Yes.

50.

Five.

60.

Five.

Oh.

70.

Five.

80.

Here, with a bid at �80.

Phil!

It sort of helps, doesn't it?

Selling to the room.

Internet is out.

We sell to the room at 80.

Thank you.

VO: Well you hit that one for six, Philip.

Now it's time for Catherine's 1930's biscuit tin.

Jealous?

Has it got any rust?

Yes, it's got rust.

Start at �30.

�30 low estimate.

35, and 40.

Five, 50.

Yes!

Well done.

60.

Five, 70.

At 70 and five is bid.

80.

Keep going.

Five.

At �85 for this lot then.

So excited for you.

Any more bids?

We sell at �85.

That was a top buy, wasn't it?

VO: Crikey, Catherine, that's a whopping profit!

Rust you see.

I am the queen of rust.

VO: Auctioneer Robin has taken over the hot seat from his daughter, just in time for Philip's Victorian ottoman.

�20 straight in, anyone?

20?

�20 bid.

22 the lady.

24.

26.

28.

�30.

35.

Someone has your vision, I think, Philip.

�40 new bidder.

45.

45 I'm bid.

45.

At 45 then.

Selling it now.

PS: I'll settle for that.

CS: Yeah.

VO: Its condition probably didn't help.

It's Catherine's swan rocker next.

I just don't know why I bought it.

It's firewood, isn't it?

Yeah.

�20 to start me off?

Ten then?

�10.

12 in the front, 12.

14.

16.

18.

20.

�20.

�20 front row.

22.

Yes!

22, 22 at the back of the room now.

Always knew I liked it.

All done, then, at 22?

VO: Too bad, Catherine, no swan song with that lot.

It's a loss, but it's a happy, happy loss.

VO: Now we've got Philip's naval flags.

�50 anyone?

Start me off then.

Ten for these, �10.

12, 14, 16, 18, 20, two, four, six, eight.

28.

30 here.

30, five, 40, five.

There they go.

50, a new bidder.

55.

She's got a bid over there as well.

55, 60, 65.

70?

70.

Five.

75.

80.

�80 for the flags.

�80.

That seems quite low to me.

VO: Blimey, someone's got a bargain.

VO: How will Catherine's croquet set do?

I liked your croquet set.

CS: Did you?

PS: I looked at it.

It was either the flags or the croquet set, so we'll see in a minute which I should have bought.

CS: Oh!

ROBIN: �50?

50... Oh, he wants that, down the end.

My new friend.

�55.

�60.

65.

70.

75.

And again.

Come on.

Yes, come on.

Come on.

80.

Yes, well done.

�80.

Five?

85.

See.

85.

�85 down here.

90 at the back.

90 at the back.

Sh.

Sh.

�90 now.

Any more then?

All done?

Last time.

Bidding.

95, back in again.

I think he's done this before.

95.

Any more now?

100 at the back.

100 now.

100 at the back.

You gonna have another go for a fiver?

105.

Ooh.

105 it is.

At �105.

VO: I think you've got your answer there, Philip.

Never buy flags.

Always buy croquet sets.

You made the wrong decision.

VO: Next up is Philip's last lot, the Edwardian bijouterie table.

�60 on this, straight in.

65, 70, five, 80, five, 90, it's jumped to on the net.

�90.

100 it's gone to now.

120.

130.

No problems with this.

140.

Internet bidder.

150, waving the arm.

160.

170.

180.

Told you, 200.

190 internet.

190.

200?

200, yes please.

200 it is.

�200.

210 on the internet.

220.

220.

230 on the net.

230 I'm bid.

Internet holds it now, at �230.

That's a good find, Phil.

I'm going to sell at �230.

It's alright isn't it?

230.

That's brilliant.

VO: Blimey that is a stonking profit for Philip.

It's been real swings and roundabouts.

Or even ducks and bijouterie tables.

Come on.

VO: That's the second auction completed, so let's do the sums.

VO: Catherine started off with �172.30 after paying auction costs she made a profit of �97.28 leaving her a total of �269.58 to spend next time.

Philip started off with �259.94.

After paying auction costs he made a profit of �125.46.

Wow.

Leaving him the princely sum of �385.40 to spend next time.

Well, a good enough day, I think, for you to drive.

Yes.

Are you ready for this?

Drive on.

Drive on.

Ready?

Yeah, as I'll ever be.

Why are you closing your eyes?

Yeehah!

We are on the way.

VO: Cheerio then.

Next time on the Antiques Road Trip.

Change gear, change gear.

Whoa.

VO: Catherine's on a roll.

Could it be a bargain?

Could be.

Could be a bargain.

VO: And Philip's all at sea.

I'm not sure who's done who here.

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