RAYE: Live at the Royal Albert Hall

[BUZZ OF VOICES INSIDE] [FAINT CLASSICAL MUSIC] [FAINT APPLAUSE] - [RHYTHMICAL PIANO] - [AUDIENCE CHEER] [MAN ON RECORDING]: Ladies and gentlemen, thank you so much for coming out tonight to the world famous 21st Century Blues Club.

- [AUDIENCE CHEER] - [MAN]: Coming to you live, tonight From dirty, dusty, little old venue they like to call The Royal Albert Hall.

We've got a very special guest coming on for you tonight.

All the way from South London, You know the place.

With a little help from our house band, The Flames Collective, and The Heritage Orchestra conducted by Tom Richards.

[CHEERING INTENSIFIES] [GRANDIOSE INSTRUMENTAL MUSIC] [TEMPO INCREASES] [GENTLE STRING MUSIC] [AUDIENCE CHEER] [MAN ON RECORDING]: Please give a warm heartfelt welcome to the wonderful... [INTENSE CHEERING] ...RAYE.

[EXCITED DRUMS] [UPBEAT TRUMPETS] - [MUSIC CLIMAXES AND STOPS] - [LOUD CHEERING] Are you ---- joking?

Blue sky, oh my God.

- [SINGLE DRUM BEAT] - [DRAMATIC MUSIC] Ladies and gentlemen, I'm gonna tell you 'bout One of the many men, name is irrelevant Height is irrelevant He was a one out of a ten I wish that I knew it then I'm still recovering, oh Truly, I'm vulnerable I love a sentiment Quickly I opened up I learned my lesson then Thought I was safe again, thought he was innocent I was so wrong I can't deny I was stuck in the daze, a terrible phase You was convincing, though, very believable The role that you played So I'll take this front row seat And, baby, baby, you can go ahead Cry those Oscar-winning tears Popcorn and I scream, yes Baby, baby, you can Go ahead, cry those Oscar-winning - Tears-tears-tears - [AUDIENCE CHEER] Oh, what a tragedy It didn't have to be Look how you talk to me Cursing and blasphemy Cinematography, get this on camera, please Or no one gon' believe this here - No, I can't deny - I can't - I thought you were the man - I thought But you had a plan The ---- you lying for?

---- you crying for?

You did it again Oh, so I'll Take this front row seat, babe And baby, baby, you can Go ahead, cry those Oscar-winning Tears Popcorn and I scream, yeah Baby, baby, you can Go ahead, cry those - Oscar-winning tears - Oscar-winning - Te-tears, ooh - Tears - [VOCALISES] - [AUDIENCE CHEER] You can miss me with the ---- 'Cause I can see right Through your tears Tears [TRUMPETS BUILD] Nine o'clock entertainment Oh, man, I wish I could tape it Sit down, no tissues - [MUSIC TURNS CALMER] - No string section No tiny violin [VERY GENTLE MUSIC] For the last time, I'm your audience I'll take This front row seat And baby, baby, you can go ahead And cry Those - [TRIUMPHANT MUSIC BUILDS] - [RAYE AND CHOIR VOCALISE] [AUDIENCE CHEERS] [DRAMATIC DRUMS] [MUSIC CLIMAXES] [VOCALISES] Go ahead, cry those Oscar Winning tears, babe - Baby, baby - [DRAMATIC TRUMPETS] - And would you go ahead - Go ahead Cry those Oscar - Winning tears - [MUSIC RESTS] [AUDIENCE CHEERS] [GENTLE MUSICAL FINALE] [INAUDIBLE] [RAYE LAUGHS] Hello.

[LAUGHS] Wow.

Oh my goodness.

Wow.

This is not a sight you get to see every ---- day.

- [AUDIENCE CHEER] - Hello.

I'm trying to catch my breath.

Also, I've worn a really tight corset I didn't think this through... [LAUGHS] 'Cause I'm strugglin' to breathe.

- How you feelin'?

You okay?

- [CHEERING] [RAYE LAUGHS] The next song in this story we're gonna tell you-- When I became an independent artist, I was very... heated.

I was angry.

I sat in my livin' room, in fact, and penned this with bitter, furious tears.

And this song is called "Hard Out Here."

[LOUD CHEERING] And we're gonna sing it for you now.

[FAIRYTALE-LIKE INSTRUMENTAL MUSIC] [MUSIC INTENSIFIES] [AUDIENCE CHEER] Mmm After years and fears and smiling through my tears All I ask of you is open your ears 'Cause the truth ain't pretty, my dear It's been dark, been hard out here, uh - [ENERGETIC BEAT] - On my way, figured a way Figured a way out Pen is a gun, pen is a gun, I'm finna spray now He said I was out, said I was done Look at his face now, hmm [VOCALISES] Tell them boys, feeling them boys Meet at the steak house I been a mess, I'm in a dress and I got my cakes out Sleeping on her, sleeping on me, I'm in your face now [VOCALISES] What do you know about hustling?

As a young girl - in the dungeons - The dungeons What you know about making amends?

With the devils in your face you must pretend Uh CR0, I'm from the ends but I'm an actor Smile in your face All of the ----, all of the wankers I had to chill, smoke it away Manage my anger [VOCALISES] What you know about systems?

About drugged drinks?

---- nearly dying from addictions?

You start to wonder why I'm Christian Without the Lord, I'd take my life For all the times I've been a victim No weapon formed against me shall ever prosper, hey [DRAMATIC MUSIC] Baby I bounce back Baby, I bounce back Bounce, bounce back Baby, I bounce back No weapon formed against me shall ever-- Sing it Baby, I bounce, baby, I bounce, baby, I bounce back Baby, I bounce back - Bounce back - Yeah, baby I bounce Baby, I bounce, baby, I bounce back No weapon formed against me shall ever prosper - All the white men CEOs - ---- your privilege Get your pink chubby hands off my mouth ---- you think this is?

- I told my lawyer stand by - War There is no wrath like a women scorned Uh, now I bet you wish Baby, I bounce, baby, I bounce, baby, I bounce back Devil's a lie, I am the guy, call me the Conrad I been too nice, triple the price Pay me the whole bag These ---- cheatin' on me Am I a wag?

Never again Top a the day, top a the day, top a the day to you This LP's full of the ---- I'm gonna say to you See how I flow when I'm in pain I'm gonna pray for you then aim for you And it's a shame for you, du-doh Oh, what you know about violence?

I'm on smoke now Babe, I think it's time to cut the violins Can't see you, I'm looking at the inside of my eyelids I'll never stop fighting, all in God's timing - [DREAMY MUSIC] - [AUDIENCE CHEERS] I'm about to have these grown men crying You wasn't trying, you was sitting on diamonds [GRANDIOSE TRUMPETS] But you gon' have to see me now Shining, hyped up, blinding Very ---- frightening All these lies, now I see it so clear See for girls like me from the bottom of the tier [TEMPO SLOWS DOWN] T-t-t-t-t-tier [AUDIENCE CHEER] That it's always been hard out here Can I see some hands?

Hey!

Baby, I bounce, baby, I bounce Baby, I bounce back Baby, I bounce back She bounce back - Baby, I bounce - Baby, I bounce back No weapon formed against me shall ever, uh Baby, I bounce, baby, I bounce, baby, I bounce back - [DAZZLING TRUMPETS] - I bounce back Baby, I bounce back, babe No weapon formed against me shall ever prosper - [MUSIC ENDS ABRUPTLY] - Thank you.

[AUDIENCE CHEERS LOUDLY] Yo, this is ---- Eton.

What is-- Ah!

[CHEERING CONTINUES] Ladies and gentlemen, I really need to introduce you to this man here, stood right here.

Conductin' this magnificent orchestra.

[LOUD CHEERS] This right here, ladies and gentlemen, is Tom Richards.

I really need you to put your hands together for Tom Richards right now.

[ENTHUSIASTIC CHEERING] [RAYE]: This man has worked so hard and composed, evolved and brought My 21st Century Blues to a whole thing I couldn't have even imagined it being.

Thank you so much, Tom.

We love you.

[CHEERING] And I'm gonna join you right now to indulge in what is "The Thrill Is Gone Requiem."

[AUDIENCE CHEER] Absolutely.

I'm even gonna sit down and enjoy it myself.

Let's go.

[GENTLE PENSIVE STRINGS] [DRAMATIC GONG] [BASS CLARINET JOINS IN] [DRAMATIC GONG] [MELANCHOLIC TRUMPET] [MUSIC INTENSIFIES] [DRAMATIC TRUMPET AND DRUMS] [GLORIOUS MUSIC] [FAST STRING MUSIC] [MUSIC CLIMAXES AND SOFTENS] [STRIKING VIOLIN] [TENSE HARP] [STRIKING FLUTE] [DRAMATIC BASSOON] [DETERMINED FLUTE] [STRIKING TRUMPETS] [MUSIC BUILDS UP] [MUSIC INTENSIFIES FURTHER] [MUSIC CLIMAXES] [HIGH-TEMPO DRUMS] - [DRAMATIC TRUMPET] - [AUDIENCE CHEER] [MUSIC TURNS WHIMSICAL] Card games and heart games I said, "Let's play," I should know better My boy ain't my boy But I call him that 'cause it feels better Court case last Monday but he buss trial So I feel better Painkillers and codeine I got stomach cramps under my sweater Dark words from his dark mind Now there's dark stains under my eyes I'm scared when I look at him And I don't know why I'm surprised Silk sheets and I'm cryin' in 'em And I'm stayin' here when I should go I'm scared if I leave now I'll never come back so I sip slow Say somethin' nice to me Say somethin' nice to me I nod and I agree, you get so mad if I disagree So he invited me To sit here silently Oh, he can't stand the sight of me He used to get excited, but now Thrill is gone, thrill is gone Thrill is gone Hm, the thrill is gone, thrill is gone The thrill is over I know it's so 'Cause I'm more alone when I'm on his shoulder, yes The thrill is gone, thrill is gone Gone, gone, gone, gone, gone The thrill is gone, thrill is gone Thrill is gone, yeah He's a Leo sun, a Leo moon And a Leo rising, yeah Something dies in his eyes when I find them The thrill is gone The thrill... Is... Is all gone... - [MUSIC TURNS SENSUAL] - Yeah Oh I can't sleep in the same bed as you Something just doesn't feel right When you fall asleep leave the room As you're closin' your eyes I shut the door behind me quickly And then I, I get in my car But, babe, the second I leave you I wish I was where you are - Say... won't you say, - Somethin'... - Won't you say - ...nice... Somethin' nice to me, oh - Today - Say - Won't you say, won't you - Say - Say, oh no - Say [VOCALISES] [HIGH-TEMPO MUSIC] - The thrill is gone Thrill is gone, thrill is gone The thrill is gone, gone, gone, gone The thrill is over again And I know it's so 'Cause I'm more alone when I'm on his shoulder Ladies and gentlemen, can I invite you to put your hands together?

[RHYTHMICAL CLAPPING] - Gotta get on the road now - Hey Gotta shake a little dust off - Gotta get up - Walk away Get on the plane now, say I'll leave him in the past I pray I know it's done, It's sad to say But the thrill is gone [VOCALISES] It's gone away - Oh, yeah - The thrill is gone The thrill is gone Thrill is gone Yeah, the thrill is gone, gone, gone The thrill is over And I know it's so 'Cause I'm more alone when I'm on his shoulder I'm having a little break down.

Hey, hey [STRIKING TRUMPET] [AUDIENCE CHEER] Hey Ladies and gentlemen, the brass section.

[INTENSE TRUMPET MUSIC] [VOCALISES] Something dies When I find them [MUSIC CLIMAXES] [VOCALISES] [AUDIENCE CHEER] - [MUSIC STOPS] - I think the thrill is... The thrill is just... Oh, when it just... I think it's just... So... [AUDIENCE CHEER] - Gone - [MUSIC RESUMES TO CLIMAX] [VOCALISES] Oh, yeah - [MUSIC ENDS] - [AUDIENCE CHEER] Guys, can you just make some noise for everything behind me right now?

[ENTHUSIASTIC CHEERS] So, this is my... sexy girl anthem I'm gonna sing for you.

It's called "Five Star Hotels."

[AUDIENCE CHEER LOUDLY] Yeah, come on.

Come on.

And it goes hard.

It's a new arrangement we're gonna sing for you now.

We're ready, Tom?

Let's go.

Oh, I need to breathe.

[BREATHES] [MELANCHOLIC STRINGS] Mmh Mmh I think that you should be here with me Oh [VOCALISES] [MUSIC AND VOCALISING INTENSIFY] I think that you should be here with me [VOCALISES] Oh, yes, you should be here with me - [ATMOSPHERIC MUSIC] - Mmh - [AUDIENCE CHEER] - Yeah Yeah Yeah - [RECORD SCRATCHING] - Yeah, yeah - ---- what they say - Say, say I think you should take a break - Get on a plane, yeah - Plane, plane Call it the sweetest escape I wanna go, I wanna feel I wanna feel your body People gon' talk, like it or not So baby, don't tell nobody And I know I've been distant I've been seeing other guys You've been kissing other ----, mmh [RHYTHMICAL TRUMPETS] I think you should come and visit I got someone else who isn't you Pulling up in a minute Oh, yeah Don't you know what you're missing In the the five star high hotel in Mauritius?

[SENSUAL DRUMS] I think I know what you're missing In the five star high hotel in Mauritius Yeah, come seek, I'm hiding Sick of drunk-dialling Come to my hotel, baby, don't fight it I just wanna hang on your neck like a diamond, uh-uh Look at that timing I take you to dinner, fine dining I'ma take off, how I land that, pilot Five-star telly, pree a bad ----, ride it, oh I'm on the road, I took the Benz down to the coast I'm tryna drink, I'm tryna smoke Set it on fire, I took a toke of that [MUSIC STOPS] [ALL LAUGH] [MUSIC RESUMES] Clearing my mind if you were mine You would be here We would be fine There would be wine We would be high on that And I know I've been distant I've been seeing other-- You've been-- Kissing... I think you should come and visit I got one fine piece of man Standing in position, ooh Baby Don't you know what you're missing In the five star high hotel in Mauritius?

Yeah I think I know what you're missing In the five star high hotel in Mauritius, mmh Come seek, I'm hiding Sick of drunk-dialling Come to my hotel, baby, don't fight it I just wanna hang on your neck like a diamond Oh Look at that timing I take you to dinner, fine dining Imma take off, how I land that, pilot Five-star telly, pree a bad ---- Ride it, uh-uh - [DREAMY MUSIC] - [VOCALISES] Five-star telly, pree a bad ----, ride it, ooh [VOCALISING] - Don't you - [SINGLE DRUM BEAT] - Don't you - [WHIMSICAL BASS] Don't you know what you're missing?

Touching, kissing, I like persistence Don't you wanna roll, roll - In my Rolls?

With the stars on the ceiling, come see this feeling now Come feel like you're dreaming now Come be by my side, baby I'll take you on a ride, baby I'll show you why I'm different Say we don't need a reason now, yeah Flames Collective, I need to hear some opera.

Are you ready?

[GLORIOUS MUSIC] Don't you know what you're missing?

In the five star high hotel in Mauritius?

Yeah Don't you know what you're missing?

In the five star high hotel in Mauritius?

- [MUSIC CLIMAXES AND STOPS] - [AUDIENCE CHEER] [VOCALISES] [DREAMY MUSIC] Five-star telly Pree a bad ----, ride it You ready?

Five-star telly, pree a bad ----, ride it [VOCALISING] [RAYE LAUGHS] - Five Hotel in Mauritius - [MUSIC CLIMAXES AND STOPS] - Thank you.

- [AUDIENCE CHEER] [RAYE SIGHS] Um...

So, this next song is-- It's a really bitter-sweet song, okay, I think.

You know, when you go through tough ---- in life, sometimes, maybe, you develop the wrong coping mechanisms to deal-- with stuff, you know, and I did-- I gave a promise on my album that I wanted to be honest.

So it goes with the theme of honesty.

Talking a little bit, I guess, about drug abuse.

Really fun subject, innit?

Love that.

Uh... Yep [CHUCKLES].

But often this is something that whenever we deal with, we deal with in private or on our own.

It's awkward to talk about, d'you know what I mean?

No one wants to be like, "Oh, [SMACKS LIPS] I'm kinda addicted to, uh, this painkiller."

It's ---- awkward.

You're not gonna start a conversation like that.

Actually, often, it's not until you reach a breakdown does it finally feel its way to force itself out of your lips, um...

I've definitely dealt with my fair share of that vibe.

Um...

Which isn't very attractive, but it is...

I guess, you know, my truth.

And something I've been battling with a lot across the years behind closed doors.

So, I wrote this kind of... kind of ---- love song.

- [AUDIENCE CHEER] - Thank you.

Uh...

Thank you.

Um... Yeah, I wrote this kind of ---- love song to my addictions.

And, um, it's called "Mary Jane."

We're gonna sing it for you now.

[AUDIENCE CHEER] [LOW CHORD STRIKES] [GROOVY SAXOPHONE JOINS IN] [ATMOSPHERIC MUSIC] [INAUDIBLE] Graeme Blevins on the sax, one more time.

- [ATMOSPHERIC MUSIC CONTINUES] - [CROWD APPLAUDS AND CHEERS] [RAYE]: Wow.

[MUSIC RESTS] Mmh [LOW GUITAR] Mmh [GENTLE VIOLIN JOINS IN] Mmh Mary Jane, mmh Sweet, sweet Mary Jane, Jane When you touch my mouth I, I, I, I levitate You take these bitter thoughts In my brain and let them Fall like summer rain Sweet Sweet Mary Jane Jane, Jane, Jane, Jane, Jane, Jane Hm, codeine Oh, no, codeine Silent, marvellous codeine The truth is How I miss Your chemical hug Oh, yes, I do, yes Since I've been clean Mmm And you hold me better than any man did And no one's done it like you since Codeine, mmm - [ROMANTIC STRINGS] - Sweet, sweet, sweet [VOCALISES] Sweet, sweet Mary Jane - And codeine, yeah - And codeine [VOCALISES] Can kill any pain Mmm, oh [VOCALISES] Red wine - You know about red wine.

- [MUSIC BUILDS] You always gave me the best advice You gave me courage To call the man who makes me cry And I, I bought three bottles 'Cause I tend to drink you dry [VOCALISES] - How we've danced tonight - [EMOTIONAL TRUMPETS] Red wine Red wine Sweet, sweet, sweet [VOCALISES] Sweet Sweet Mary Jane [MUSIC BUILDS] And codeine No I wouldn't She can kill any pain Mmm, Mandy, dear Mandy, dear Oh, when I met you, we had quite the year You showed me love so pure, so strong Then you left me in bed so alone You're a stone cold ---- in the morning, aren't you?

Oh, aren't you, Mandy?

Sweet, sweet, sweet [GLORIOUS TRUMPETS] Sweet Sweet, sweet Mary Jane [VOCALISES] She can kill any pain Ladies and gentlemen, we've got Paulie on the guitar!

[DRAMATIC GUITAR SOLO] Oh, Mary Jane Sweet Mary Jane [VOCALISES] - Mary... - [MUSIC TURNS GENTLE] Mary, Mary, Mary, Mary Oh, how I miss you [VOCALISES] Mary Jane - [VOCALISES] - [AUDIENCE CHEERS] [MUSIC CONCLUDES] Okay, so basically, people who are close to me know about this.

I'm very, very, very, very stressed out about the state of the planet right now, okay guys?

It's a mess.

We all know it.

We all know it, like-- It's really-- It's bad, guys.

I mean, you know it's bad when David Attenborough's like, - It's really bad.

- [FAINT LAUGHTER AND CHEERS] D'you know what I mean?

I love that guy.

He's one of my heroes.

[AUDIENCE CHEER] Now, come on, right?

David Attenborough.

Absolutely.

So I deal with a lot of, um-- What I've termed as environmental anxiety.

Okay.

So then I decided to make a song that is as chaotic and anxiety-provoking as how I feel about this subject matter.

So, basically, we're gonna play you next a very chaotic song.

Which gives me anxiety when I listen to it.

So if that is the feeling you take away from this song, that was the intention.

[AUDIENCE CHEER] - [DETERMINED XYLOPHONE] - It's also weird as ----.

Cool.

How did you ever think [SORROW TRUMPETS] How did you ever think It wasn't bound to happen?

[WHIMSICAL TONES] You poison the waterfalls Set fire to our rivers of hope The end of us all, well, it was always bound To happen - To happen - [CHOIR HARMONISES] - Yeah, yeah, yeah, yeah - [MUSIC RESTS] Two, three, uh [DETERMINED CHAOTIC MUSIC] [WHIMSICAL VIOLINS] Yeah Come on, kids, it's time to vote Boris Johnson's sniffing ---- All the children are depressed Not the future we had hoped Little girls aren't safe at home She's scrolling up and down her phone She hates her life, she hates herself And she's 12 years old These socials apps are now our gods Since dopamine from likes and shares Then we find peace from drugs and sex - And prescription - Anxiety meds Sweep the truth under the rug Feed us plastic GMO crops We don't need self-motivation - Robots will take - All our jobs - And how did we ever think - How did we ever think Yeah How did we ever think It wasn't bound to happen?

Mmm We poisoned the waterfalls And set fires to our rivers of hope We're all gonna die What do we do before it happens?

Turn a blind eye when the drunk man falls Did you ever think why is the drunk man drunk?

A system failed, two kids in jail And the rich get rich and the rest get sunk Classist, sexist, racist, ableist Fascist, ageist, homophobic Country leaders ---- our futures And they think we haven't noticed Forests burning, oil spills Melting ice and methane gas Toxic waste and plastic fish We're digging holes to hide our trash Unity reeks in all our songs But we drew borders across our lands A thousand years we been at war - When the planet is dead - We will all hold hands - How did we ever think - [MUSIC CALMS DOWN] How did we ever think - It wasn't bound to happen?

- [GLORIOUS MUSIC] We poisoned the waterfalls And set fires to our rivers of hope We're all gonna die What do we do before it happens?

[MUSIC BUILDS] [VOCALISES] - Do we, do we, do we do - [MUSIC STOPS] Before it happens?

- [MUSIC RESUMES] - Yeah!

[DRAMATIC MUSIC] Hey!

We need a little better, a little better, a little better.

That's what I'm talking about.

Ah!

Ooh, yeah [VOCALISES] Mmm [TRIUMPHANT TRUMPETS] [MUSIC CLIMAXES AND RINGS OUT] [AUDIENCE CHEER] [UPBEAT ANNOUNCEMENT]: Attention citizens.

Please evacuate the country in an orderly fashion and leave behind any personal belongings, um, that you don't need.

[DISTORTED LAUGH] [GRAND FINALE MUSIC] [MUSIC ENDS AND RINGS OUT] - [RAYE]: Thank you.

- [AUDIENCE CHEER] Thank you.

[CHEERING INTENSIFIES] Okay, look, I'm gonna keep it completely honest with you guys.

I'm nervous as ---- for this next bit, all right.

- [CHEERING] - [WOMAN]: We love you!

I am.

D'you know, I wanna talk to you a little bit about this song before, because I feel like-- You know when you look in the mirror and are like, "What the ---- is that?"

And you're just so repulsed with what you see.

And I think in the times that we're in, it's, um...

It's harder.

It's actually harder to, like, like yourself.

Or not look at yourself and think, "Maybe I should inject something in there," or, "Maybe I need to, like, suck some fat outta here, or..." You know.

And I think it's easy to get on social media and preach self-love.

But then the reality is that you're at home on your own looking at yourself, like, "I'm not satisfied with this at all."

Um, and that's what this next song is about.

'Cause that's definitely something I really wrestle with, you know.

I promised honesty in this album and that's definitely what it is, so... - [AUDIENCE CHEER] - Yeah, we're gonna-- - Thanks.

- [LOUD CHEERS] So-- Oh, I lost an earring.

I didn't even notice that.

So, uh... We're gonna get into this next song now, and... - [WOMAN]: You're beautiful!

- And get a little bit deep and uncomfortable.

And I don't really like my body, so... - Let's go [CHUCKLES].

- [CHEERING] [SORROW VIOLIN] [GIRL ON RECORDING]: I think when I grow older I'm going to get a nose job.

I have a bump on my nose and it's ugly.

When I grow up I want to be skinny but with an hourglass figure.

[AUDIENCE CHEER] I hope I'll be pretty when I grow up... [CHEERING INTENSIFIES] ...or I think I'll be sad.

[WHISTLING] - [CHEERING CONTINUES] - Or I think I'll be sad.

I let my fingers pinch my skin I'm so hungry, I can't sleep But I know if I eat Then I'll be in the bathroom on my knees I hate the way my face is square I hate my arms inside these sleeves For this hourglass we all desire I wear three corsets underneath XL T-shirts, baggy jeans - So I don't have to - Stress about it Mmm, marijuana every day - So I cannot - Obsess about it Mmm, how can I expect you to romance me Touch my body, baby?

I don't want to take it off for you Until you turn the lights off And I don't like my... - But knowing it's my - Only body - I should pro'ly call - Call somebody I should really show how I'm feeling inside Matter fact, I'm glad you called me I've been hiding, I been high - And I've been sleeping - Hungry I hug my knees, I squeeze my waist There's so much that I want to change Yes, lately I've been thinking 'bout the ways To rearrange my face I wanna cut pieces off Looking in the mirror Want to take a pair of scissors Sadly, dear, I wanna cut pieces off Lately, I've been so depressed about it No one sees what I can see And I'm so ---- scared about it How can I expect you to romance me Touch my body, baby?

I don't want to take it off for you - Until you... - [MUSIC BUILDS] And I don't really like my body - But knowing it's my - Only body - I should pro'ly - Call somebody And I should really show you how I'm feeling inside Matter fact, I'm glad you called me I've been hiding I been high And I've been sleeping hungry, yeah [MUSIC TURNS GENTLE] [ATMOSPHERIC FLUTE] [AUDIENCE CHEER] Mmm Matter fact, I'm glad you called me I've been... - [VOCALISES] - [GRANDIOSE TRUMPETS] I don't really like my body [ATMOSPHERIC MUSIC] But knowing it's my only body I should pro'ly call somebody Or take my clothes off at the Royal Albert Hall.

- [AUDIENCE CHEER] - And show my body.

[VOCALISES] Thank you.

[AUDIENCE CHEER] [MUSIC FADES OUT] Bloody 'ell, man.

I said honest, I'm giving you honest, okay?

---- 'ell [LAUGHS].

Oh... Give me a sec.

My ears are tangled, my nails are falling off.

I'm gonna come apart piece by piece on this stage, okay?

[EMOTIONAL VIOLIN MUSIC] - Uh.

- [CROWD CHEERS] And this next song is, um... [NECKLACE DROPS] - [MAN]: I love you, RAYE!

- I love you, too.

[AUDIENCE CHEER] Oh, this next song is-- Look, we thought we'd get all of this ---- sad stuff out of the way at once.

Um... 'Cause guys, when I-- Wow, this song is... the hardest song I've ever written.

- It is.

- [MAN]: Come on, RAYE.

At the same time so empowering, but at the same time so freaking painful.

'Cause every time I sing it, it takes you back there.

D'you know what I mean?

Got my nail [CHUCKLES].

- Um... - [CHEERING CONTINUES] This song was important to me because I was too scared to say anything about anything I went through when I was going through anything, I buried-- It's entangled into "Mary Jane" and "Escapism" and all these songs on this album.

That the consequences of when you experience something that you don't deserve.

And then you carry that baggage around for years and years.

And your bags just get heavier and heavier.

And add more ---- and more ---- and then you-- [SIGHS] So here-- Yeah, I'm just gonna... sing it for you now, and this song is called... - [AUDIENCE CHEER] - [EMOTIONAL VIOLIN CONTINUES] ..."Ice Cream Man."

With everything hanging out.

D'you know what?

And I sing this song, it's deep, yeah?

When I heard the statistic, I actually ---- broke down in tears.

Because the stat is that one in four men-- men and women will experience this in their lifetime.

We're in the beautiful sold out Royal Albert Hall.

There's a quarter of you here tonight, so...

I know I'm not alone when I sing this.

- Um... - [AUDIENCE CHEER] And... Yeah.

If you can relate to this song I'm so ---- sorry from the bottom of my heart and I'm singing for you right now, with my whole heart.

With my belly out and everything.

[AUDIENCE CHEER] And I wanted to do it like this 'cause that's how I ---- feel when I sing it.

I feel naked as ---- [LAUGHS].

[ENTHUSIASTIC CHEER] All right, Tom.

I'm ready.

Mmm [EMOTIONAL PIANO] So, this producer hit me up on the DM He told me, "Hey, I really like what you are doing" He told me, "Come round to the studio" "Let's cook it" He told me, "Come to catch a vibe And make some music" But when I got there should've heard what he was saying Tryna touch me, tryna ---- me, I'm not playing I should've left that place as soon as I walked in it How ---- dare you do that to me, really?

Coming like the ice cream man 'Til I felt his ice-cold hands And how I pay the price now, damn Mmm 'Cause everything you did, it left me in a ruin And no, I didn't say a word I guess that proves it, I'm a woman Mmm, yes 'Cause I'm a woman A very ---- brave strong woman And I'll be damned if I let a man ruin How I walk, how I talk, how I do it Man, I've been broken for a moment I've been through it, no It's even harder to be brave alone I was a girl, now I'm grown, I'm a woman A very ---- strong woman [AUDIENCE CHEER] And I was seven Was 21, was 17, and was 11 It took a while to understand What my consent means If I was ruthless They'd be in the penitentiary But all the stress of being honest Wouldn't help me I pushed it down But it was living in me rent free And then I fell into some things That were unhealthy A place where no one heard me asking them to help me But I needed help, I did Coming like the ice cream man 'Til I felt his ice-cold hands And how I pay the price now Damn, mmm See, everything you did, it left me in a ruin And no, I didn't say a word I guess that proves it, I'm a woman, mmm - 'Cause I'm a woman - [GENTLE PIANO ONLY] A very ---- brave strong woman And I'll be damned if I let a man ruin How I walk, how I talk, how I do it Man, I've been broken for a moment I've been through it, no It's even harder to be brave alone I was a girl, now I'm grown, I'm a woman [VOCALISES] I wish I could say how I feel, how I felt And explain why I'm silently blaming myself 'Cause I put on these faces pretending I'm fine Then I go to the bathroom and I press rewind in my head Always going round and round in my head Your fingerprints stuck a stain on my skin You made me frame myself for your sins You pathetic, dead excuse of a man - [MUSIC BUILDS] - [CHOIR VOCALISES] Yeah, yeah You see I'm a very ---- brave strong woman Yes, I am Oh, and sometimes I need To remind myself I am that [VOCALISES] You see I'm a [VOCALISES] I'm a - [GLORIOUS MUSIC TURNS GENTLE] - [VOCALISES] [AUDIENCE CHEER] And I'll be damned if I let a man ruin Mhm 'Cause I'm a very ---- brave strong woman.

Thank you.

- [ENTHUSIASTIC CHEERING] - [GENTLE VIOLINS CONTINUE] [CHEERING FADES OUT] [GENTLE FLUTE] [FAIRYTALE-LIKE MUSIC] [MUSIC BUILDS] [MUSIC TURNS SLOWER] [SENSUAL MUSIC] - [EMOTIONAL TRUMPET] - [AUDIENCE CHEER] [RAYE ON RECORDING]: Can't just let you guard down And fall for someone anymore.

[ENTHUSIASTIC CHEERING] That's what stupid girls do.

Yeah, I've been a stupid girl.

Four days away, in his arms I invest He won't take my heart, but he'll take off my dress Excuses rehearsed, I am blue, I am red ---- looking for love Imma stay doing what us ---- do best [TEMPO INCREASES] Flip a switch on a ----, then I Come alive in the nighttime In the club, sippin' Hennessy And tell him I'm dead If he callin' me, babe Flip a switch on a ---- and I'm A very sound ---- 'til you cross that line Black heels, black shades, that my energy, uh Tell him I'm dead if he callin' me You're a very silly man, block, block, mute chat New addy in the sat, new ---- on tap, oh Got best case, worst case I got ----, if they see you in the street You're getting slapped Don't threaten me Or talk to me Ever like that I got brothers in the ends that would pull up right You don't even wanna see the way I pull up right now In my little black dress, with my neck buss-- Come on!

Flip a switch on a ----, then I Come alive in the nighttime, yeah In the club, sippin' Hennessy And tell him I'm dead if he callin' me Flip a switch on a ---- and I'm A very sound ---- 'til you cross that line Black heels, black shades, that my energy Tell him I'm dead If he callin' me Lock you off, too swift hit a ting I used to link who always texts back fast And I would tell you, "Kiss my ----", I know you wish that you could Since the ---- from my past I tend to move on quick I tend to move on good Seasoned the speed, now I'm over the man Who was sleeping underneath me Said I couldn't live without you when I loved you Well, I lied, and you shouldn't have believed me 24 hours in the bed and believe me - It's 'bout to get freak-- - [SENSUAL GUITAR] You get to see me when you see me on a phone screen, G You no longer know me, I no longer want you - You may never hold me, hey - [TRIUMPHANT TRUMPETS] Flip a switch on a ----, then I Come alive in the nighttime, yeah In the club, sippin' Hennessy, yeah Tell him I'm dead if he callin', hey Flip a switch on a ---- and I'm A very sound ---- 'til you cross that line Yeah, that my energy And tell him I'm dead if he callin' me - [MUSIC CLIMAXES] - [SENSUAL FLUTE] [AUDIENCE CHEER] - [CHOIR VOCALISES] - Royal Albert Hall.

[VOCALISES] Only because I was in love, I opened up Now I'll open up to your best friend - [CROWD]: Which one?

- ---- like me I just had to flip the switch on [ENERGETIC MUSIC] Flip a switch on a ----, then I Come alive in the nighttime In the club, sippin' Hennessy And tell him I'm dead if he callin' me, baby Flip a switch on a ---- and I'm A very sound ---- 'til you cross that-- Black heels, black shades, that my energy And tell him I'm dead if he callin' me - [VOCALISES] - [DREAMY GUITAR] [AUDIENCE CHEER] Tell him I'm dead if he callin' me [CHOIR VOCALISES] [VOCALISES] Only because I was in love, I opened up Now I'll open up to your best friend - Which one?

- ---- like me I just had to flip the switch on you - [MUSIC STOPS] - [AUDIENCE CHEER] Thank you.

Ladies and gentlemen, this is the perfect segue, now we're all warm and bubbly and buzzy.

Straight into "Worth It."

- [AUDIENCE CHEER] - Let's go.

[DREAMY HARP] [SENSUAL VIOLIN] [TRUMPETS JOIN IN] ---- is like Disneyland.

[FAIRYTALE-LIKE VIOLINS] Mmm - [ROMANTIC FLUTE] - [VOCALISES] [DREAMY MUSIC BUILDS] Mmm Gareth on the flute.

Mmm [AUDIENCE CHEER] [VOCALISES] So this next song Which I already told you before this Is called "Worth It."

And it was written about a man Who really wasn't worth it And he's married now I think his wife is pregnant, maybe This is how it goes But I hold on to this feeling on this song 'cause I hope One day I... Will feel this again Someone truly So deep that [VOCALISES] Anyway, I'm gonna sing it for you now.

Baby, baby, baby, baby I hope you're gonna Make it all [AUDIENCE CHEER] - [DRUM BEAT] - If my body was a boat Could you steer that, sailor?

Mmm Make it feel like it's a 1960s Hollywood trailer Old-school, I like Classic like cars, classic like Elizabeth Taylor - Taylor, Taylor - Yeah I need you to romance me, yeah, I need a giver, not a taker - Ooh, it's what I need - But baby boy - No, I could love you, you - I could love you If I really Wanted to You could be, be my glass of wine When the sun sets Help me exhale all the-- Baby, bae, b-b-bae, b-b-baby, would you Would you make it all right?

Or maybe that much better?

If you wanted you could make it all Worth it, worth it, worth it, worth it [VOCALISING] When I see the sun rising You make it that much better So I hope you're gonna make it All worth it, worth it, worth it, worth it [VOCALISES] Worth all of the time I'm 'bout to give you, baby So I hope you're gonna make it all Worth it, worth it, worth it, worth it [VOCALISES] Give all of the time I should be working on me So I hope you're gonna make it all Worth it, worth it, worth it, worth it [MUSIC RESTS] This is the night Something 'bout it's making me cry My soul, it did decide Feel my body shiver - In your moonlight - Hey!

And I need you to let me have the time of my life I've checked your credentials, south residentials Ooh, baby boy, you got so much potential I could - I could love you - Love you If I really wanted to-to-to-to You could be, be my glass of wine When the sun sets, help me exhale all the-- Baby, bae, b-b-bae, b-b-baby [VOCALISES] Would you make it all right?

Or maybe that much better?

If you wanted you could make it all Worth it, worth it, worth it, worth it [VOCALISES] When I see the sun rising, You Make it that much better Yeah, so I hope you're gonna make it all Worth it, worth it, worth it, worth it, hey!

Worth all of the time I'm 'bout to give you, baby So I hope you're gonna make it all Worth it, worth it, worth it, worth it Mmm Give all of the time I should be Working on me So I hope you're gonna make it all Worth it, worth it, worth it, worth it Drip me out in six-carat Cartier rings, babe - Babe - [MUSIC SLOWS DOWN] I'm sipping on Chardonnay 2016, babe On the top floor Something like a dream, babe Somehow I'm so captured by you And I'm rearranging all of my plans As I'm holding my breath - 'Cause I hope you - [ROMANTIC FLUTE] [VOCALISES] You see baby, I Oh, I I hope You're gonna make it worth it all - [TEMPO RISES] - Hey!

Hey!

When I see the sun rising Make it that much better So I hope you're gonna make it all Won't you sing it with me?

Ooh-ooh Worth all the time I'm 'bout to give you, baby So I hope you're gonna make it all Worth it, worth it, worth it, worth it, hey!

Give all of the time I should be working on me So I hope you're gonna make it all - Worth it - [TEMPO SLOWS DOWN] This is the night [JAZZY TRUMPET] Mmm, my soul, it did decide, yes - And I need you to - [SLOW TEMPO SENSUAL MUSIC] I'm all in, I can't reverse it So I hope and pray you make it All [VOCALISES] Worth It Yeah, yeah - [AUDIENCE CHEER] - [MUSIC FADES OUT] Thank you.

[EXHALES DEEPLY] D'you think I should introduce this one or just let the drama come in?

[CLEARS THROAT] - [MAN]: Drama!

- Yeah, let's just-- Dramatic.

'Cause this song is dramatic.

You ready?

- [WOMAN]: Yeah!

- [AUDIENCE CHEER] [DRAMATIC VIOLINS] Mmm [MUSIC BUILDS] Once you see my black mascara Run from you into my mama's hands You selfish man You'd understand - What you done - Once you see My slick eyeliner blend into my black designer Bags under my eyes, oh How'd you try to understand - What you done - To me - What you done - To me Royal Albert Hall.

Done to me, you're done to me You're done to me, you're done to me - You're done to me - I see you, yes.

- You're done to me - Done to me - You made your bed - Made your bed - Lied your lies - Lied your lies And ---- my mind up Try to understand just what you Done to me, you done to me You done to me, you're done to me You're done to me, you're done to me You're done to me, you're done to me You made your bed - Made your bed - Lied your lies - Lied your lies - And ---- my mind up - Try to understand - Just what you Now you see my black mascara Run from you into my mother's hands You selfish man Do you understand How I feel And what you - Done to me - [MUSIC TURNS DRAMATIC] Royal Albert Hall, I think I'm gonna need to see every human being on their feet and their hands extended to me.

Oh, yeah!

- [MUSIC BUILDS] - Try to understand what you [BEAT DROPS, DANCE MUSIC] [AUDIENCE CHEER] Try to understand just what you --- my mind up ---- my mind up --- my mind up ---- my mind up [DRAMATIC VIOLINS] [AUDIENCE CHEER] [VOCALISES] Understand Do you understand How it feels?

What you Tripped on the throttle, sipped on bottle, serious Tell them hoes to be minding they business Heart broke but I'm still looking like millions - Six shots down so I can't - Feel this Talking my ear off - Got a ---- gassed up - Propane - Now I can't come down - Or it pours - Oh, underneath my eyes - How it rains There's clouds up high but there's stars on the ceiling Of the Royce I hear this pain drown every other noise You talk to me dumb like you didn't have a choice I'm here now, ---- up thinking this why I'm out here sinking in these dark nights Nights Look what you've done to me Right, London?

Look what you've done to me Four, five [SONG BUILDS] [DRAMATIC MUSIC] Hey!

Hey!

Hands up!

Try to understand just what you [DANCE MUSIC CLIMAXES] I said try to understand Just what you, yeah So, do you [DRAMATIC TRUMPETS] Now on the drums, I'm gonna need you to take me higher!

[DRAMATIC ELECTRIC GUITAR] So do you understand How it feels Or what you've done... - [MUSIC FADES OUT] - [AUDIENCE CHEER] ...to me?

[DRAMATIC VIOLINS CONTINUE] Try to understand just what you've done to me [CHEERING CONTINUES] - [MUSIC STOPS] - Thank you.

[ENTHUSIASTIC CHEER] Thank you.

I just want to take a moment to say thank you to every single person who's taken time out of their day to come here.

- [CHEERING] - And share this moment with me.

I remember for a really, really long time not being taken seriously or feeling seen.

Working so, so hard.

Like, "I'm obsessed with this."

Like, "I'm gonna get this or I'm gonna die trying."

[AUDIENCE CHEER] I really am.

For every single one of you who took the time, you took your money and bought a ticket to come here and be part of this.

I do not take you for granted.

I'm so beyond grateful for you.

Thank you for seeing me.

Thank you for listening to my music.

- [CHEERING] - Thank you for believing in me.

This has been my dream since I was a little girl.

I was 11 years old and I said, "Mum and Dad, I wanna be a musician."

[TEARY] I wanna be a writer.

And now I'm here at the Royal Albert Hall.

- [ENTHUSIASTIC CHEER] - [LAUGHS] So dreams come true.

Croydon to the world.

I'm gonna stop crying now and sing you another song.

Danny, help me out please.

[LAUGHS] [GENTLE PIANO] So... [LAUGHS] For those of you who've been to any of my shows before you'll know every time I sing this song I'm always like, "One day, I'm gonna have a gospel choir on stage singing this with me."

- [AUDIENCE CHEER] - Today I do.

And, um-- But this isn't a get out of jail free card.

I'm still gonna need your help, um, singing this part with me.

Sorry, I'm just a bit of a wreck right now, oh my God.

- [MAN]: Go on, RAYE.

- [SIGHS]: Okay.

So this song is called "Buss It Down."

- [CHEERING] - Yeah.

And we're gonna teach you the parts 'cause I'd love you to be part of this.

All right.

Danny, you ready?

- [GENTLE PIANO] - Okay, so it goes.

I'm gon' Buss it down, mm I'm gon' buss it She gon' buss it So your part is: "She gon' buss it" [CROWD]: She gon' buss it - She gon' buss it - She gon' buss it Did you hear how sick that sounded, though?

[ENTHUSIASTIC CHEERING] Okay, one more time.

And you're gonna join in, I know you're-- Are you ready?

We're gonna get this.

She gon' buss it - She gon' buss it - [CROWD]: She gon' buss it - Yeah!

- [ENTHUSIASTIC CHEERING] What's your name?

What's your name, sir?

I'm sorry to put you on the spot.

- Sam.

- Sam.

Ladies and gentlemen, make some noise for Sam.

[CHEERING] [RAYE]: Sam!

You're a legend, Sam.

One more time, are you ready?

She gon' buss it She gon' buss it That's sick, innit?

Right?

Okay, one more line.

He gon' love it [CROWD]: He gon' love it She gon' buss it [CROWD]: She gon' buss it They're ready.

Flames Collective, what d'you think?

Right, we've got their thumbs up.

This is "Buss It Down", ladies and gentlemen.

Thank you so much.

Featuring The Royal Albert Hall.

[CHEERING] [GENTLE PIANO] Mmm [ROMANTIC TROMBONE] [DREAMY MUSIC] Hm So I'm dancing on the kitchen floor I caught a vibe to and a song to whine to I said, I'll whine my waist for evermore Until I find you Until I find you I'm gon' buss it down I'm gon' buss it She gon' buss it I'm gon' tic-tock on it like a clock I'm gon' touch it [VOCALISES] I'm gon' back it up and break it down - [CHOIR VOCALISES] - And he's gon' love it He's gon' love it I'm gon' buss it down Buss it down Beautiful.

I'm just tryin' to prioritize Who I grind for Who I take my time for [VOCALISES] I got my mind on my money Got my girls by my side Until I find more - Something I'll ride for - [CHOIR VOCALISES] I'm gon' buss it down I'm gon' buss it She gon' buss it - I'm gon' tic-tock - On it like a clock I'm gon' touch it - Oh, I'm gon' back it up - [CHOIR VOCALISES] And break it down and he's gonna love it He's gon' love it - I'm gon' buss it down, yes - [GENTLE DRUMS] We're gonna get some percussions in, you ready?

- [ENERGETIC DRUMS] - Buss it down, Back it up I'm gon' buss it down - [JAZZY TRUMPET] - She gon' buss it down She gon' buss it down She gon' buss it down, yeah They gon' buss it down, down, down Shake it 'til my ocean drown it Shake it 'til your ocean drown it Ocean drown Until I decide that I'm settling down [CHOIR VOCALISES] Oh, best believe, I'm ready now You ready?

I'm gon', uh, hmm - [GENTLE PIANO ONLY] - [VOCALISES] And then, I'm gonna uh-uh-uh Imma, uh They gon' buss it down [STRIKING EMOTIONAL DRUMS AND TRUMPETS] [DRAMATIC MUSIC] I'm gon' tic-tock on it like a-- Oh, I'm gon' touch it - Oh, I'm gon' back it up - [CHOIR VOCALISES] And break it down And he's gonna-- He's gon' love it - Hey - He's gon' love it - He's gon' love it - He's gon' love it - He's gon' love it - He's gon' love it I wanna know the day I'm gon' buss it down He's gon' love it He's gon' love it - Mmm - He's gon' love it - [VOCALIZES] - He's gon' love it Gon' love, gon' love, gon' love - [VOCALISING] - Yeah, yeah Buss it Down [AUDIENCE CHEER] - [VOCALISING] - [MUSIC FADES OUT] Thank you so much.

Oh my God, thank you!

Hey!

- [ENERGETIC UPBEAT DRUMS] - Sing!

Are you dancing?

Oh, oh Oh, oh - He-e-ey - He-e-ey - Ah - Ah - Tu-tu-tu-tu-tu-tu-tu-tu - Tu-tu-tu-tu-tu-tu-tu-tu - Ooh, yeah - Ooh, yeah - Say, I'm gon' buss it - I'm gon' buss it - She gon' buss it - She gon' buss it And Sam gon' buss it Sam gon' buss it Yeah Yeah I'm gon' go, oh I'm gon' go, oh See you later See you later See you soon Ooh [VOCALISES] [DRAMATIC MUSICAL FINALE] [LAST DRUM BEAT] [AUDIENCE CHEER] [INAUDIBLE] [CHEERING INTENSIFIES] [DYNAMIC VIOLIN MUSIC] [ORGAN JOINS SIN] [MUSIC BUILDS] [AUDIENCE CONTINUE TO CHEER] [TRIUMPHANT INSTRUMENTAL MUSIC] [MUSIC BUILDS] [CHEERING] [MUSIC TURNS MORE GENTLE] [DELICATE FLUTE] [LOW, TENSE MUSIC] [DREAMY CHIMES] [RAYE, DISTORTED]: The man that I, man that I man that I love - The man that I... - [AUDIENCE CHEER] The man that I love sat me down last night And he told me that it's over, dumb decision [MUSIC BUILDS] [MUSIC TURNS EERIE YET TRIUMPHANT] [AUDIENCE CHEER] - [ENERGETIC DRUMS] - Ladies and gentlemen, hi!

[MUSIC CLIMAXES] [EERIE VIOLIN] [AUDIENCE CHEER] Sleazin' and teasin', I'm sittin' on him All of my diamonds are drippin' on him I met him at the bar, it was 12 or somethin' I ordered two more wines, 'cause tonight, I want him A little context if you care to listen I find myself in a ---- position The man that I love sat me down last night And he told me that it's over Dumb decision And I don't wanna feel how my heart is rippin' In fact, I don't wanna feel, so I stick to sippin' And I'm out on the town with a simple mission In my little black dress, and this ---- is-- Just a heart broke ----, high heels, six inch In the back of the nightclub Sippin' champagne I don't trust any of these ---- I'm with - In the back of the taxi - Sniffin' ---- Drunk calls, drunk texts, drunk tears, drunk sex I was lookin' for a man who was on the same page Now it's back to the intro, back to the bar To the Bentley, to the hotel To my old ways [SAD MUSIC] I don't wanna feel How I did last night I don't wanna feel - How I did last night - Doctor, doctor Anything, please - Doctor, doctor - Have mercy on me Take this pain away You're asking me my symptoms, doctor, I don't wanna-- Toke this joint how I'm blowin' this steam Back to my ways like 2019 Not 24 hours since my ex did-- I got a new man on me, it's about to get-- Last night really was the cherry on the cake Been some dark days lately and I'm finding it cripplin' Excuse my state, I'm as high as your hopes That you'll make it to my bed Get me hot and sizzlin' If I take a step back To see the glass half full At least it's the Prada two-piece that I'm trippin' in London, I'm already actin' like a ----, know what I mean?

- So you might as well - Stick it in Just a heart broke ----, high heels, six inch In the back of the nightclub, sippin' champagne I don't trust any of these ---- I'm with In the back of the taxi, sniffin' ---- Drunk calls, drunk texts, drunk tears, drunk sex I was lookin' for a man who was on the same page Now it's back to the intro Back to the bar To the Bentley, to the hotel To my old ways 'Cause I don't wanna feel How I did last night No, I don't wanna feel How I did last night Doctor, doctor Anything, please Doctor, doctor Have mercy on me You're asking me my symptoms, doctor, I don't wanna-- [DRAMATIC MUSIC TURNS DARKER] [OPERA-LIKE SINGING]: I don't wanna feel How I did last night I don't wanna feel How I did last night How I did, how I did, how I did last ni-ni Yeah.

This song is nearly over but it's not done yet.

- Are you ready?

- [AUDIENCE CHEER] One, two, three, jam!

[ENERGETIC MUSIC] Hey!

Hey!

[AUDIENCE CHEER] Lipstick smudged like modern art I don't know where the ---- I am or who's drivin' the-- Car speedin' down the highway, sippin' I'm mixin' pills with the liquor 'Cause ---- these-- I left everyone I love on read I'm spilling secrets to the stranger in my bed I remember nothing, so there's nothing to regret Other than this 4-4 kick drum poundin' in my head Royal Albert Hall, if you're still in this ---- place.

Would you make some noise?

Sing it one more time!

[MUSIC BUILDS] [CHOIR VOCALISES] Oh my goodness.

What?

The Heritage Orchestra, ladies and gentlemen.

[ENTHUSIASTIC APPLAUSE] The Flames Collective, ladies and gentlemen.

Tom Richards, ladies and gentlemen.

- [MUSIC FINISHES] - Thank you so-- I will never forget this night.

- [LOUD CHEERING] - As long as I live.

I will never forget this night.

I will never forget this night!

I love you so much!

Thank you.

Let's go.

[TRIUMPHANT MUSIC FINALE] Anna Lapwood on the organ, ladies and gentlemen Anna Lapwood on the organ.

[MUSIC ENDS WITH A BLAST] [CHEERING CONTINUES] [CHEERING INTENSIFIES] [FILM ROLL CLICKS] [GRAND INSTRUMENTAL MUSIC]