'Rapt attention': Lorine Niedecker's watercolor studies
[Visual Essay] Selections from Niedecker’s archives show how the poet used watercolor to document her surroundings
Welcome Poets series writer and narrator Nicholas Gulig describes Lorine Niedecker’s poetry as one “. . . of rapt attention, a language made of things — of native trees and local grasses, of minerals and rocks, and the Latin names of flowers and of birds.”
In the fourth episode he highlights Niedecker’s sustained practice of observing her surroundings, not only through poetry but also through photography and watercolor painting.
Niedecker’s watercolors are preserved in the Lorine Niedecker Archival Collection at the Hoard Historical Museum in Fort Atkinson. Merrilee Lee, the museum’s director, together with the Friends of Lorine Niedecker, generously allowed PBS Wisconsin’s archival producer to digitize a selection of them for Welcome Poets and granted further permission to present the digitized works here as a visual exhibit.
Ahead of publication, we spoke with Lee about these artifacts. She emphasizes that when sharing Niedecker’s watercolors with museum visitors or elementary school students, she reminds them that our interpretations are limited — Niedecker cannot speak for herself. Still, it is not uncommon for artists known in one medium — in Niedecker’s case, writing and poetry — to also work in others. Drawing and painting, like reading and writing, become tools for exploration, play, and understanding.
Images below are accompanied by simple captions supplied with the help of the Hoard Historical Museum and the Friends of Lorine Niedecker.
Follow Us